ArtistsKazimir Malevich
Kazimir Malevich

Kazimir Malevich

?–1935
WA-00014824
PaintingSuprematismAbstract Art
Representation
None documented
35
Institutional Exhibitions
80
Works in Collection
177
Assets Indexed
6
Authority-backed Facts
0
Publications Referenced
100%
Profile Completeness

Cultural Positioning

Influence Graph
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Authority Records (2)

Selected Institutional Exhibitions

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The Cubist Imprint
Museum of Modern Art, New York
1989
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Abstractions
Museum of Modern Art, New York
1988–1989
No image
Collage: Selections from the Permanent Collection
Museum of Modern Art, New York
1988–1989
No image
Deconstructivist Architecture
Museum of Modern Art, New York
1988
No image
Contrasts of Form: Geometric Abstract Art, 1910�1980
Museum of Modern Art, New York
1985–1986
No image
Selections from the Permanent Collection: Prints and Illustrated Books
Museum of Modern Art, New York
1984
No image
Selections from the Permanent Collection: Drawings
Museum of Modern Art, New York
1984
No image
The Modern Drawing: 100 Works on Paper from The Museum of Modern Art
Museum of Modern Art, New York
1983–1984
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A Century of Modern Drawing, 1881�1981
Museum of Modern Art, New York
1982
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Prints: Acquisitions 1977�1981
Museum of Modern Art, New York
1981–1982
No image
Masterpieces from the Collection: Selections from the Late Nineteenth- and Early Twentieth-Centuries
Museum of Modern Art, New York
1980–1981
No image
Art of the Twenties
Museum of Modern Art, New York
1979–1980

Field Verification (6 fields)

0 cross-verified · 6 single-source
  • BiographyWikidata· 70%
  • Birth yearWikidata· 70%
  • Death yearWikidata· 70%
  • NationalityWikidata· 70%
  • Primary mediumWikidata· 70%
  • Profile imageWikidata· 70%

Source Registry (3)

About

Why this artist matters now

Kazimir Malevich reduced painting to its most elemental geometry, founding Suprematism, a movement built on the premise that pure geometric form and a stripped palette could express feeling without recourse to representation. Working in oil on canvas, he constructed compositions of squares, circles, and crosses against white grounds, severing painting from the visible world entirely. His 1915 Black Square, exhibited at the Last Futurist Exhibition in Petrograd, remains one of modernism's most consequential objects. As a theorist alongside his painting practice, Malevich articulated Suprematism as a philosophical position, not merely a formal one.

Source: Sothebys · Trust score: 100% · Updated 1mo ago

Graph relationships

Taste overlap and adjacency

Movement
Suprematism
Medium
Painting
Related Artists
12 in graph
Institutional

Museum Collections

Canonical record

Artworks (80)

View all 80 artworks →

Artwork sources (3)

80 published of 166 catalogued · 103 with image
  • MoMA
    78 publishedof 164 catalogued102 img
  • Tate
    1 published1 img
  • The Met
    1 published

Per-Artwork Provenance Chains (top 1)

1 entries · 1 sources
  • Dynamic Suprematism
    1915 · Tate · 1 prov
    Url Pattern Extraction 2026-05-27·accession_number
Record

Images

10 assets
Kazimir Malevich (Wikipedia)
Wikipedia
Kazimir Malevich (Wikipedia)
Wikipedia
Ivan Kliun, Malevich a day after his death, 1935
Wikimedia Commons
Ivan Kliun, Kazimir Malevich a few days before his death, 1935 (print)
Wikimedia Commons
Ivan Kliun, Portrait of Kazimir Malevich, 1933
Wikimedia Commons
ЦДІАК України Ф 1268 Оп 1 Спр 26 Арк 13зв 14 Казимир Малевичев народження
Wikimedia Commons
Malevich's Coat of arms
Wikimedia Commons
Malevich's house
Wikimedia Commons
View all 10 media items →
Institutional

Representation & Collections

Gallery
Gagosian
In collection
Solomon R. Guggenheim Museum
In collection
The Metropolitan Museum of Art
In collection
Tate
Network

Related Artists

Record

Exhibitions and timeline