WATTS INDEXThe canonical database of visual culture

Artists›Max Slevogt

Max Slevogt

1868–1932

WA-00001609

PaintingImpressionism

Representation

None documented

Institutional Exhibitions

Works in Collection

Assets Indexed

Authority-backed Facts

Publications Referenced

90%

Profile Completeness

Cultural Positioning

Influence Graph

No influence edges encoded yet.

Authority Records (2)

WikidataQ703356

MoMA

Selected Institutional Exhibitions

View all exhibitions →

No image

Master Prints from the Museum Collection

Museum of Modern Art, New York

1949

No image

Modern Painters and Sculptors as Illustrators

Museum of Modern Art, New York

1936

Field Verification (4 fields)

3 cross-verified · 1 single-source

Death yearWikidata + Unknown· 92%✓
Birth yearWikidata + Unknown· 92%✓
DeceasedWikidata + Unknown· 92%✓
BiographyAi Generated· 42%

Source Registry (2)

MoMA bulk 2026-05-04https://www.moma.org/artists/5469
Tier 1 · Institutional92%
Wikidata Patch
Tier 1 · Institutional40%

About

Why this artist matters now

No biography available for Max Slevogt yet.

Graph relationships

Taste overlap and adjacency

Movement

Impressionism

Medium

Painting

Related Artists

12 in graph

Institutional

Museum Collections

Cleveland Museum of Art Museum of Modern ArtNew York Art Institute of Chicago National Gallery of Art

Canonical record

Artworks (48)

Section of Crewel Embroidery on Border of Petticoat

1935 · watercolor and graphite on paper

overall: 23.1 x 79 cm (9 1/8 x 31 1/8 in.)

National Gallery of Art

Self-Portrait (Selbstbildnis) from the exhibition catalogue Max Slevogt. Gemälde, Aquarelle, Pastelle, Zeichnungen zu seinem 60. Geburtstage (Max Slevogt. Paintings, Watercolors, Pastels, Drawings on the Occasion of his 60th Birthday)

1928 · Lithograph

Sheet 10 x 6 7/8" (25.3 x 17.4 cm) Comp. 8 3/4 x 6 7/16" (22.2 x 16.3 cm)

Museum of Modern Art

Menu in honor of Max Lieberman

1927 · Hektograph on ivory wove paper

25.9 × 20.5 cm (10 1/4 × 8 1/8 in.)

Art Institute of Chicago

Menu in Honor of Max Lieberman

1927 · Hektograph on ivory wove paper

23.4 × 18.7 cm (9 1/4 × 7 3/8 in.)

Art Institute of Chicago

Faust

1925

WattsOS

Die Eroberung von Mexico: Illustration

1919 · lithograph

Cleveland Museum of Art

Man toont prenten op een markt

1918

Signs of the Times IV: Pax Vobiscum (Symbole der Zeit IV: Pax Vobiscum) (plate, folio 11 verso) from the periodical Der Bildermann, vol. 1, no. 2 (Jun 1916)

1916 · Lithograph

composition (irreg.): 8 3/8 x 11" (21.2 x 28 cm); page: 14 x 11" (35.5 x 28 cm)

Museum of Modern Art

Signs of the Times IX (Symbole der Zeit IX) (plate, folio 35 verso) from the periodical Der Bildermann, vol. 1, no. 17 (Dec 1916)

1916 · Lithograph

composition (irreg.): 9 5/16 x 13 11/16" (23.7 x 34.8 cm); page: 14 x 11" (35.5 x 28 cm)

Museum of Modern Art

Signs of the Times II: Mars Rules the Hour (Symbole der Zeit II: Mars regiert die Stunde) (plate, folio 5 verso) from the periodical Der Bildermann, vol. 1, no. 2 (Apr 1916)

1916 · Lithograph

composition (irreg.): 12 1/2 x 8 1/16" (31.8 x 20.5 cm); page: 14 x 11" (35.5 x 28 cm)

Museum of Modern Art

Untitled: Fear of the Average German [O(hne) T(itel). (Furcht vor dem deutschen Michel)] (folio 6) from the periodical Der Bildermann, vol. 1, no. 3 (May 1916)

1916 · Lithograph

composition (irreg.): 6 1/2 x 8 7/16" (16.5 x 21.5 cm); page: 14 x 11" (35.5 x 28 cm)

Museum of Modern Art

Untitled, illustration to Heinrich Heine's poem "Where?" ("Wo?") (border, 5th song, folio 43) from the periodical Der Bildermann, supplement to vol. 1, no. 9 (Aug 1916)

1916 · Lithograph

composition (irreg.): 11 7/16 x 8 1/4" (29 x 21 cm); page: 14 x 11" (35.5 x 28 cm)

Museum of Modern Art

Signs of the Times X (Symbole der Zeit X) (plate, folio 37) from the periodical Der Bildermann, vol. 1, no. 18 (Dec 1916)

1916 · Lithograph

composition (irreg.): 12 1/16 x 9 3/4" (30.7 x 24.7 cm); page: 14 x 11" (35.5 x 28 cm)

Museum of Modern Art

Signs of the Times VIII: Xerxes Grew Angry (Symbole der Zeit VIII: Xerxes ergrimmte) (plate, folio 27) from the periodical Der Bildermann, vol. 1, no. 13 (Oct 1916)

1916 · Lithograph

composition (irreg.): 9 3/16 x 13 1/8" (23.4 x 33.3 cm); page: 14 x 11" (35.5 x 28 cm)

Museum of Modern Art

Signs of the Times I (Symbole der Zeit I) (plate, folio 3 verso) from the periodical Der Bildermann, vol. 1, no. 1 (Apr 1916)

1916 · Lithograph

composition (irreg.): 12 3/16 x 8 5/16" (31 x 21.1 cm); page: 14 x 11" (35.5 x 28 cm)

Museum of Modern Art

Signs of the Times VII (Symbole der Zeit VII: Über die Grenzen in weiten Land Unendlicher Schmerz die Flügel spannt.) (plate, folio 23) from the periodical Der Bildermann, vol. 1, no. 11 (Sep 1916)

1916 · Lithograph

composition (irreg.): 11 1/4 x 8 1/2" (28.5 x 21.6 cm); page: 14 x 11" (35.5 x 28 cm)

Museum of Modern Art

Signs of the Times VI: God Shall Bestow Victory on Everyone (Symbole der Zeit VI: Jedem soll er den Sieg verliehen) (plate, folio 17 verso) from the periodical Der Bildermann, vol. 1, no. 8 (Jul 1916)

1916 · Lithograph

composition (irreg.): 11 1/4 x 8 1/16" (28.6 x 20.4 cm); page: 14 x 11" (35.5 x 28 cm)

Museum of Modern Art

Signs of the Times V: Into Dust with All Enemies (Symbole der Zeit V: In Staub mit allen Feinden) (plate, folio 13 verso) from the periodical Der Bildermann, vol. 1, no. 6 (Jun 1916)

1916 · Lithograph

composition (irreg.): 9 1/16 x 10 15/16" (23 x 27.8 cm); page: 14 x 11" (35.5 x 28 cm)

Museum of Modern Art

Signs of the Times III (Symbole der Zeit III) (plate, folio 9 verso) from the periodical Der Bildermann, vol. 1, no. 4 (May 1916)

1916 · Lithograph

composition (irreg.): 8 11/16 x 11 1/2" (22 x 29.2 cm); page: 14 x 11" (35.5 x 28 cm)

Museum of Modern Art

Benvenuto Punishes Paul and Katharine (Benvenuto bestraft Paul und Katharine) for the illustrated book Benvenuto Cellini

1913 · Lithograph

composition (irreg.): 2 5/16 x 4 7/16" (5.8 x 11.2 cm); sheet: 10 7/16 x 9 5/8" (26.5 x 24.5 cm)

Museum of Modern Art

Somali Warrior

1912 · Drypoint on cream wove paper

Plate: 9.6 × 6.8 cm (3 13/16 × 2 11/16 in.); Sheet: 21.2 × 18.3 cm (8 3/8 × 7 1/4 in.)

Art Institute of Chicago

Self-Portrait (sketching in his studio)

1911 · etching with drypoint on wove paper

plate: 17.5 × 11.2 cm (6 7/8 × 4 7/16 in.) sheet: 40 × 28.8 cm (15 3/4 × 11 5/16 in.)

National Gallery of Art

Trotting

1911 · Lithograph on ivory Japanese paper

Image: 21 × 32 cm (8 5/16 × 12 5/8 in.); Sheet: 33 × 44.5 cm (13 × 17 9/16 in.)

Art Institute of Chicago

Self-Portrait, Seated in Chair, Sketching

1911 · Drypoint on ivory wove paper

Image: 17.5 × 11.5 cm (6 15/16 × 4 9/16 in.); Plate: 18 × 12 cm (7 1/8 × 4 3/4 in.); Sheet: 38 × 30 cm (15 × 11 13/16 in.)

Art Institute of Chicago

View all 48 artworks →

Artwork sources (6)

48 published of 82 catalogued · 81 with image

MoMA
21 publishedof 42 catalogued42 img
Art Institute Chicago
18 published18 img
Unknown
6 published6 img
Nga
2 published2 img
Cleveland Museum of Art
1 published
+ 1 more source · 13 catalogued, not yet published

Per-Artwork Provenance Chains (top 1)

1 entries · 1 sources

Die Eroberung von Mexico: Illustration
1919 · Cleveland · 1 prov
Url Pattern Extraction 2026-05-27·accession_number

Record

Images

Artsy

Wikipedia

Relationships

Movements1

Impressionism

Collections4

Cleveland Museum of Art Museum of Modern Art Art Institute of Chicago National Gallery of Art

Institutional

Representation & Collections

In collection

Cleveland Museum of Art

In collection

Museum of Modern Art

New York, US

In collection

Art Institute of Chicago

In collection

National Gallery of Art

Background

Education

Académie Julian

Visual Arts

Academy of Fine Arts, Munich

Visual Arts

Record

Exhibitions and timeline

Group Exhibition Master Prints from the Museum Collection

New York · 1949

Group Exhibition Modern Painters and Sculptors as Illustrators

New York · 1936