

Yves Klein
Cultural Positioning
Authority Records (2)
Selected Institutional Exhibitions
View all exhibitions →Field Verification (8 fields)
- Birth yearWikidata + Unknown· 92%✓
- DeceasedWikidata + Unknown· 92%✓
- Death yearWikidata + Unknown· 92%✓
- Primary mediumWikidata + Unknown· 92%✓
- BiographyWikipedia + Unknown· 88%✓
- WebsiteWikidata· 92%✓
- NationalityWikidata + Artsy+1· 92%
- LocationArtsy + Wikidata+1· 85%
Source Registry (5)
- Sean-KellyTier 3 · Scraped/inferred100%
- Christies-ArtsyTier 3 · Scraped/inferred100%
- SothebysTier 3 · Scraped/inferred100%
- MoMA bulk 2026-05-04Tier 1 · Institutional92%
- GalleryTier 3 · Scraped/inferred60%
Why this artist matters now
Yves Klein worked across painting, sculpture, and performance, becoming one of the most radical figures in post-war European art. His most concentrated obsession was color itself, specifically the ultramarine pigment he patented as International Klein Blue, a matte, immersive tone he applied to canvases, sponge reliefs, and cast figures to reduce form to pure chromatic sensation. A founding member of Nouveau réalisme alongside critic Pierre Restany, Klein treated the act of making as inseparable from the work, staging performances in which models pressed pigment-covered bodies directly onto canvas. His short career, cut short at thirty-four, anticipated the concerns of both minimalism and conceptual art by decades.
Source: Sean Kelly · Trust score: 100% · Updated 1mo ago
Taste overlap and adjacency
Museum Collections
Artworks (13)
Artwork sources (2)
- MoMA12 publishedof 26 catalogued22 img
- Tate1 published1 img
Per-Artwork Provenance Chains (top 1)
- 1959 · Tate · 1 provUrl Pattern Extraction 2026-05-27·accession_number











