Cover1901 · Linen and cotton, needle lace110.2 × 111.4 cm (43 3/8 × 43 7/8 in.)Art Institute of Chicago
WattsOSSAShepherd and His Flock1875 · Pastel on papier bleuté10 x 12 1/4 in. (25.4 x 31.1 cm)The Metropolitan Museum of Art
Man Resting on a Spade1874 · Woodcut; only stateblock: 7 3/8 x 5 3/16 in. (18.8 x 13.2 cm)The Metropolitan Museum of Art
WattsOSCTCalling the Cows Home1872 · Oil on wood37 1/4 x 25 1/2 in. (94.6 x 64.8 cm)The Metropolitan Museum of Art
WattsOSALAutumn Landscape with a Flock of Turkeys1872 · Oil on canvas31 7/8 x 39 in. (81 x 99.1 cm)The Metropolitan Museum of Art
Autumn Landscape with a Flock of Turkeys1872 · Oil on canvas31 7/8 x 39 in. (81 x 99.1 cm)The Metropolitan Museum of Art
Calling the Cows Home1872 · Oil on wood37 1/4 x 25 1/2 in. (94.6 x 64.8 cm)The Metropolitan Museum of Art
Peasant Watering Her Cow1871 · Charcoal on ivory wove paper19.2 × 20.2 cm (7 9/16 × 8 in.)Art Institute of Chicago
The Keeper of the Flock1871 · Oil on canvas71.7 × 91.5 cm (28 × 36 in.); Framed: 105.5 × 125.1 × 14 cm (41 1/2 × 49 1/4 × 5 1/2 in.)Art Institute of Chicago
Composition de F. Millet (Composition by F. Millet)1869 · etching in black on laid paper (facing _Composition de F. Millet_ by Albert Merat)plate: 19.9 x 13 cm (7 13/16 x 5 1/8 in.) page size: 35.5 x 25.5 cm (14 x 10 1/16 in.)National Gallery of Art
Landscape - Hillside in Gruchy, Normandy1869 · Pen and brown ink on cream laid paper30.4 × 36.5 cm (12 × 14 3/8 in.)Art Institute of Chicago
WattsOSHAHaystacks: Autumn1869 · Oil on canvas33 1/2 x 43 3/8 in. (85.1 x 110.2 cm)The Metropolitan Museum of Art
Haystacks: Autumn1869 · Oil on canvas33 1/2 x 43 3/8 in. (85.1 x 110.2 cm)The Metropolitan Museum of Art
The Little Shepherdess1868 · Oil on panel35.7 × 25.5 cm (14 × 10 in.); Framed: 54.6 × 53.5 cm (21 1/2 × 17 1/8 in.)Art Institute of Chicago
The Spinner1868 · Etching with traces of drypoint on ivory laid paper attached to cream wove cardImage/plate: 19.9 × 12.9 cm (7 7/8 × 5 1/8 in.); Primary support: 29.9 × 22.6 cm (11 13/16 × 8 15/16 in.); Secondary support: 36.3 × 27.3 cm (14 5/16 × 10 3/4 in.)Art Institute of Chicago
The Spinner1868 · Etching on ivory laid paperImage/plate: 19.9 × 12.9 cm (7 7/8 × 5 1/8 in.); Sheet: 34.8 × 25.6 cm (13 3/4 × 10 1/8 in.)Art Institute of Chicago
The Spinner1868 · Etching and drypoint on ivory laid paperImage: 19.1 × 12 cm (7 9/16 × 4 3/4 in.); Plate: 20 × 12.9 cm (7 7/8 × 5 1/8 in.); Sheet: 31.9 × 22.6 cm (12 9/16 × 8 15/16 in.)Art Institute of Chicago
The Spinner1868 · Etching and drypoint on ivory laid paperImage/plate: 19.9 × 13 cm (7 7/8 × 5 1/8 in.); Sheet: 23.9 × 18.3 cm (9 7/16 × 7 1/4 in.)Art Institute of Chicago
The Spinner1868 · Etching and drypoint on ivory laid Japanese paperImage: 19.3 × 12.3 cm (7 5/8 × 4 7/8 in.); Plate: 20 × 13 cm (7 7/8 × 5 1/8 in.); Sheet: 21.8 × 16.3 cm (8 5/8 × 6 7/16 in.)Art Institute of Chicago
WattsOSHIHamlet in a Wheat Field, Vichy1867 · Pen and brown ink, with brush and brown wash, and watercolorSheet: 8 1/8 × 10 7/16 in. (20.6 × 26.5 cm)The Metropolitan Museum of Art
Landscape with Cattle1866 · Brush and blackish brown ink, over graphite, on ivory wove paper10.9 × 15.5 cm (4 5/16 × 6 1/8 in.)Art Institute of Chicago
Geese in a Farmyard1866 · Black crayon, on ivory wove paper (discolored to tan), laid down on white laid paper19.9 × 26 cm (7 7/8 × 10 1/4 in.)Art Institute of Chicago
Near Vichy1866 · Watercolor and pen and brown iron gall ink over graphite on ivory laid paper, perimeter mounted to cream Japanese paper10.9 × 16.1 cm (4 5/16 × 6 3/8 in.)Art Institute of Chicago
The Old Mill1866 · Pastel with stumping, pen and black ink, and touches of black chalk, on cream wove paper, laid down on wood pulp board39.8 × 48.2 cm (15 11/16 × 19 in.)Art Institute of Chicago