WATTS INDEXThe canonical database of visual culture

Artists›Jean-Auguste-Dominique Ingres

Jean-Auguste-Dominique Ingres

1780–1867

WA-00016170

Montauban, France

PaintingRomanticismNeoclassicism

Representation

None documented

Institutional Exhibitions

Works in Collection

Assets Indexed

Authority-backed Facts

Publications Referenced

90%

Profile Completeness

Cultural Positioning

Influence Graph

No influence edges encoded yet.

Authority Records (1)

WikidataQ23380

Selected Institutional Exhibitions

View all exhibitions →

No image

Before Photography: Painting and the Invention of Photography

Museum of Modern Art, New York

1981

No image

The Taste of a Connoisseur: The Paul J. Sachs Collection

Museum of Modern Art, New York

1966–1967

No image

Ancestral Sources of Modern Painting

Museum of Modern Art, New York

1941

Field Verification (4 fields)

3 cross-verified · 1 single-source

Birth yearArtsy + Duplicate Merge· 85%✓
NationalityArtsy + Duplicate Merge· 85%✓
Death yearDuplicate Merge· 85%✓
BiographyWikipedia· 88%

Source Registry (1)

Wikidata
Tier 1 · Institutional40%

About

Why this artist matters now

No biography available for Jean-Auguste-Dominique Ingres yet.

Graph relationships

Taste overlap and adjacency

Movement

Romanticism

Medium

Painting

Related Artists

12 in graph

Institutional

Museum Collections

Cleveland Museum of Art Art Institute of Chicago National Gallery of Art

Canonical record

Artworks (51)

Madame Charles Gounod

1859 · Graphite on ivory wove paper (discolored to cream)

25.6 × 20.2 cm (10 1/8 × 8 in.)

Art Institute of Chicago

Mademoiselle Mary de Borderieux(?)

1857 · Graphite and watercolor with white highlights

Overall: 35.2 x 27.1 cm (13 7/8 x 10 11/16 in.) framed: 51.4 x 42.9 cm (20 1/4 x 16 7/8 in.)

National Gallery of Art

Henri Labrouste

1852 · graphite on wove paper

overall: 31 x 23.5 cm (12 3/16 x 9 1/4 in.)

National Gallery of Art

Madame Moitessier

1851 · oil on canvas

overall: 147 x 100 cm (57 7/8 x 39 3/8 in.) framed: 176.5 x 131.4 x 8.9 cm (69 1/2 x 51 3/4 x 3 1/2 in.)

National Gallery of Art

Comtesse Charles d’Agoult (born Marie de Flavigny) and Her Daughter Claire d’Agoult

1849 · Graphite, heightened with white opaque watercolor, with touches of yellow watercolor, on off-white wove paper, lined to secondary wove paper

Primary support: 48.5 × 39.9 cm (19 1/8 × 15 3/4 in.); Secondary support: 49.9 × 41.5 cm (19 11/16 × 16 3/8 in.)

Art Institute of Chicago

Joan of Arc Standing at the Altar at Reims Cathedral

1844 · pen and brown ink and graphite on tracing paper laid down on blue paper

overall: 30.1 x 39.3 cm (11 7/8 x 15 1/2 in.)

National Gallery of Art

Study of Hands

1842 · graphite with traces of white heightening on ivory laid paper

Sheet: 31.2 x 23.6 cm (12 5/16 x 9 5/16 in.)

Cleveland Museum of Art

Charles Gounod

1841 · Graphite on ivory wove paper, discolored to cream

29.9 × 23.3 cm (11 13/16 × 9 3/16 in.)

Art Institute of Chicago

Study for Joan of Arc, and Sketches of Hands

1841 · Graphite on tan wove tracing paper, laid down on off-white wove paper, laid down on cream board

44.7 × 29.1 cm (17 5/8 × 11 1/2 in.)

Art Institute of Chicago

Study

1837 · Graphite on cream wove paper, laid down on white wove paper, hinged on gray laid paper with blue fibers

27 × 18.5 cm (10 11/16 × 7 5/16 in.)

Art Institute of Chicago

Antiochus and Stratonice

1833 · oil on linen

Framed: 74.5 x 91.5 x 11 cm (29 5/16 x 36 x 4 5/16 in.); Unframed: 48.1 x 63.9 cm (18 15/16 x 25 3/16 in.)

Cleveland Museum of Art

Madame Désiré Raoul-Rochette

1830 · graphite on cream wove paper

Sheet: 32.2 x 24 cm (12 11/16 x 9 7/16 in.)

Cleveland Museum of Art

Charles X in his Coronation Robes

1828 · Watercolor, over graphite, on ivory laid paper, squared in red chalk and graphite, perimeter mounted on cream wove paper and wrapped on board

26.1 × 19.9 cm (10 5/16 × 7 7/8 in.)

Art Institute of Chicago

Ulysses

1827 · oil on canvas on wood

overall: 25.1 x 19.2 cm (9 7/8 x 7 9/16 in.) framed: 43.2 x 37.5 x 4.4 cm (17 x 14 3/4 x 1 3/4 in.)

National Gallery of Art

Dr. Louis Martinet

1826 · graphite on wove paper

overall: 32.3 x 24.7 cm (12 11/16 x 9 3/4 in.)

National Gallery of Art

Four Magistrates of Besançon (Quatre magistrats de Besançon)

1825 · lithograph on wove paper

sheet: 55 × 35 cm (21 5/8 × 13 3/4 in.)

National Gallery of Art

Odalisque

1825 · lithograph on wove paper

image: 13.1 × 20.9 cm (5 3/16 × 8 1/4 in.) sheet: 29.7 × 38.3 cm (11 11/16 × 15 1/16 in.)

National Gallery of Art

Four Magistrates of Besançon (Quatre magistrats de Besançon)

1825 · lithograph on wove paper

sheet: 54 × 36.3 cm (21 1/4 × 14 5/16 in.)

National Gallery of Art

The Four Magistrates of Besançon

1825 · Lithograph in black on ivory wove paper

Image: 19 × 19.2 cm (7 1/2 × 7 9/16 in.); Sheet: 20 × 21.5 cm (7 7/8 × 8 1/2 in.)

Art Institute of Chicago

Odalisque

1825 · lithograph

Sheet: 26.7 x 34.8 cm (10 1/2 x 13 11/16 in.); Image: 13 x 20.9 cm (5 1/8 x 8 1/4 in.)

Cleveland Museum of Art

The Borghese Chapel in Santa Maria Maggiore, Rome

1824 · Pen and brown ink and graphite and brush and gray and brown wash, with touches of red and ocher gouache, heightened with white gouache, on cream laid paper, laid down on cream laid card, laid down on blue matboard

17 × 13.7 cm (6 3/4 × 5 7/16 in.)

Art Institute of Chicago

Amédée-David, the Comte de Pastoret

1823 · Oil on canvas

103 × 83.5 cm (40 1/2 × 32 3/4 in.); Framed: 129.6 × 110.2 cm (51 × 43 3/8 in.)

Art Institute of Chicago

Self-Portrait

1822 · graphite on wove paper

overall: 20.2 x 16.1 cm (7 15/16 x 6 5/16 in.)

National Gallery of Art

Charles Thévenin, after Ingres

1817 · graphite

Sheet: 30.2 x 25.4 cm (11 7/8 x 10 in.)

Cleveland Museum of Art

View all 51 artworks →

Artwork sources (3)

51 published of 51 catalogued · 51 with image

Nga
25 published25 img
Art Institute Chicago
19 published19 img
Cleveland Museum of Art
7 published7 img

Per-Artwork Provenance Chains (top 6)

6 entries · 1 sources

Portrait of a Young Man Standing on the Quirinal with the Turris Comitum in the Background
1800 · Cleveland · 1 prov
Url Pattern Extraction 2026-05-27·accession_number
Madame Désiré Raoul-Rochette
1830 · Cleveland · 1 prov
Url Pattern Extraction 2026-05-27·accession_number
Antiochus and Stratonice
1833 · Cleveland · 1 prov
Url Pattern Extraction 2026-05-27·accession_number
Study of Hands
1842 · Cleveland · 1 prov
Url Pattern Extraction 2026-05-27·accession_number
Odalisque
1825 · Cleveland · 1 prov
Url Pattern Extraction 2026-05-27·accession_number
Charles Thévenin, after Ingres
1817 · Cleveland · 1 prov
Url Pattern Extraction 2026-05-27·accession_number

Record

Images

16 assets

Portret van Lady William Henry Cavendish Bentinck (1815)

Rijksmuseum

Portrait of a Young Man Standing on the Quirinal with the Turris Comitum in the Background (1800s)

Cleveland Museum of Art

Cleveland Museum of Art

Cleveland Museum of Art

Cleveland Museum of Art

Artsy

Cleveland Museum of Art

Art Institute of Chicago

View all 16 media items →

Relationships

Movements2

Romanticism Neoclassicism

Collections3

Cleveland Museum of Art Art Institute of Chicago National Gallery of Art

Institutional

Representation & Collections

In collection

Cleveland Museum of Art

In collection

Art Institute of Chicago

In collection

National Gallery of Art

Record

Exhibitions and timeline

Group Exhibition Before Photography: Painting and the Invention of Photography

New York · 1981

Group Exhibition The Taste of a Connoisseur: The Paul J. Sachs Collection

New York · 1966

Group Exhibition Ancestral Sources of Modern Painting

New York · 1941