WATTS INDEXThe canonical database of visual culture

Artists›Vittore Carpaccio

Vittore Carpaccio

1465–1526

WA-00017032

Venice, Italy

PaintingRenaissance

Representation

None documented

Institutional Exhibitions

Works in Collection

Assets Indexed

Authority-backed Facts

Publications Referenced

80%

Profile Completeness

Cultural Positioning

Influence Graph

No influence edges encoded yet.

Authority Records (1)

WikidataQ5581

Field Verification (5 fields)

4 cross-verified · 1 single-source

BiographyWikipedia + Duplicate Merge· 88%✓
Birth yearDuplicate Merge· 85%✓
Death yearDuplicate Merge· 85%✓
Primary mediumDuplicate Merge· 85%✓
NationalityArtsy· 85%

Source Registry (1)

Wikidata
Tier 1 · Institutional40%

About

Why this artist matters now

No biography available for Vittore Carpaccio yet.

Graph relationships

Taste overlap and adjacency

Movement

Renaissance

Medium

Painting

Related Artists

12 in graph

Institutional

Museum Collections

The Metropolitan Museum of Art Art Institute of Chicago National Gallery of Art

Canonical record

Artworks (18)

The Flight into Egypt

1515 · oil on panel

painted surface: 72 x 111 cm (28 3/8 x 43 11/16 in.) overall (including attached pieces): 74 x 113 cm (29 1/8 x 44 1/2 in.) framed: 122.9 x 160 cm (48 3/8 x 63 in.)

National Gallery of Art

The Martyrdom of the Ten Thousand

1513 · red chalk on laid paper, with unrelated short pen strokes

overall: 21.3 × 29.7 cm (8 3/8 × 11 11/16 in.)

National Gallery of Art

Groups of Male Figures

1509 · red chalk with pen and brown ink on laid paper

overall: 21.3 × 29.7 cm (8 3/8 × 11 11/16 in.)

National Gallery of Art

Study of Two Kneeling Clerics (recto); Study of Standing Youth (verso)

1507 · Pen and black ink, with black chalk, heightened with white gouache (recto), and pen and black and brown ink, with touches of black chalk, heightened with white gouache (verso), on blue laid paper

19.5 × 25.2 cm (7 11/16 × 9 15/16 in.)

Art Institute of Chicago

The Virgin and Four Other Women

1505 · pen and brown ink with gray wash over charcoal on laid paper

overall: 14.1 x 16.3 cm (5 9/16 x 6 7/16 in.)

National Gallery of Art

Madonna and Child

1505 · oil on poplar panel

overall: 84.8 x 68.3 cm (33 3/8 x 26 7/8 in.) framed: 107.8 x 92.6 x 9.8 cm (42 7/16 x 36 7/16 x 3 7/8 in.)

National Gallery of Art

The Virgin Reading

1505 · oil on panel transferred to canvas

overall: 78 × 51 cm (30 11/16 × 20 1/16 in.) framed: 119.7 × 86.36 × 16.51 cm (47 1/8 × 34 × 6 1/2 in.)

National Gallery of Art

The Madonna and Child with Saints in a Landscape (Sacra Conversazione)

1500 · pen and brown ink (iron gall) with brown wash over black chalk on laid paper (cut vertically at center and reattached, laid on nineteenth century mount)

overall: 13.9 × 23.7 cm (5 1/2 × 9 5/16 in.)

National Gallery of Art

WattsOS

Studies of a Seated Youth in Armor

1500 · Black chalk, point of brush and gray wash, highlighted with white gouache, on blue paper

7 1/2 x 7 1/16in. (19 x 18cm)

The Metropolitan Museum of Art

Studies of a Seated Youth in Armor

1500 · Black chalk, point of brush and gray wash, highlighted with white gouache, on blue paper

7 1/2 x 7 1/16in. (19 x 18cm)

The Metropolitan Museum of Art

WattsOS

Standing Female Figure (St. Anne; Cartoon for a Painting)

1497 · Pen and brown ink, brush and gray-brown wash, over charcoal underdrawing; outlines pricked for transfer, on two glued sheets of paper with overlapping joins

Sheet: 16 1/16 × 8 13/16 in. (40.8 × 22.4 cm)

The Metropolitan Museum of Art

WattsOS

Saint Martin and the Beggar

1493 · Pen and gray ink, brush and gray wash, over faint traces of black chalk

7 x 4 1/2 in. (17.8 x 11.4 cm) maximum; borders cropped irregularly

The Metropolitan Museum of Art

Saint Martin and the Beggar

1493 · Pen and gray ink, brush and gray wash, over faint traces of black chalk

7 x 4 1/2 in. (17.8 x 11.4 cm) maximum; borders cropped irregularly

The Metropolitan Museum of Art

WattsOS

The Meditation on the Passion

1485 · Oil and tempera on wood

Overall 27 3/4 x 34 1/8in. (70.5 x 86.7cm); painted surface 26 3/16 × 33 1/4 in. (66.5 × 84.5 cm)

The Metropolitan Museum of Art

The Meditation on the Passion

1485 · Oil and tempera on wood

Overall 27 3/4 x 34 1/8in. (70.5 x 86.7cm); painted surface 26 3/16 × 33 1/4 in. (66.5 × 84.5 cm)

The Metropolitan Museum of Art

Three Philosophers

1465 · pen and black ink on laid paper

overall: 14.9 x 25.8 cm (5 7/8 x 10 3/16 in.)

National Gallery of Art

WattsOS

Saint Jerome (recto); Soldier with a Spear (verso)

1460 · Brush with black ink and gray wash, over traces of black chalk or charcoal, highlighted with white gouache on blue paper (recto); black chalk, highlighted with white gouache, with some brush and gray wash (verso)

6 3/4 x 4 1/8 in. (17.2 x 10.5 cm); maximum; irregularly cut

The Metropolitan Museum of Art

Saint Jerome (recto); Soldier with a Spear (verso)

1460 · Brush with black ink and gray wash, over black chalk or charcoal, highlighted with white gouache (recto); black chalk, highlighted with white gouache, with some brush and gray wash (verso)

6 3/4 x 4 1/8 in. (17.2 x 10.5 cm); maximum; irregularly cut

The Metropolitan Museum of Art

View all 18 artworks →

Artwork sources (3)

18 published of 18 catalogued · 13 with image

The Met
9 published4 img
Nga
8 published8 img
Art Institute Chicago
1 published1 img

Record

Images

Cleveland Museum of Art

Study of Two Kneeling Clerics (recto); Study of Standing Youth (verso) (1507/08)

Art Institute of Chicago

Artsy

Wikipedia

Relationships

Movements1

Renaissance

Collections3

The Metropolitan Museum of Art Art Institute of Chicago National Gallery of Art

Institutional

Representation & Collections

In collection

The Metropolitan Museum of Art

In collection

Art Institute of Chicago

In collection

National Gallery of Art

Record

Exhibitions and timeline

No exhibitions or timeline entries yet