WATTS INDEXThe canonical database of visual culture

Artists›Richard Bosman

Richard Bosman

Richard Bosman

American-Australian, 1944

WA-00026322

Printmaking

Representation

None documented

10

Institutional Exhibitions

66

Works in Collection

117

Assets Indexed

4

Authority-backed Facts

0

Publications Referenced

70%

Profile Completeness

Cultural Positioning

Influence Graph

No influence edges encoded yet.

Authority Records (3)

WikidataQ21071066 ULAN500010976

Selected Institutional Exhibitions

View all exhibitions →

No image

Recent Acquisitions

Museum of Modern Art, New York

1989

No image

Master Prints from the Collection

Museum of Modern Art, New York

1989

No image

Contemporary Works from the Collection

Museum of Modern Art, New York

1986–1987

No image

An International Survey of Recent Painting and Sculpture

Museum of Modern Art, New York

1984

No image

Some Recent Acquisitions: Painting and Sculpture

Museum of Modern Art, New York

1983

No image

Prints from Blocks: Gauguin to Now

Museum of Modern Art, New York

1983

No image

Bookworks

Museum of Modern Art, New York

1982

No image

Prints: Acquisitions 1977�1981

Museum of Modern Art, New York

1981–1982

No image

Summer Light

Museum of Modern Art, New York

1981

No image

New Art II: Surfaces/Textures

Museum of Modern Art, New York

1981

Field Verification (4 fields)

2 cross-verified · 2 single-source

Birth yearArtsy· 85%✓
NationalityArtsy· 85%✓
BiographyMoMA· 93%
LocationArtsy· 85%

Source Registry (2)

Nicelle-Beauchenehttps://www.artsy.net/artist/richard-bosman
Tier 3 · Scraped/inferred100%
MoMA bulk 2026-05-04https://www.moma.org/artists/689
Tier 1 · Institutional92%

About

Why this artist matters now

No biography available for Richard Bosman yet.

Graph relationships

Taste overlap and adjacency

Movement

—

Medium

Printmaking

Related Artists

6 in graph

Institutional

Museum Collections

Museum of Modern ArtNew York Art Institute of Chicago Whitney Museum of American Art

Canonical record

Artworks (66)

Brooklyn Bridge

Brooklyn Bridge

1996 · Woodcut

Museum of Modern Art

1989 · Linocut

Sheet: 24 7/8 × 19 in. (63.2 × 48.3 cm) Image: 20 3/8 × 14 3/4 in. (51.8 × 37.5 cm)

Whitney Museum of American Art

1989 · Woodcut

Museum of Modern Art

1988 · Soft-ground, spitbite and whiteground

Sheet (sight): 23 7/8 × 29 in. (60.6 × 73.7 cm) Plate (sight): 17 1/8 × 23 5/8 in. (43.5 × 60 cm)

Whitney Museum of American Art

1987 · Woodcut

Sheet (sight): 42 3/4 × 37 1/2 in. (108.6 × 95.3 cm) Image (sight): 38 × 34 in. (96.5 × 86.4 cm)

Whitney Museum of American Art

1987 · Woodcut

Sheet: 42 1/2 × 37 1/8 in. (108 × 94.3 cm) Image: 38 1/16 × 34 in. (96.7 × 86.4 cm)

Whitney Museum of American Art

1987 · Woodcut

Sheet: 30 × 38 1/4 in. (76.2 × 97.2 cm) Image: 30 × 38 1/4 in. (76.2 × 97.2 cm)

Whitney Museum of American Art

Groans of Dying Men (in-text plate, page 15) from Captivity Narrative of Hannah Duston

1987 · One from an illustrated book with thirty-five woodcuts

composition (irreg.): 9 × 5 15/16" (22.8 × 15.1 cm); page (each): 16 3/4 × 12 3/8" (42.5 × 31.4 cm)

Museum of Modern Art

The Foe Close at Hand (in-text plate, page 18) from Captivity Narrative of Hannah Duston

1987 · One from an illustrated book with thirty-five woodcuts

composition (irreg.): 6 × 9" (15.2 × 22.8 cm); page (each): 16 3/4 × 12 3/8" (42.5 × 31.4 cm)

Museum of Modern Art

Onward to the Settlements (in-text plate, page 53) from Captivity Narrative of Hannah Duston

1987 · One from an illustrated book with thirty-five woodcuts

composition (irreg.): 6 × 9" (15.2 × 22.8 cm); page (each): 16 3/4 × 12 3/8" (42.5 × 31.4 cm)

Museum of Modern Art

Seized by the Heels (in-text plate, page 24) from Captivity Narrative of Hannah Duston

1987 · One from an illustrated book with thirty-five woodcuts

composition (irreg.): 9 × 6" (22.8 × 15.2 cm); page (each): 16 3/4 × 12 3/8" (42.5 × 31.4 cm)

Museum of Modern Art

Dashed-out Brains (in-text plate, page 25) from Captivity Narrative of Hannah Duston

1987 · One from an illustrated book with thirty-five woodcuts

composition (irreg.): 9 × 6" (22.8 × 15.2 cm); page (each): 16 3/4 × 12 3/8" (42.5 × 31.4 cm)

Museum of Modern Art

Sprinkled with Blood (in-text plate, page 26) from Captivity Narrative of Hannah Duston

1987 · One from an illustrated book with thirty-five woodcuts

composition (irreg.): 5 15/16 × 9" (15.1 × 22.8 cm); page (each): 16 3/4 × 12 3/8" (42.5 × 31.4 cm)

Museum of Modern Art

Mangled Body of Her Infant (in-text plate, page 27) from Captivity Narrative of Hannah Duston

1987 · One from an illustrated book with thirty-five woodcuts

composition (irreg.): 5 15/16 × 9" (15.1 × 22.8 cm); page (each): 16 3/4 × 12 3/8" (42.5 × 31.4 cm)

Museum of Modern Art

Frontispiece (page 2) from Captivity Narrative of Hannah Duston

1987 · One from an illustrated book with thirty-five woodcuts

composition: 9 × 5 15/16" (22.8 × 15.1 cm); page (each): 16 3/4 × 12 3/8" (42.5 × 31.4 cm)

Museum of Modern Art

On Horseback, Full Speed (in-text plate, page 17) from Captivity Narrative of Hannah Duston

1987 · One from an illustrated book with thirty-five woodcuts

composition (irreg.): 6 × 9" (15.2 × 22.8 cm); page (each): 16 3/4 × 12 3/8" (42.5 × 31.4 cm)

Museum of Modern Art

A Deep, Dead Slumber (in-text plate, page 40) from Captivity Narrative of Hannah Duston

1987 · One from an illustrated book with thirty-five woodcuts

composition (irreg.): 6 × 9" (15.2 × 22.8 cm); page (each): 16 3/4 × 12 3/8" (42.5 × 31.4 cm)

Museum of Modern Art

Through the Wilderness (in-text plate, page 34) from Captivity Narrative of Hannah Duston

1987 · One from an illustrated book with thirty-five woodcuts

composition (irreg.): 6 × 9" (15.2 × 22.8 cm); page (each): 16 3/4 × 12 3/8" (42.5 × 31.4 cm)

Museum of Modern Art

An Uncertain March (in-text plate, page 35) from Captivity Narrative of Hannah Duston

1987 · One from an illustrated book with thirty-five woodcuts

composition (irreg.): 6 × 9" (15.2 × 22.8 cm); page (each): 16 3/4 × 12 3/8" (42.5 × 31.4 cm)

Museum of Modern Art

Descent of the Savages (in-text plate, page 14) from Captivity Narrative of Hannah Duston

1987 · One from an illustrated book with thirty-five woodcuts

composition (irreg.): 6 × 9" (15.2 × 22.8 cm); page (each): 16 3/4 × 12 3/8" (42.5 × 31.4 cm)

Museum of Modern Art

Prayers Thrice Every Day (in-text plate, page 37) from Captivity Narrative of Hannah Duston

1987 · One from an illustrated book with thirty-five woodcuts

composition (irreg.): 9 × 6" (22.8 × 15.2 cm); page (each): 16 3/4 × 12 3/8" (42.5 × 31.4 cm)

Museum of Modern Art

Wigwams of Her Captors (in-text plate, page 38) from Captivity Narrative of Hannah Duston

1987 · One from an illustrated book with thirty-five woodcuts

composition (irreg.): 5 15/16 × 9" (15.1 × 22.8 cm); page (each): 16 3/4 × 12 3/8" (42.5 × 31.4 cm)

Museum of Modern Art

Around a Fire (in-text plate, page 39) from Captivity Narrative of Hannah Duston

1987 · One from an illustrated book with thirty-five woodcuts

composition (irreg.): 9 × 6" (22.8 × 15.2 cm); page (each): 16 3/4 × 12 3/8" (42.5 × 31.4 cm)

Museum of Modern Art

For Birds to Feed Upon (in-text plate, page 33) from Captivity Narrative of Hannah Duston

1987 · One from an illustrated book with thirty-five woodcuts

composition (irreg.): 6 × 9" (15.2 × 22.8 cm); page (each): 16 3/4 × 12 3/8" (42.5 × 31.4 cm)

Museum of Modern Art

View all 66 artworks →

Artwork sources (4)

66 published of 115 catalogued · 11 with image

MoMA
50 publishedof 99 catalogued10 img
Whitney
14 published
The Met
1 published
Art Institute Chicago
1 published1 img

Record

Images

Artsy artist portrait

Artsy

Double Trouble (Art Institute of Chicago)

Art Institute of Chicago

Relationships

3

Collections3

Museum of Modern Art Art Institute of Chicago Whitney Museum of American Art

Institutional

Representation & Collections

In collection

Museum of Modern Art

New York, US

In collection

Art Institute of Chicago

In collection

Whitney Museum of American Art