ArtistsWilliam Gropper
William Gropper

William Gropper

Artist
WA-00027407
PaintingExpressionism
Representation
None documented
28
Institutional Exhibitions
189
Works in Collection
295
Assets Indexed
0
Authority-backed Facts
0
Publications Referenced
90%
Profile Completeness

Cultural Positioning

Influence Graph
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Authority Records (3)

Selected Institutional Exhibitions

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No image
American Prints: 1900�1960; Recent Acquisitions: Illustrated Books
Museum of Modern Art, New York
1985–1986
No image
Points of View
Museum of Modern Art, New York
1975
No image
American Prints: 1913�1963
Museum of Modern Art, New York
1974–1975
No image
American Prints from the International Program
Museum of Modern Art, New York
1971
No image
The Artist as Adversary
Museum of Modern Art, New York
1971
No image
Tamarind: Homage to Lithography
Museum of Modern Art, New York
1969
No image
Manhattan Observed
Museum of Modern Art, New York
1968
No image
America Seen: Between The Wars
Museum of Modern Art, New York
1961
No image
XXVth Anniversary Exhibition: Paintings from the Museum Collection
Museum of Modern Art, New York
1954–1955
No image
American Paintings from the Museum Collection
Museum of Modern Art, New York
1948–1949
No image
On Being a Cartoonist
Museum of Modern Art, New York
1946
No image
The Museum Collection of Painting and Sculpture
Museum of Modern Art, New York
1945–1946

Source Registry (1)

About

Why this artist matters now

William Gropper was an American cartoonist, painter, and printmaker whose satirical work targeted political corruption and social injustice throughout the twentieth century. Working primarily in ink, lithography, and oil, he developed a expressionistic line style that merged caricature with social commentary. His drawings appeared in The New York Tribune and The Nation, while his paintings and prints addressed themes of labor struggle and political hypocrisy. Gropper's formal training and sustained engagement with leftist politics shaped a body of work that refused sentimentality in favor of sharp formal economy and biting observation.

Source: Moma Bulk 2026 05 04 · Trust score: 92% · Updated 29d ago

Graph relationships

Taste overlap and adjacency

Movement
Expressionism
Medium
Painting
Related Artists
12 in graph
Institutional

Museum Collections

Canonical record

Artworks (189)

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Artwork sources (4)

189 published of 292 catalogued · 236 with image
  • MoMA
    103 publishedof 206 catalogued164 img
  • Art Institute Chicago
    72 published72 img
  • Cleveland Museum of Art
    7 published
  • The Met
    7 published

Per-Artwork Provenance Chains (top 6)

6 entries · 1 sources
  • Capriccios
    1948 · Cleveland · 1 prov
    Url Pattern Extraction 2026-05-27·accession_number
  • Capriccios, Visionary
    1948 · Cleveland · 1 prov
    Url Pattern Extraction 2026-05-27·accession_number
  • The Meeting
    1938 · Cleveland · 1 prov
    Url Pattern Extraction 2026-05-27·accession_number
  • The Opposition
    1942 · Cleveland · 1 prov
    Url Pattern Extraction 2026-05-27·accession_number
  • Capriccios, Playmates
    1948 · Cleveland · 1 prov
    Url Pattern Extraction 2026-05-27·accession_number
  • The Headless Horseman
    1940 · Cleveland · 1 prov
    Url Pattern Extraction 2026-05-27·accession_number
Record

Images

Artsy artist portrait
Artsy
Rip van Winkle (Art Institute of Chicago)
Art Institute of Chicago
Rip van Winkle (Art Institute of Chicago)
Art Institute of Chicago
Institutional

Representation & Collections

In collection
Art Institute of Chicago
In collection
Museum of Modern Art
New York, US
Record

Exhibitions and timeline

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