ArtistsGeorges Rouault
Georges Rouault

Georges Rouault

French, 1871
WA-00029200
Paris, France
PhotographySymbolismExpressionismImpressionism
Representation
None documented
88
Institutional Exhibitions
845
Works in Collection
1479
Assets Indexed
4
Authority-backed Facts
0
Publications Referenced
90%
Profile Completeness

Cultural Positioning

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Authority Records (3)

Selected Institutional Exhibitions

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No image
Prints: Proofs and Variants
Museum of Modern Art, New York
1989–1990
No image
Painters for the Theater
Museum of Modern Art, New York
1989
No image
Watercolors: Selections from the Permanent Collection
Museum of Modern Art, New York
1989
No image
Master Prints from the Collection
Museum of Modern Art, New York
1987–1988
No image
Naked/Nude
Museum of Modern Art, New York
1986
No image
The Expressionist Idiom
Museum of Modern Art, New York
1985
No image
Selections from the Permanent Collection: Prints and Illustrated Books
Museum of Modern Art, New York
1984
No image
The Modern Drawing: 100 Works on Paper from The Museum of Modern Art
Museum of Modern Art, New York
1983–1984
No image
A Century of Modern Drawing, 1881�1981
Museum of Modern Art, New York
1982
No image
Words and Pictures
Museum of Modern Art, New York
1981
No image
Around Picasso
Museum of Modern Art, New York
1980
No image
Art of the Twenties
Museum of Modern Art, New York
1979–1980

Field Verification (4 fields)

4 cross-verified · 0 single-source
  • BiographyMoMA· 93%
  • Birth yearArtsy· 85%
  • NationalityArtsy· 85%
  • LocationGallery Generic· 72%

Source Registry (3)

About

Why this artist matters now

Georges Rouault was a French painter and printmaker whose work merged Expressionist distortion with a deeply Catholic sensibility. Working primarily in oils and aquatint, he developed a distinctive technique of heavy black outlines and jewel-like color fields that recalled medieval stained glass and cloisonné enameling. His subjects ranged from tragic circus performers and prostitutes to biblical scenes and landscapes, each rendered with a formal intensity that transformed mundane or marginalized subjects into spiritual meditations. Active from the 1890s through the 1950s, Rouault's practice remained consistent in its moral gravity and formal innovation.

Source: Christies Artsy · Trust score: 100% · Updated 1mo ago

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Taste overlap and adjacency

Movement
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Medium
Photography
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Institutional

Museum Collections

Canonical record

Artworks (845)

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Artwork sources (5)

692 published of 1000 catalogued · 454 with image
  • MoMA
    510 publishedof 818 catalogued284 img
  • Art Institute Chicago
    169 published169 img
  • Cleveland Museum of Art
    6 published
  • The Met
    6 published
  • Tate
    1 published1 img

Per-Artwork Provenance Chains (top 3)

3 entries · 1 sources
  • Passion: Christ Crowned with Thorns
    1936 · Cleveland · 1 prov
    Url Pattern Extraction 2026-05-27·accession_number
  • Miserere: Even the ruins have perished (Lucian: Pharcale IX, 969)
    1922 · Cleveland · 1 prov
    Url Pattern Extraction 2026-05-27·accession_number
  • The Crucifixion
    1936 · Cleveland · 1 prov
    Url Pattern Extraction 2026-05-27·accession_number
Record

Images

Artsy artist portrait
Artsy
The Dwarf (Art Institute of Chicago)
Art Institute of Chicago
Institutional

Representation & Collections

In collection
Art Institute of Chicago
In collection
Museum of Modern Art
New York, US
In collection
Tate
Market

Auction sale history

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Exhibitions and timeline

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