WATTS INDEXThe canonical database of visual culture

Artists›Rudolph Von Ripper

No portrait

Rudolph Von Ripper

Artist

WA-00030532

Representation

None documented

Institutional Exhibitions

Works in Collection

Assets Indexed

Authority-backed Facts

Publications Referenced

60%

Profile Completeness

Cultural Positioning

Influence Graph

No influence edges encoded yet.

Authority Records (1)

MoMA

Selected Institutional Exhibitions

View all exhibitions →

No image

PM Competition: The Artist as Reporter

Museum of Modern Art, New York

1940

Source Registry (1)

MoMA bulk 2026-05-04https://www.moma.org/artists/7019
Tier 1 · Institutional92%

About

Why this artist matters now

No biography available for Rudolph Von Ripper yet.

Graph relationships

Taste overlap and adjacency

Movement

—

Medium

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Related Artists

6 in graph

Institutional

Museum Collections

Museum of Modern ArtNew York

Canonical record

Artworks (35)

WattsOS

ÉL

Écraser l'infâme

1938 · 17 etchings (including front cover), most with drypoint, printed in black on ivory, smooth, wove Rives BFK paper; and supplementary suite on ivory, smooth, laid China paper

page 24 15/16 x 17 11/16" (63 x 45 cm)

Museum of Modern Art

WattsOS

Duplicate of IMMORTALITY ACCORDING TO FREUD (supplementary suite, plate 5) from ÉCRASER L'INFÂME

1937 · Etching and drypoint, printed in black

plate 15 5/8 x 11 11/16" (39.7 x 29.7 cm)

Museum of Modern Art

WattsOS

Duplicate of NUPTIAL SYMPHONY (supplementary suite, plate 6) from ÉCRASER L'INFÂME

1937 · Etching, printed in black

plate 15 5/8 x 11 11/16" (39.7 x 29.7 cm)

Museum of Modern Art

WattsOS

NUPTIAL SYMPHONY, plate 6 (folio 12) from ÉCRASER L'INFÂME

1937 · Etching, printed in black

plate 15 5/8 x 11 11/16" (39.7 x 29.7 cm)

Museum of Modern Art

WattsOS

THE GERMAN CHRISTIANS, plate 10 (folio 16) from ÉCRASER L'INFÂME

1937 · Etching and drypoint, printed in black

plate 15 5/8 x 11 11/16" (39.7 x 29.7 cm)

Museum of Modern Art

WattsOS

ECCE HOMO, plate 12 (folio 18) from ÉCRASER L'INFÂME

1937 · Etching, printed in black

plate 15 5/8 x 11 11/16" (39.7 x 29.7 cm)

Museum of Modern Art

WattsOS

Duplicate of THE MACHINE WAS INVENTED TO SERVE MAN (supplementary suite, plate 7) from ÉCRASER L'INFÂME

1937 · Etching and drypoint, printed in black

plate 15 9/16 x 11 5/8" (39.6 x 29.6 cm)

Museum of Modern Art

WattsOS

Duplicate of SUPPRESS CULTURE AND THE WALLS COME TO LIFE (supplementary suite, plate 8) from ÉCRASER L'INFÂME

1937 · Etching and drypoint, printed in black

plate 11 5/8 x 11 9/16" (29.5 x 29.4 cm)

Museum of Modern Art

WattsOS

Duplicate of LUNCHEON ON THE GRASS 1934 (supplementary suite, plate 9) from ÉCRASER L'INFÂME

1937 · Etching and drypoint, printed in black

plate 15 5/8 x 11 11/16" (39.7 x 29.7 cm)

Museum of Modern Art

WattsOS

Duplicate of THE GERMAN CHRISTIANS (supplementary suite, plate 10) from ÉCRASER L'INFÂME

1937 · Etching and drypoint, printed in black

plate 15 5/8 x 11 11/16" (39.7 x 29.7 cm)

Museum of Modern Art

WattsOS

Duplicate of ECCE HOMO (supplementary suite, plate 12) from ÉCRASER L'INFÂME

1937 · Etching, printed in black

plate 15 5/8 x 11 11/16" (39.7 x 29.7 cm)

Museum of Modern Art

WattsOS

IMMORTALITY ACCORDING TO FREUD, plate 5 (folio 11) from ÉCRASER L'INFÂME

1937 · Etching and drypoint, printed in black

plate 15 5/8 x 11 11/16" (39.7 x 29.7 cm)

Museum of Modern Art

WattsOS

THE MACHINE WAS INVENTED TO SERVE MAN, plate 7 (folio 13) from ÉCRASER L'INFÂME

1937 · Etching and drypoint, printed in black

plate 15 9/16 x 11 5/8" (39.6 x 29.6 cm)

Museum of Modern Art

WattsOS

SUPPRESS CULTURE AND THE WALLS COME TO LIFE, plate 8 (folio 14) from ÉCRASER L'INFÂME

1937 · Etching and drypoint, printed in black

plate 15 5/8 x 11 11/16" (39.7 x 29.7 cm)

Museum of Modern Art

WattsOS

LUNCHEON ON THE GRASS 1934, plate 9 (folio 15) from ÉCRASER L'INFÂME

1937 · Etching and drypoint, printed in black

plate 15 5/8 x 11 11/16" (39.7 x 29.7 cm)

Museum of Modern Art

WattsOS

THE HEART OF MAN, plate 2 (folio 8) from ÉCRASER L'INFÂME

1936 · Etching and drypoint, printed in black

plate 15 5/8 x 11 11/16" (39.7 x 29.7 cm)

Museum of Modern Art

WattsOS

Duplicate of THE HUNTERS OF LICE, OR THE FESTIVAL OF CHARITY (supplementary suite, plate 3) from ÉCRASER L'INFÂME

1936 · Etching and drypoint, printed in black

plate 15 9/16 x 11 11/16" (39.6 x 29.7 cm)

Museum of Modern Art

WattsOS

Duplicate of WHAT PRICE VIRGINITY? (supplementary suite, plate 4) from ÉCRASER L'INFÂME

1936 · Etching and drypoint, printed in black

plate 15 5/8 x 11 11/16" (39.7 x 29.7 cm)

Museum of Modern Art

WattsOS

Duplicate of UP WITH SPAIN! (supplementary suite, plate 14) from ÉCRASER L'INFÂME

1936 · Etching and drypoint, printed in black

plate 15 5/8 x 11 11/16" (39.7 x 29.7 cm)

Museum of Modern Art

WattsOS

Duplicate of MERRY-GO-ROUND (supplementary suite, plate 15) from ÉCRASER L'INFÂME

1936 · Etching and drypoint, printed in black

plate 15 5/8 x 11 5/8" (39.7 x 29.6 cm)

Museum of Modern Art

WattsOS

Duplicate of THE DANCER ON THE WAVES, OR MAN, ETERNAL SEEKER OF EQUILIBRIUM (supplementary suite, plate 16) from ÉCRASER L'INFÂME

1936 · Etching and drypoint, printed in black

plate 15 1/2 x 11 11/16" (39.3 x 29.7 cm)

Museum of Modern Art

WattsOS

Duplicate of front cover (supplementary suite, plate 17) from ÉCRASER L'INFÂME

1936 · Etching and drypoint, printed in black

plate 10 7/8 x 8 7/8" (27.7 x 22.6 cm)

Museum of Modern Art

WattsOS

Duplicate of 500,000! (supplementary suite, plate 11) from ÉCRASER L'INFÂME

1936 · Etching and drypoint, printed in black

plate 15 5/8 x 11 11/16" (39.7 x 29.7 cm)

Museum of Modern Art

WattsOS

WHAT PRICE VIRGINITY?, plate 4 (folio 10) from ÉCRASER L'INFÂME

1936 · Etching and drypoint, printed in black

plate 15 5/8 x 11 11/16" (39.7 x 29.7 cm)

Museum of Modern Art

View all 35 artworks →

Artwork sources (1)

35 published of 70 catalogued · 0 with image

MoMA
35 publishedof 70 catalogued

Relationships

Collections1

Museum of Modern Art

Institutional

Representation & Collections

In collection

Museum of Modern Art

New York, US

Record

Exhibitions and timeline

Group Exhibition PM Competition: The Artist as Reporter

New York · 1940