The Needle and the Damage Done (Exhibition of artists' recordworks curated by Dave Dyment)2005 · Mailed 12-inch vinyl recordcover: 12 3/8 × 12 3/8" (31.5 × 31.5 cm)Museum of Modern Art
Broken Music1983 · Multiple of melted record, cassette, and texts in boxmelted record: 6 3/8" (16.2 cm) irreg.; cassette case: 2 1/2 x 3 15/16 x 1/2" (6.4 x 10 x 1.3 cm); cassette: 2 3/4 x 4 1/4 x 13/16" (7 x 10.8 x 2.1 cm) irreg.; texts (each): 7 1/4 x 7 5/8" (18.4 x 19.4 cm); box: 10 11/16 x 8 1/4 x 7/8" (27.1 x 21 x 2.2 cm)Museum of Modern Art
WattsOSLTLetter to Gilbert Silverman1982 · Felt-tip pen, ink, gouache, pencil, and typewriting on paper with rubber stamp on gelatin silver print, pierced to reveal fabricsheet (letter): 11 11/16 x 8 1/4" (29.7 x 21 cm); sheet (collage): 11 7/8 x 9 1/8" (30.1 x 23.2 cm); envelope: 9 3/4 x 13 5/8" (24.7 x 34.6 cm)Museum of Modern Art
WattsOSAPA Process for the Mind and a Bit of Reality (Proces pro mysl a trochu reality)1981 · Two photocopiesMuseum of Modern Art
Friendship with a tree from Performance Files1980 · Envelope, 7 photocopies, and 19 photographsMuseum of Modern Art
Wedding1980 · Gelatin silver print and synthetic polymer paintsheet: 9 1/2 x 11 3/4" (24.1 x 29.8 cm)Museum of Modern Art
WattsOSSRSpotted Rock1980 · Stone and paint3 1/8 x 7 1/16 x 4 5/16" (8 x 18 x 11 cm)Museum of Modern Art
Wedding1980 · Gelatin silver print, synthetic polymer paint, and plastic discsheet: 9 1/2 x 12" (24.1 x 30.5 cm)Museum of Modern Art
Wedding1980 · Gelatin silver print and synthetic polymer paintsheet: 9 1/2 x 11 3/4" (24.1 x 29.8 cm)Museum of Modern Art
I Prefer Silence1980 · Cut-and-pasted offset lithograph with transfer type, acrylic paint, ballpoint pen, and collage on card stocksheet: 11 13/16 x 8 1/4" (30 x 21 cm); overall: 11 13/16 x 8 1/4 x 3/16" (30 x 21 x 0.4 cm)Museum of Modern Art