WATTS INDEXThe canonical database of visual culture

Artists›Felice Giani, Italian

Felice Giani, Italian

Artist

WA-00041817

Drawing

Representation

None documented

Institutional Exhibitions

579

Works in Collection

803

Assets Indexed

Authority-backed Facts

Publications Referenced

40%

Profile Completeness

Cultural Positioning

Influence Graph

No influence edges encoded yet.

Field Verification (1 fields)

1 cross-verified · 0 single-source

Is PublishedPath D Subcohort3 Directory 2026-05-23· 100%✓

Source Registry (1)

Smithsoniansub-cohort-3-backfill:smithsonian
Tier 1 · Institutional50%

About

Why this artist matters now

No biography available for Felice Giani, Italian yet.

Graph relationships

Taste overlap and adjacency

Movement

—

Medium

Drawing

Related Artists

6 in graph

Institutional

Museum Collections

Smithsonian American Art Museum Cooper Hewitt, Smithsonian Design Museum

Canonical record

Artworks (579)

Four Antique Goddesses

1850 · figures, drawing — pen and brown ink, black chalk on wove paper

36 x 24.5 cm (14 3/16 x 9 5/8 in.)

Cooper Hewitt, Smithsonian Design Museum

Six Antique Gods and Goddesses

1850 · figures, drawing — pen and brown ink, black chalk, graphite on laid paper

36.4 x 22.8 cm (14 5/16 x 9 in.)

Cooper Hewitt, Smithsonian Design Museum

Drawing

1835 · drawing — pen and ink, brush and grey watercolor, graphite on paper

H x W: 33.5 × 18.5 cm (13 3/16 × 7 5/16 in.)

Cooper Hewitt, Smithsonian Design Museum

Atrium and Staircase in Classical Style

1825 · architecture, interiors, drawing — black chalk on laid paper

31.8 x 44.9 cm (12 1/2 x 17 11/16 in.)

Cooper Hewitt, Smithsonian Design Museum

Castello Estense, Ferrara

1822 · theater, drawing — pen and bistre ink on paper

H x W: 22.3 × 19.8 cm (8 3/4 × 7 13/16 in.)

Cooper Hewitt, Smithsonian Design Museum

Three Studies of Wall Mirrors

1822 · figures, drawing — pen and brown ink, brush and brown wash over traces of graphite on cream laid paper

19.2 x 20.7 cm (7 9/16 x 8 1/8 in.)

Cooper Hewitt, Smithsonian Design Museum

Ceiling Decoration, Teatro Valle, Rome

1821 · drawing — pen and dark gray ink, watercolor, black chalk

Cooper Hewitt, Smithsonian Design Museum

Madonna Enthroned

1821 · figures, sketchbook folio — pen and brown ink, brush and brown wash, over traces of black chalk on white heavy wove paper

30.7 x 22.7 cm (12 1/16 x 8 15/16 in.)

Cooper Hewitt, Smithsonian Design Museum

Romulus and Remus Suckled the Wolf; Romulus Dedicates to Jove Feretrius the Spoils of Conquered King Acronius, Two Studies after Carracci

1821 · figures, sketchbook folio — pen and brown ink, brush and brown wash, over traces of black chalk on white heavy wove paper

30.7 x 22.7 cm (12 1/16 x 8 15/16 in.)

Cooper Hewitt, Smithsonian Design Museum

The Madonna and Child in Glory, Study after Dosso Dossi

1821 · figures, sketchbook folio — pen and brown ink, brush and brown wash, over traces of black chalk on white heavy wove paper

30.7 x 22.8 cm (12 1/16 x 9 in.)

Cooper Hewitt, Smithsonian Design Museum

Venus and Cupid, Study after Annibale Carracci

1821 · figures, drawing — pen and ink, brush and brown wash over black chalk on heavy white paper

30.6 x 22.6 cm (12 1/16 x 8 7/8 in.)

Cooper Hewitt, Smithsonian Design Museum

Saint in Ecstacy, After Franceschini; Classicized Version of Vision of St. Catherine of Vigri, Study after Franceschini

1821 · figures, drawing — pen and ink, brush and brown wash, over black chalk on heavy white wove paper

30.5 x 22.8 cm (12 x 9 in.)

Cooper Hewitt, Smithsonian Design Museum

Apollo with Lyre, Fame, Abundance, Beauty and Two Putti on Clouds, Study after Marcantonio Franceschini

1821 · figures, sketchbook folio — pen and brown ink, brown wash, over black chalk white heavy wove paper

30.6 x 22.8 cm (12 1/16 x 9 in.)

Cooper Hewitt, Smithsonian Design Museum

Remus Kills King Amulius; Remus Led in Chains before King Amulius; Two Studies After Carracci

1821 · figures, sketchbook folio — pen and brown ink, brush and brown wash, over traces of black chalk on white heavy wove paper

30.7 x 22.9 cm (12 1/16 x 9 in.)

Cooper Hewitt, Smithsonian Design Museum

The Madonna and Child Enthroned with Saints; Study after Panetti or Costa

1821 · figures, sketchbook folio — pen and brown ink, brush and brown wash, over traces of black chalk on white heavy wove paper

30.7 x 21.9 cm (12 1/16 x 8 5/8 in.)

Cooper Hewitt, Smithsonian Design Museum

Lamentation over the Body

1821 · figures, sketchbook folio — pen and brown ink, brush and brown wash, over traces of black chalk on white heavy wove paper

23 x 30.6 cm (9 1/16 x 12 1/16 in.)

Cooper Hewitt, Smithsonian Design Museum

Lunette with Saints Peter and Paul, Matthew and the Prophet Isaiah, Study after Sebastiano del Piombo

1821 · figures, sketchbook folio — pen and brown ink, brush and brown wash, over black chalk on heavy white wove paper

30.6 x 22.7 cm (12 1/16 x 8 15/16 in.)

Cooper Hewitt, Smithsonian Design Museum

Blinded Soldier, Detail from the Conversion of St. Paul, Study after Agostino Carracci

1821 · figures, sketchbook folio — pen and brown ink, brush and brown wash, over traces of black chalk on white heavy wove paper

30.7 x 22.9 cm (12 1/16 x 9 in.)

Cooper Hewitt, Smithsonian Design Museum

Four Herms, Studies after the Carracci

1821 · figures, sketchbook folio — pen and brown ink, brush and brown wash, over black chalk on white heavy wove paper

30.7 x 22.8 cm (12 1/16 x 9 in.)

Cooper Hewitt, Smithsonian Design Museum

Remus Drives Away and Kills the Robbers of the Herds; Santuary for the Fugitives on the Campidoglio, Two Studies after Carracci

1821 · figures, sketchbook folio — pen and brown ink, brush and brown wash, over traces of black chalk on white heavy wove paper

30.7 x 22.8 cm (12 1/16 x 9 in.)

Cooper Hewitt, Smithsonian Design Museum

The Nativity, Study after Carlo Cignani

1821 · figures, sketchbook folio — pen and brown ink, brush and brown wash, over black chalk on white heavy wove paper

30.6 x 22.8 cm (12 1/16 x 9 in.)

Cooper Hewitt, Smithsonian Design Museum

Madonna and Child and St. John, Study after Francia; Madonna and Child with St. John, Study after Dossi; Madonna and Child with St. John, Bishop Saint, St. Appolonia; Madonna and Child in Niche, Study after Sculpture by Salvator Mundy

1821 · figures, drawing — pen and ink, brush and brown wash, over black chalk on heavy wove white paper

30.5 x 21.9 cm (12 x 8 5/8 in.)

Cooper Hewitt, Smithsonian Design Museum

Four Putti Making Music, Study after Lodovico Carracci; Christ, Study after Massari

1821 · figures, drawing — pen and ink, brush and brown wash, over black chalk on white wove paper

30.7 x 23.1 cm (12 1/16 x 9 1/8 in.)

Cooper Hewitt, Smithsonian Design Museum

The Rape of the Sabines

1821 · figures, sketchbook folio — pen and brown ink, brush and brown wash, over black chalk on white heavy wove paper

30.7 x 23 cm (12 1/16 x 9 1/16 in.)

Cooper Hewitt, Smithsonian Design Museum

View all 579 artworks →

Artwork sources (4)

579 published of 802 catalogued · 801 with image

Cooper Hewitt
566 published566 img
Art Institute Chicago
7 published6 img
The Met
6 published6 img
+ 1 more source · 223 catalogued, not yet published

Record

Images

Met Museum

Relationships

Collections2

Smithsonian American Art Museum Cooper Hewitt, Smithsonian Design Museum

Institutional

Representation & Collections

In collection

Smithsonian American Art Museum

In collection

Cooper Hewitt, Smithsonian Design Museum

Record

Exhibitions and timeline

No exhibitions or timeline entries yet