WATTS INDEXThe canonical database of visual culture

Artists›Thomas Stothard

Thomas Stothard

British, 1755–1834

WA-00049301

London, UK

Drawing

Representation

None documented

Institutional Exhibitions

368

Works in Collection

371

Assets Indexed

Authority-backed Facts

Publications Referenced

60%

Profile Completeness

Cultural Positioning

Influence Graph

No influence edges encoded yet.

Authority Records (1)

WikidataQ2427494

Field Verification (4 fields)

4 cross-verified · 0 single-source

Birth yearArtic + Duplicate Merge· 93%✓
Is PublishedManual· 100%✓
LocationArtic· 93%✓
Death yearDuplicate Merge· 85%✓

Source Registry (1)

Aichttps://www.artic.edu/artists/25035
Tier 3 · Scraped/inferred95%

About

Why this artist matters now

No biography available for Thomas Stothard yet.

Graph relationships

Taste overlap and adjacency

Movement

—

Medium

Drawing

Related Artists

6 in graph

Institutional

Museum Collections

Cleveland Museum of Art Art Institute of Chicago National Gallery of Art Tate

Canonical record

Artworks (368)

A Group of Preliminary Sketches for Stothard’s ‘The Pilgrimage to Canterbury’

1850 · Engraving on paper

unconfirmed: 142 x 222 mm

Tate

The Pilgrimage to Canterbury, engraved by ?Leopold Beyer

1830 · Engraving on paper

support: 59 x 162 mm

Tate

Two Allegorical Female Figures Clasping Hands before Book

1830 · Pen and black ink with brush and gray wash, on cream wove paper

9.8 × 14.9 cm (3 7/8 × 5 7/8 in.)

Art Institute of Chicago

Tilbury Fort Sketched from the Window of the Pope’s Head Tavern, Gravesend

1829 · Graphite and watercolour on paper

support: 92 x 230 mm

Tate

Sketch for an Illustration to Peter Coxe’s ‘The Social Day’: Four Seated Figures in Contemporary Costume

1822 · Ink on paper

support: 74 x 85 mm

Tate

Study Connected with J. Ritson’s ‘Caledonian Muse’: A Group of Nude Fighting Men. Verso: Various Studies Including a Group Seated round a Table

1821 · Ink, chalk and graphite on paper. Verso: ink and graphite on paper

support: 164 x 224 mm

Tate

Study Connected with J. Ritson’s ‘Caledonian Muse’: Men with Spears, Fighting. Verso: Sketch

1821 · Ink and watercolour on paper. Verso: graphite on paper

support: 86 x 161 mm

Tate

The Vintage

1821 · Oil paint on canvas

support: 1048 x 1321 x 24 mm

Tate

The Pilgrimage to Canterbury

1820 · Engraving on paper

image: 141 x 205 mm

Tate

The Pilgrimage to Canterbury

1820 · Wood engraving on paper

image: 25 x 66 mm

Tate

Sans Souci

1817 · Oil paint on wood

support: 800 x 520 mm

Tate

Diana and her Nymphs Bathing

1816 · Oil paint on canvas

support: 508 x 610 mm

Tate

Design for a Frieze. A Chariot in a Victorious Procession

1814 · Graphite and ink on paper

support: 64 x 175 mm

Tate

Calypso with her Nymphs Caressing Cupid

1814 · Oil paint on mahogany

frame: 489 x 570 x 58 mm support: 380 x 480 mm

Tate

Shakespearean Characters

1813 · Oil paint on paper

support: 267 x 930 mm

Tate

Pilgrimage to Canterbury

1812 · etching

Cleveland Museum of Art

Hafod

1810 · Graphite on paper

support: 209 x 164 mm

Tate

Designs for Rundell and Bridge’s Transparency

1810 · Graphite, ink and watercolour on paper

support: 249 x 196 mm

Tate

Thirlmere: Below, Detailed Sketches Showing the Lake and Mountains

1809 · Graphite and watercolour on paper

support: 208 x 265 mm

Tate

Edinburgh, Castle Hill

1809 · Graphite on paper

support: 177 x 345 mm

Tate

Study for the Figure of Nina in Voltaire’s Opera. Verso: A Group Supporting a Woman, and Other Figures, Connected with ‘Amintor and Theodora’

1809 · Graphite and ink on paper

support: 180 x 152 mm

Tate

Study for ‘Don Quixote’: Sancho and the Duchess

1809 · Ink on paper

support: 91 x 91 mm

Tate

Study for ‘Don Quixote’: Title Vignette; A Trophy of Arms and a White Mule

1809 · Oil paint on paper

support: 58 x 57 mm

Tate

The Pilgrimage to Canterbury, engraved by Louis Schiavonetti and James Heath

1809 · Etching and engraving on paper

unconfirmed: 269 x 958 mm

Tate

View all 368 artworks →

Artwork sources (4)

368 published of 368 catalogued · 368 with image

Tate
210 published210 img
Art Institute Chicago
147 published147 img
Nga
9 published9 img
Cleveland Museum of Art
2 published2 img

Per-Artwork Provenance Chains (top 10)

10 entries · 1 sources

Shakespearean Characters
1813 · Tate · 1 prov
Url Pattern Extraction 2026-05-27·accession_number
A Group of Preliminary Sketches for Stothard’s ‘The Pilgrimage to Canterbury’
1850 · Tate · 1 prov
Url Pattern Extraction 2026-05-27·accession_number
A Small Plant
— · Tate · 1 prov
Url Pattern Extraction 2026-05-27·accession_number
Illustration to ‘Clarissa’: Two Women Standing
— · Tate · 1 prov
Url Pattern Extraction 2026-05-27·accession_number
A Sheet of Sketches of Men in Tudor Costume. Verso: Various Unconnected Sketches of Figures, including a Rider
— · Tate · 1 prov
Url Pattern Extraction 2026-05-27·accession_number
A Scene on the Medway
1780 · Tate · 1 prov
Url Pattern Extraction 2026-05-27·accession_number
A Group Seated round a Table, and a Couple outside a Church Door. Verso: Another Version of the Second Subject
— · Tate · 1 prov
Url Pattern Extraction 2026-05-27·accession_number
Seated Nymph and Two Putti
— · Tate · 1 prov
Url Pattern Extraction 2026-05-27·accession_number
Sketch for ‘Robinson Crusoe’: A Man with a Boat. Verso: Sketch of a Cowslip
— · Tate · 1 prov
Url Pattern Extraction 2026-05-27·accession_number
Three Figures, with a Kneeling Woman. Verso: Sketch of a Child’s Head
— · Tate · 1 prov
Url Pattern Extraction 2026-05-27·accession_number

Record

Images

Artsy

Art Institute of Chicago

Relationships

Collections4

Cleveland Museum of Art Art Institute of Chicago National Gallery of Art Tate

Institutional

Representation & Collections

In collection

Cleveland Museum of Art

In collection

Art Institute of Chicago

In collection

National Gallery of Art

In collection

Tate

Record

Exhibitions and timeline

No exhibitions or timeline entries yet