WATTS INDEXThe canonical database of visual culture

Artists›Jacopo Guarana

Jacopo Guarana

Republic of Venice, 1720–1808

WA-00053757

Venice

Painting

Representation

None documented

Institutional Exhibitions

Works in Collection

Assets Indexed

Authority-backed Facts

Publications Referenced

70%

Profile Completeness

Cultural Positioning

Influence Graph

No influence edges encoded yet.

Authority Records (1)

WikidataQ3805882

Field Verification (2 fields)

2 cross-verified · 0 single-source

Is PublishedManual· 100%✓
Birth yearArtsy· 85%✓

Source Registry (1)

Aic
Tier 3 · Scraped/inferred85%

About

Why this artist matters now

Jacopo Guarana was a Venetian painter of the late Baroque period active throughout Venice and its mainland territories. Born in Verona in 1720, he worked within the tradition of Venetian history painting and religious commissions that dominated the city's artistic output in the eighteenth century. His practice centered on large-scale altarpieces and narrative canvases executed in the warm, luminous palette characteristic of the Venetian school.

Source: Aic · Trust score: 85% · Updated 17d ago

Graph relationships

Taste overlap and adjacency

Movement

—

Medium

Painting

Related Artists

6 in graph

Institutional

Museum Collections

Art Institute of Chicago National Gallery of Art

Canonical record

Artworks (7)

Design for an Altar for Easter Week Celebrations Decorated with Putti and Chandeliers

1783 · Pen and brown ink, brush and brown wash, over graphite; done freehand and with ruled construction; framing lines in pen and brown ink

Sheet: 10 1/8 x 7 9/16 in. (25.7 x 19.2 cm)

The Metropolitan Museum of Art

Alpheus and Arethusa

1770 · laid paper

plate: 38 x 47.6 cm (14 15/16 x 18 3/4 in.) sheet: 40.4 x 48.9 cm (15 7/8 x 19 1/4 in.)

National Gallery of Art

The shepherd Paris sitting on the right, holding a staff and handing an apple to Venus accompanied by two nymphs

1750 · Etching

Sheet (Trimmed): 18 7/8 × 15 3/16 in. (48 × 38.5 cm)

The Metropolitan Museum of Art

The Judgement of Paris

1720 · laid paper

plate: 38.5 x 48.1 cm (15 3/16 x 18 15/16 in.) sheet: 44.4 x 57 cm (17 1/2 x 22 7/16 in.)

National Gallery of Art

Three Studies of Hands Clasped in Prayer

1720 · black chalk

overall: 41.8 x 28.1 cm (16 7/16 x 11 1/16 in.)

National Gallery of Art

Satyr Reclining on a Ledge, Facing Right (recto); Satyr Reclining on a Ledge, Facing Left (verso)

1720 · Black chalk, highlighted with white chalk, on blue paper

10 5/16 x 13 11/16in. (26.2 x 34.7cm)

The Metropolitan Museum of Art

Two Putti Supporting the Lower Part of a Draped Figure (recto); Two Putti (verso)

1720 · Black chalk, highlighted with white chalk, on blue paper

10 11/16 x 13 11/16in. (27.1 x 34.8cm)

The Metropolitan Museum of Art

Artwork sources (4)

7 published of 9 catalogued · 9 with image

The Met
4 published4 img
Nga
3 published3 img
+ 2 more sources · 2 catalogued, not yet published

Per-Artwork Provenance Chains (top 3)

11 entries · 1 sources

Alpheus and Arethusa
1770 · Nga · 4 prov
Wikidata·titleWikidata·mediumWikidata·year_createdWikidata·primary_image_url
Three Studies of Hands Clasped in Prayer
1720 · Nga · 4 prov
Wikidata·titleWikidata·mediumWikidata·primary_image_urlWikidata·artwork_type
The Judgement of Paris
1720 · Nga · 3 prov
Wikidata·titleWikidata·mediumWikidata·primary_image_url

Record