WATTS INDEXThe canonical database of visual culture

Artists›Adolphe Appian, French

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Adolphe Appian, French

Artist

WA-00082445

Printmaking

Representation

None documented

Institutional Exhibitions

Works in Collection

Assets Indexed

Authority-backed Facts

Publications Referenced

30%

Profile Completeness

Cultural Positioning

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Field Verification (1 fields)

1 cross-verified · 0 single-source

Is PublishedPath D Subcohort4 Directory 2026-05-23· 100%✓

Source Registry (1)

Cooper Hewittsub-cohort-4-backfill:cooper_hewitt
Tier 3 · Scraped/inferred40%

About

Why this artist matters now

No biography available for Adolphe Appian, French yet.

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Taste overlap and adjacency

Movement

—

Medium

Printmaking

Related Artists

6 in graph

Institutional

Museum Collections

Cooper Hewitt, Smithsonian Design Museum

Canonical record

Artworks (21)

Fisherman in a Boat at the Riverside

1887 · Etching with monotype printing in black ink on ivory laid paper

Image: 31.5 × 46.3 cm (12 7/16 × 18 1/4 in.); Sheet: 34.6 × 48.5 cm (13 5/8 × 19 1/8 in.)

Art Institute of Chicago

The Port at San Remo

1878 · etching

Sheet: 32.5 x 45.8 cm (12 13/16 x 18 1/16 in.); Platemark: 28.3 x 39.1 cm (11 1/8 x 15 3/8 in.)

Cleveland Museum of Art

Fishing Craft near the Cliffs at Collioure

1878 · Etching on China paper colle laid down on white wove paper

Image: 18.6 × 27.2 cm (7 3/8 × 10 3/4 in.); Sheet: 24 × 35.1 cm (9 1/2 × 13 7/8 in.)

Art Institute of Chicago

Etched copperplate "Landscape with Ducks" by Adolphe Appian

1877 · printing plate — copper, etched

H x W: 49.8 × 35.5 cm (19 5/8 in. × 14 in.)

Cooper Hewitt, Smithsonian Design Museum

Costal Navigation Boats (Coast of Italy)

1874 · Etching; first state of three

Plate: 6 5/16 × 9 7/16 in. (16 × 24 cm) Sheet: 12 1/16 × 18 7/8 in. (30.7 × 48 cm)

The Metropolitan Museum of Art

The Port of Monaco

1873 · Etching on ivory chine applied to white wove paper

Image: 13.2 × 21.1 cm (5 1/4 × 8 5/16 in.); Sheet: 36.2 × 52 cm (14 5/16 × 20 1/2 in.)

Art Institute of Chicago

Village Street in Artemare (Ain)

1871 · Etching; third state of four

Plate: 9 7/16 × 15 9/16 in. (24 × 39.5 cm) Sheet: 12 7/8 × 18 1/4 in. (32.7 × 46.3 cm)

The Metropolitan Museum of Art

The Springs of the Albarine (Ain)

1870 · Etching; third state of five

Plate: 9 7/16 × 15 9/16 in. (24 × 39.5 cm) Sheet: 12 7/8 × 18 1/4 in. (32.7 × 46.3 cm)

The Metropolitan Museum of Art

Source of the Albarine

1870 · etching and drypoint

Sheet: 32.6 x 46.3 cm (12 13/16 x 18 1/4 in.); Plate: 24.1 x 39.2 cm (9 1/2 x 15 7/16 in.)

Cleveland Museum of Art

Bridge at Hautville

1870 · Etching on ivory laid paper

Plate: 21.6 × 36.3 cm (8 9/16 × 14 5/16 in.); Sheet: 26.8 × 41.5 cm (10 9/16 × 16 3/8 in.)

Art Institute of Chicago

Three Fishermen Along the Banks of a River at the Edge of a Forest

1868 · charcoal with stumping and scratching out and touches of white chalk on beige paper

Sheet: 59.4 x 98.5 cm (23 3/8 x 38 3/4 in.); Secondary Support: 60.5 x 99.5 cm (23 13/16 x 39 3/16 in.)

Cleveland Museum of Art

A Pond

1867 · etching

Secondary Support: 40.5 x 32.7 cm (15 15/16 x 12 7/8 in.); Plate: 31.9 x 24 cm (12 9/16 x 9 7/16 in.)

Cleveland Museum of Art

Shore of a Stream at Rossillon

1867 · etching

Sheet: 18.9 x 27.5 cm (7 7/16 x 10 13/16 in.); Plate: 13.8 x 23.3 cm (5 7/16 x 9 3/16 in.)

Cleveland Museum of Art

A Pond Near Rousillon

1867 · Etching on ivory wove paper

Plate: 23.5 × 16.5 cm (9 5/16 × 6 1/2 in.); Sheet: 33.2 × 25 cm (13 1/8 × 9 7/8 in.)

Art Institute of Chicago

Barge on the Bank of a River

1865 · Etching; first state of three

Plate: 3 1/16 × 5 1/8 in. (7.7 × 13 cm) Sheet: 3 15/16 × 5 11/16 in. (10 × 14.5 cm)

The Metropolitan Museum of Art

Banks of the Rhone

1865 · etching

Sheet: 14.9 x 26.1 cm (5 7/8 x 10 1/4 in.); Plate: 14.5 x 25.7 cm (5 11/16 x 10 1/8 in.)

Cleveland Museum of Art

The New Pond Near Creys (Isère)

1864 · Etching; third state of four

Plate: 6 11/16 × 11 5/16 in. (17 × 28.7 cm) Sheet: 9 1/4 × 13 1/4 in. (23.5 × 33.6 cm)

The Metropolitan Museum of Art

Near the Rix (Ain)

1864 · Etching; between second and third state of three

Plate: 3 7/16 × 6 15/16 in. (8.8 × 17.7 cm) Sheet: 18 7/8 × 13 1/4 in. (48 × 33.6 cm)

The Metropolitan Museum of Art

A Cliff in the Parish of Rix

1862 · Monotype on off-white China paper

Image: 14.5 × 27.2 cm (5 3/4 × 10 3/4 in.); Sheet: 15.7 × 28.8 cm (6 3/16 × 11 3/8 in.)

Art Institute of Chicago

Pond at the Edge of the Wood

1862 · Charcoal on brown paper

61 × 99 cm (24 1/16 × 39 in.)

Art Institute of Chicago

Well at the Side of a Road

1860 · oil on fabric

Unframed: 28.2 x 45 cm (11 1/8 x 17 11/16 in.)

Cleveland Museum of Art

View all 21 artworks →

Artwork sources (4)

21 published of 21 catalogued · 21 with image

Cleveland Museum of Art
7 published7 img
Art Institute Chicago
7 published7 img
The Met
6 published6 img
Cooper Hewitt
1 published1 img

Per-Artwork Provenance Chains (top 7)

7 entries · 1 sources

A Pond
1867 · Cleveland · 1 prov
Url Pattern Extraction 2026-05-27·accession_number
Well at the Side of a Road
1860 · Cleveland · 1 prov
Url Pattern Extraction 2026-05-27·accession_number
Banks of the Rhone
1865 · Cleveland · 1 prov
Url Pattern Extraction 2026-05-27·accession_number
The Port at San Remo
1878 · Cleveland · 1 prov
Url Pattern Extraction 2026-05-27·accession_number
Three Fishermen Along the Banks of a River at the Edge of a Forest
1868 · Cleveland · 1 prov
Url Pattern Extraction 2026-05-27·accession_number
Shore of a Stream at Rossillon
1867 · Cleveland · 1 prov
Url Pattern Extraction 2026-05-27·accession_number
Source of the Albarine
1870 · Cleveland · 1 prov
Url Pattern Extraction 2026-05-27·accession_number

Relationships

Collections1

Cooper Hewitt, Smithsonian Design Museum

Institutional

Representation & Collections

In collection

Cooper Hewitt, Smithsonian Design Museum

Record

Exhibitions and timeline

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