ArtistsWilliam Glackens
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William Glackens

Artist
WA-00112850
PaintingAshcan School
Representation
None documented
12
Institutional Exhibitions
4
Works in Collection
4
Assets Indexed
0
Authority-backed Facts
0
Publications Referenced
70%
Profile Completeness

Cultural Positioning

Influence Graph
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Authority Records (1)

Selected Institutional Exhibitions

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American Drawings and Watercolors: A Selection from the Collection
Museum of Modern Art, New York
1969–1970
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100 Drawings from the Museum Collection
Museum of Modern Art, New York
1960–1961
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Drawings in the Collection of The Museum of Modern Art
Museum of Modern Art, New York
1947
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American Battle Painting 1776�1918
Museum of Modern Art, New York
1944
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Painting, Sculpture, Prints
Museum of Modern Art, New York
1944
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Modern Drawings
Museum of Modern Art, New York
1944
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Twentieth Century Portraits
Museum of Modern Art, New York
1942–1943
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New Acquisitions: American Drawings
Museum of Modern Art, New York
1942
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Three Centuries of American Art
Museum of Modern Art, New York
1938
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Modern Painters and Sculptors as Illustrators
Museum of Modern Art, New York
1936
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American Painting and Sculpture, 1862�1932
Museum of Modern Art, New York
1932–1933
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Painting and Sculpture by Living Americans
Museum of Modern Art, New York
1930–1931

Source Registry (1)

About

Why this artist matters now

William James Glackens was an American realist painter and one of the founders of the Ashcan School, which rejected the formal boundaries of artistic beauty laid down by the conservative National Academy of Design. He is also known for his work in helping Albert C. Barnes to acquire the European paintings that form the nucleus of the famed Barnes Foundation in Philadelphia. His dark-hued, vibrantly painted street scenes and depictions of daily life in pre-WW I New York and Paris first established his reputation as a major artist. His later work was brighter in tone and showed the strong influence of Renoir. During much of his career as a painter, Glackens also worked as an illustrator for newspapers and magazines in Philadelphia and New York City.

Source: Smithsonian Institution · Trust score: 90% · Updated 1mo ago

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Taste overlap and adjacency

Movement
Ashcan School
Medium
Painting
Related Artists
12 in graph
Canonical record

Artworks (4)

Artwork sources (1)

4 published of 4 catalogued · 0 with image
  • Cleveland Museum of Art
    4 published

Per-Artwork Provenance Chains (top 4)

4 entries · 1 sources
  • The Drive, Central Park
    1900 · Cleveland · 1 prov
    Url Pattern Extraction 2026-05-27·accession_number
  • Monsieur and Madame Mollet
    1899 · Cleveland · 1 prov
    Url Pattern Extraction 2026-05-27·accession_number
  • Monsieur Rouflard
    1899 · Cleveland · 1 prov
    Url Pattern Extraction 2026-05-27·accession_number
  • An Old Lady Came In
    1899 · Cleveland · 1 prov
    Url Pattern Extraction 2026-05-27·accession_number

Relationships

1
Movements1
Record

Exhibitions and timeline