WATTS INDEXThe canonical database of visual culture

Artists›Theodoor van Thulden

Theodoor van Thulden

Artist

WA-00206163

Representation

None documented

Institutional Exhibitions

Works in Collection

Assets Indexed

Authority-backed Facts

Publications Referenced

60%

Profile Completeness

Cultural Positioning

Influence Graph

No influence edges encoded yet.

Authority Records (2)

WikidataQ260817

Artsy

Field Verification (2 fields)

0 cross-verified · 2 single-source

NationalityDedup Promote· 40%
Primary mediumDedup Promote· 40%

Source Registry (1)

Artsy (bulk)https://www.artsy.net/artist/theodoor-van-thulden
Tier 1 · Institutional85%

About

Why this artist matters now

Theodoor van Thulden was a Flemish painter, draughtsman and engraver born in 's-Hertogenbosch in the duchy of Brabant. He is mainly known for his altarpieces, mythological subjects, allegorical works and portraits. He was active in Antwerp, where he had trained, as well as in Paris and his native 's-Hertogenbosch.

Source: Artsy · Trust score: 85% · Updated 1mo ago

Graph relationships

Taste overlap and adjacency

Movement

—

Medium

—

Related Artists

—

Canonical record

Artworks (13)

Allegory of the Farewell of William III from Amalia van Solms following the transfer of Regency to the States General

1661 · canvas, oil paint (paint)

width: 97 cm, height: 115 cm

Rijksmuseum

Vierentwintig Romeinse munten met deviezen en emblemen van keizers

1642 · engraving on paper

width: 411 cm, height: 467 cm

Rijksmuseum

Stage in Memory of Isabella Clara Eugenia, plate 24 from Casperius Gevartius, Pompa Introitus Honori Serenissimi Principis Ferdinandi (Triumphal Entry of the Most Serene and Honorable Cardinal-Infante Ferdinand)

1642 · Engraving, with etching and plate tone, in black on cream laid paper

Plate: 50.2 × 38.5 cm (19 13/16 × 15 3/16 in.); Sheet: 55.5 × 39.4 cm (21 7/8 × 15 9/16 in.)

Art Institute of Chicago

Firework around the Antwerp Cathedral, plate 41 from Casperius Gevartius, Pompa Introitus Honori Serenissimi Principis Ferdinandi

1642 · Engraving, with etching and plate tone, in black on cream laid paper

Plate: 44.4 × 29.9 cm (17 1/2 × 11 13/16 in.); Sheet: 46 × 31.6 cm (18 1/8 × 12 1/2 in.)

Art Institute of Chicago

Philip IV Appointing Prince Ferdinand Governor of the Netherlands, plate 25 from Casperius Gevartius, Pompa Introitus Honori Serenissimi Principis Ferdinandi (Triumphal Entry of the Most Serene and Honorable Cardinal-Infante Ferdinand)

1642 · Engraving, with etching and plate tone, in black on cream laid paper

Plate: 26.9 × 33.4 cm (10 5/8 × 13 3/16 in.); Sheet: 55.6 × 39.6 cm (21 15/16 × 15 5/8 in.)

Art Institute of Chicago

Genealogical Tree of the Austrian Royal Family, plate 32 from Casperius Gevartius, Pompa Introitus Honori Serenissimi Principis Ferdinandi (Triumphal Entry of the Most Serene and Honorable Cardinal-Infante Ferdinand)

1642 · Engraving, with etching and plate tone, in black on cream laid paper

Plate: 41.5 × 28.7 cm (16 3/8 × 11 5/16 in.); Sheet: 55.7 × 38.8 cm (21 15/16 × 15 5/16 in.)

Art Institute of Chicago

Negentien Romeinse munten met deviezen en emblemen van keizers

1642 · engraving on paper

width: 403 cm, height: 525 cm

Rijksmuseum

The Return of Ulysses

1633 · Pen and brown ink with brush and gray wash, over traces of black chalk, on ivory laid paper

19.8 × 25.3 cm (7 13/16 × 10 in.)

Art Institute of Chicago

Maria als Onze Lieve Vrouwe ter Hulpe en de verlossing van de gevangenen

1632 · engraving on paper

width: 218 cm, height: 304 cm

Rijksmuseum

De metgezellen van Odysseus maken de zak open waarin Aeolus de winden besloten had

1631 · pen on ink, paper

width: 239 cm, height: 168 cm

Rijksmuseum

The Marriage of Maximilian of Austria with Mary of Burgundy

1626 · Etching on tan laid paper

Plate: 25.8 × 29.8 cm (10 3/16 × 11 3/4 in.); Sheet: 45.7 × 35.7 cm (18 × 14 1/16 in.)

Art Institute of Chicago

Neptune

1626 · Black and red chalk, heightened with white chalk, on tan laid paper

32 × 22.1 cm (12 5/8 × 8 3/4 in.)

Art Institute of Chicago

Gelijkenis van de verloren zoon

1616 · etching on paper

width: 103 cm, height: 130 cm

Rijksmuseum

View all 13 artworks →

Artwork sources (2)

13 published of 13 catalogued · 13 with image

Art Institute Chicago
7 published7 img
Rijksmuseum
6 published6 img

Per-Artwork Provenance Chains (top 3)

3 entries · 1 sources

Allegory of the Farewell of William III from Amalia van Solms following the transfer of Regency to the States General
1661 · Rijksmuseum · 1 prov
Url Pattern Extraction 2026-05-27·accession_number
Maria als Onze Lieve Vrouwe ter Hulpe en de verlossing van de gevangenen
1632 · Rijksmuseum · 1 prov
Url Pattern Extraction 2026-05-27·accession_number
De metgezellen van Odysseus maken de zak open waarin Aeolus de winden besloten had
1631 · Rijksmuseum · 1 prov
Url Pattern Extraction 2026-05-27·accession_number

Record

Images

Artsy

Wikipedia

Record

Exhibitions and timeline

No exhibitions or timeline entries yet