Artworks · Abraham Bloemaert, Dutch

Plate

1730 · Hard-paste porcelain

Diameter: 8 in. (20.3 cm)

The Metropolitan Museum of Art

Study of a Nude Man

1645 · Black chalk on buff laid paper

13.6 × 19.4 cm (5 3/8 × 7 11/16 in.)

Art Institute of Chicago

Design for St. Peter Delivered from Prison

1635 · Pen and brown ink, brush and brown water color, black chalk on paper

10.2 × 13.3 cm (4 in. × 5 1/4 in.)

Cooper Hewitt, Smithsonian Design Museum

Saint Willibrord

1625 · Pen and brown ink and brush and brown wash, with opaque white watercolor, over charcoal, on cream laid paper prepared with a blue wash

24.2 × 16.1 cm (9 9/16 × 6 3/8 in.)

Art Institute of Chicago

Titlepage, "The Farmhouse and Landscape Series"

1614 · print — etching on paper

15.2 × 23.8 cm (6 in. × 9 3/8 in.)

Cooper Hewitt, Smithsonian Design Museum

Piety

1610 · Brush and white gouache, and black chalk on gray laid paper

19.3 x 15.9 cm (7 5/8 x 6 1/4 in.)

Cooper Hewitt, Smithsonian Design Museum

Peasant's Cottage (recto); Bridge and Gate (verso)

1605 · pen and brown ink with brush and brown, blue, red and yellow wash, over black and red chalk

Sheet: 17.2 x 27.2 cm (6 3/4 x 10 11/16 in.)

Cleveland Museum of Art

Bridge and Gate (verso)

1605 · pen and brown ink and brush and brown, red, green, yellow and blue wash, over red and black chalk

Sheet: 17.5 x 27.2 cm (6 7/8 x 10 11/16 in.)

Cleveland Museum of Art

Three Sketches of a Goat (recto) Drapery of Standing Female Figure (verso)

1605 · Pen and brown ink with brush and brown wash, heightened with lead white (partly discolored), over traces of black chalk, on pink tinted laid paper (recto) Red chalk heightened with touches of white chalk, on cream laid paper (verso)

26.3 × 16.1 cm (10 3/8 × 6 3/8 in.)

Art Institute of Chicago

Peasant's Cottage (recto)

1605 · pen and brown ink with brush and brown, blue, red and yellow wash, over black and red chalk

Sheet: 17.2 x 27.2 cm (6 3/4 x 10 11/16 in.)

Cleveland Museum of Art

Juno

1605 · Etching, on ivory laid paper

Image: 14.2 × 11.3 cm (5 5/8 × 4 1/2 in.); Plate: 14.3 × 11.4 cm (5 11/16 × 4 1/2 in.); Sheet: 14.6 × 11.8 cm (5 3/4 × 4 11/16 in.)

Art Institute of Chicago

Elisha and Elijah's Chariot of Fire

1604 · engraving

Sheet: 25.5 x 19.5 cm (10 1/16 x 7 11/16 in.)

Cleveland Museum of Art

The Prediction of Ahijah

1604 · engraving

Sheet: 25.5 x 19.5 cm (10 1/16 x 7 11/16 in.)

Cleveland Museum of Art

The Circumcision

1601 · Pen and brown ink and brush and brown wash, heightened with white opaque watercolor, over black chalk, on buff laid paper, laid down on buff laid card

Primary support: 27.7 × 27.6 cm (10 15/16 × 10 7/8 in.); Secondary support: 28.2 × 28.2 cm (11 1/8 × 11 1/8 in.)

Art Institute of Chicago

Two Female Heads

1600 · red chalk heightened with white chalk; framing lines in brown ink

Sheet: 7.8 x 12.2 cm (3 1/16 x 4 13/16 in.)

Cleveland Museum of Art

Moses Striking the Rock

1596 · Oil on canvas

31 3/8 x 42 1/2 in. (79.7 x 108 cm)

The Metropolitan Museum of Art

Study of the Head of a Bearded Man

1595 · Black chalk, with brush and black chalk wash, heightened with opaque white watercolor, over touches of charcoal, on tan laid paper

37.2 × 29 cm (14 11/16 × 11 7/16 in.)

Art Institute of Chicago

Charity

1585 · oil on wood

Framed: 87 x 100 x 10.2 cm (34 1/4 x 39 3/8 x 4 in.); Unframed: 68.6 x 54.5 cm (27 x 21 7/16 in.)

Cleveland Museum of Art

Caritas Romana

1584 · Brush and brown ink with wash, over traces of black chalk, on off white laid paper, laid down on cream card

18.6 × 17.9 cm (7 3/8 × 7 1/16 in.)

Art Institute of Chicago

Saint Paul Seated, with his Conversion in the Background (recto); Figure Sketch (verso)

1580 · Black chalk, brush and brown and gray wash, red chalk, heightened with white gouache; incised for transfer (?); framing line in pen and black ink

9 5/16 x 6 1/2 in. (23.7 x 16.5 cm)

The Metropolitan Museum of Art

Kneeling Female Figure with Upraised Arms

1580 · Red chalk, heightened with white chalk

10 3/8 x 7 1/16 in. (26.4 x 18 cm)

The Metropolitan Museum of Art

Christ and the Canaanite Women

1580 · Pen and brown ink, brush and brown wash, heightening with white, over black chalk; traces of framing lines in pen and brown ink

13 1/2 x 18 7/8 in. (34.3 x 47.9 cm)

The Metropolitan Museum of Art

Studies of Two Pollard Willows; Verso: Wide Landscape Prospect

1580 · Pen and brown ink, watercolor, traces of black chalk (recto); black chalk and watercolor (verso); framing lines in pen and brown ink

8 1/4 x 12 3/16 in. (21 x 31 cm)

The Metropolitan Museum of Art

Study of a Seated Woman and Five Studies of Hands; Verso: Landscape with a Road and a Tree to the Right

1580 · Red chalk heightened with white, framing line in pen and brown ink; verso: black chalk

6 1/16 x 7 1/8 in. (15.4 x 18.1 cm)

The Metropolitan Museum of Art