Artworks · Abraham Bloemaert

Plate

1745 · Hard-paste porcelain

Diameter: 8 15/16 in. (22.7 cm)

The Metropolitan Museum of Art

Plate

1730 · Hard-paste porcelain

Diameter: 8 in. (20.3 cm)

The Metropolitan Museum of Art

Plate

1730 · Hard-paste porcelain

Diameter: 8 in. (20.3 cm)

The Metropolitan Museum of Art

Bishop Kneeling in Prayer

1700 · Pen and brown ink, and brush and brown wash, heightened with lead white (discolored), over graphite on cream laid card, laid down on ivory wove card

46.1 × 36.5 cm (18 3/16 × 14 3/8 in.)

Art Institute of Chicago

Psyche Asleep

1650 · Red chalk, on tan laid paper, laid down on cream wove card

19.5 × 31.3 cm (7 11/16 × 12 3/8 in.)

Art Institute of Chicago

Christus met kruis verschijnt aan Ignatius van Loyola

1645 · pen on chalk, paper, ink, paint (coating)

height: 425 cm, width: 338 cm

Rijksmuseum

Study of a Nude Man

1645 · Black chalk on buff laid paper

13.6 × 19.4 cm (5 3/8 × 7 11/16 in.)

Art Institute of Chicago

De heilige Familie

1640 · brush on chalk, paper, paint (coating)

width: 202 cm, height: 270 cm

Rijksmuseum

Head of an Old Man

1625 · oil on panel

overall: 48.3 x 36.3 cm (19 x 14 5/16 in.)

National Gallery of Art

Bishop seated in his Study, seen from his Right Side

1625 · Pen and brown ink and brush and brown ink wash over graphite with opaque white watercolor on cream laid paper

23.6 × 18.6 cm (9 5/16 × 7 3/8 in.)

Art Institute of Chicago

Saint Willibrord

1625 · Pen and brown ink and brush and brown wash, with opaque white watercolor, over charcoal, on cream laid paper prepared with a blue wash

24.2 × 16.1 cm (9 9/16 × 6 3/8 in.)

Art Institute of Chicago

Studies van een staande trompetter en studies van handen en armen

1624 · chalk, paper, deck paint

width: 192 cm, height: 301 cm

Rijksmuseum

St Jerome

1620 · Chiaroscuro woodcut from three block on ivory laid paper

Sheet: 7.4 × 6.4 cm (2 15/16 × 2 9/16 in.)

Art Institute of Chicago

The Virgin and Child with St. Joseph

1620 · Chiaroscuro woodcut from three blocks on ivory laid paper

Block: 9 × 7.7 cm (3 9/16 × 3 1/16 in.); sheet: 10.4 × 8.7 cm (4 1/8 × 3 7/16 in.)

Art Institute of Chicago

The Madonna and Child

1620 · Chiaroscuro woodcut from three blocks on ivory laid paper

Plate: 7.2 × 5.8 cm (2 7/8 × 2 5/16 in.)

Art Institute of Chicago

Landscape with Seated Figure and Dog

1615 · pen

overall: 16 x 20.7 cm (6 5/16 x 8 1/8 in.)

National Gallery of Art

Farm Under Thatched Roofs

1614 · Pen and brown ink, over traces of black chalk, on ivory laid paper

17.7 × 27.7 cm (7 × 10 15/16 in.)

Art Institute of Chicago

Moses Striking the Rock

1611 · oil paint

31 3/8 x 42 1/2 in. (79.7 x 108 cm)

The Metropolitan Museum of Art

The Golden Age

1610 · Engraving on ivory laid paper

Sheet: 33.5 × 51.8 cm (13 1/4 × 20 7/16 in.)

Art Institute of Chicago

Juno

1610 · laid paper

Sheet (trimmed): 14.5 × 11.7 cm (5 3/4 × 4 5/8 in.)

Art Institute of Chicago

Ritual Washing of the Israelites

1606 · black chalk

overall: 38.1 x 52.6 cm (15 x 20 11/16 in.)

National Gallery of Art

Juno

1605 · etching on laid paper

sheet: 14.3 x 11.4 cm (5 5/8 x 4 1/2 in.) (trimmed to plate mark)

National Gallery of Art

Three Sketches of a Goat (recto) Drapery of Standing Female Figure (verso)

1605 · Pen and brown ink with brush and brown wash, heightened with lead white (partly discolored), over traces of black chalk, on pink tinted laid paper (recto) Red chalk heightened with touches of white chalk, on cream laid paper (verso)

26.3 × 16.1 cm (10 3/8 × 6 3/8 in.)

Art Institute of Chicago

Juno

1605 · Etching, on ivory laid paper

Image: 14.2 × 11.3 cm (5 5/8 × 4 1/2 in.); Plate: 14.3 × 11.4 cm (5 11/16 × 4 1/2 in.); Sheet: 14.6 × 11.8 cm (5 3/4 × 4 11/16 in.)

Art Institute of Chicago

Peasant's Cottage (recto); Bridge and Gate (verso)

1605 · pen and brown ink with brush and brown, blue, red and yellow wash, over black and red chalk

Sheet: 17.2 x 27.2 cm (6 3/4 x 10 11/16 in.)

Cleveland Museum of Art

Bridge and Gate (verso)

1605 · pen and brown ink and brush and brown, red, green, yellow and blue wash, over red and black chalk

Sheet: 17.5 x 27.2 cm (6 7/8 x 10 11/16 in.)

Cleveland Museum of Art

Peasant's Cottage (recto)

1605 · pen and brown ink with brush and brown, blue, red and yellow wash, over black and red chalk

Sheet: 17.2 x 27.2 cm (6 3/4 x 10 11/16 in.)

Cleveland Museum of Art

Elisha and Elijah's Chariot of Fire

1604 · engraving

Sheet: 25.5 x 19.5 cm (10 1/16 x 7 11/16 in.)

Cleveland Museum of Art

The Prediction of Ahijah

1604 · engraving

Sheet: 25.5 x 19.5 cm (10 1/16 x 7 11/16 in.)

Cleveland Museum of Art

The Circumcision

1601 · Pen and brown ink and brush and brown wash, heightened with white opaque watercolor, over black chalk, on buff laid paper, laid down on buff laid card

Primary support: 27.7 × 27.6 cm (10 15/16 × 10 7/8 in.); Secondary support: 28.2 × 28.2 cm (11 1/8 × 11 1/8 in.)

Art Institute of Chicago

Roman Soldiers Stoning a Serpent

1600 · Pen and brown ink, with brush and brown wash, over touches of black chalk, on ivory laid paper, tipped on blue laid paper with red fibers

19.4 × 29 cm (7 11/16 × 11 7/16 in.)

Art Institute of Chicago

Two Female Heads

1600 · red chalk heightened with white chalk; framing lines in brown ink

Sheet: 7.8 x 12.2 cm (3 1/16 x 4 13/16 in.)

Cleveland Museum of Art

Moses Striking the Rock

1596 · Oil on canvas

31 3/8 x 42 1/2 in. (79.7 x 108 cm)

The Metropolitan Museum of Art

Study of the Head of a Bearded Man

1595 · Black chalk, with brush and black chalk wash, heightened with opaque white watercolor, over touches of charcoal, on tan laid paper

37.2 × 29 cm (14 11/16 × 11 7/16 in.)

Art Institute of Chicago

A standing soldier, a standing woman, and a stooping drummer

1593 · Pen and brown ink, with brush and brown wash, on ivory laid paper, laid down on cream wove paper

28.4 × 20.1 cm (11 3/16 × 7 15/16 in.)

Art Institute of Chicago

Acis and Galatea

1590 · pen

overall: 31.2 x 30.1 cm (12 5/16 x 11 7/8 in.)

National Gallery of Art

Without Ceres and Bacchus, Venus Would Freeze

1590 · Pen and brown ink, with brush and brown wash, over traces of charcoal, heightened with opaque white watercolor (partially discolored), on buff laid paper

14.7 × 19.5 cm (5 13/16 × 7 11/16 in.)

Art Institute of Chicago

The Three Fates

1590 · Pen and black ink over pen and brown ink, and brush and brown wash wash, on cream laid paper

26.3 × 20.7 cm (10 3/8 × 8 3/16 in.)

Art Institute of Chicago

Charity

1585 · oil on wood

Framed: 87 x 100 x 10.2 cm (34 1/4 x 39 3/8 x 4 in.); Unframed: 68.6 x 54.5 cm (27 x 21 7/16 in.)

Cleveland Museum of Art

Saint John the Evangelist

1584 · Pen and brown ink, with brush and brown wash, over traces of black chalk, on buff laid paper, pieced together

34.2 × 15 cm (13 1/2 × 5 15/16 in.)

Art Institute of Chicago

Caritas Romana

1584 · Brush and brown ink with wash, over traces of black chalk, on off white laid paper, laid down on cream card

18.6 × 17.9 cm (7 3/8 × 7 1/16 in.)

Art Institute of Chicago

Raising of Lazarus (Reverse Copy)

1580 · Engraving

40.4 x 51.5 cm

The Metropolitan Museum of Art

Study of a Headless Draped Figure with Arms Crossed; verso: Figure of a Man in a Voluminous robe, Seen from Behind

1580 · Red chalk heightened with white, framing line in pen and brown ink; verso: red and white chalk

11 1/16 x 6 7/8 in. (28.1 x 17.4 cm)

The Metropolitan Museum of Art

Saint Paul Seated, with his Conversion in the Background; Verso: Figure Sketch

1580 · Black chalk, brush and brown and gray wash, red chalk, heightened with white gouache; incised for transfer (?); framing line in pen and black ink

9 5/16 x 6 1/2 in. (23.7 x 16.5 cm)

The Metropolitan Museum of Art

Studies of Two Pollard Willows; Verso: Wide Landscape Prospect

1580 · Pen and brown ink, watercolor, traces of black chalk, framing line in pen and brown ink; verso black chalk and watercolor

8 1/4 x 12 3/16 in. (21 x 31 cm)

The Metropolitan Museum of Art

The Judgment of Paris

1580 · Pen and brown ink, brush and brown wash; framing lines in pen and brown ink

7-7/8 x 10-5/8 in. (20.0 x 27.0 cm)

The Metropolitan Museum of Art

Study of a Seated Woman and Five Studies of Hands; Verso: Landscape with a Road and a Tree to the Right

1580 · Red chalk heightened with white, framing line in pen and brown ink; verso: black chalk

6 1/16 x 7 1/8 in. (15.4 x 18.1 cm)

The Metropolitan Museum of Art

Christ and the Canaanite Women

1580 · Pen and brown ink, brown wash, heightening with white, over black chalk, on beige paper; traces of framing line in pen and brown ink

13 1/2 x 18 7/8 in. (34.3 x 47.9 cm)

The Metropolitan Museum of Art