Artworks · Agostino Carracci, Italian

Omnia Vincit Amor

1599 · Engraving

Plate: 5 × 7 3/8 in. (12.7 × 18.8 cm) Sheet: 5 1/8 x 7 5/8 in. (13 x 19.3 cm)

The Metropolitan Museum of Art

Love Conquers All

1599 · Etching on ivory laid paper

Image/sheet, cut within platemark: 12.7 × 18.7 cm (5 × 7 3/8 in.)

Art Institute of Chicago

Love Conquers All (Omnia vincit Amor), in a struggle with a satyr Amor places his right knee on its thigh, two nude nymphs are seated with interlocking legs at the base of a tree

1599 · Engraving

sheet: 5 x 7 7/16 in. (12.7 x 18.9 cm)

The Metropolitan Museum of Art

Aeneas and His Family Fleeing Troy

1595 · engraving

Platemark: 40.6 x 52.5 cm (16 x 20 11/16 in.); Sheet: 40.7 x 54 cm (16 x 21 1/4 in.)

Cleveland Museum of Art

The Fan (L'Eventail)

1594 · etching

Cleveland Museum of Art

Portrait of the Artist's Son, Antonio Carracci

1592 · Red chalk on cream laid paper, laid down on cream wove paper

36.1 × 25.6 cm (14 1/4 × 10 1/8 in.)

Art Institute of Chicago

Four Sketches: Griffin, Grotesque Head, Head of Satyr, Bent Leg

1590 · Pen and brown ink, with traces of black chalk, on ivory laid paper, laid down on ivory laid card

19.6 × 27.1 cm (7 3/4 × 10 11/16 in.)

Art Institute of Chicago

Satyr whipping a nymph, who is shown from behind and bound to a tree, a second satyr bearing a club stands in the middle ground

1590 · Engraving

sheet: 5 15/16 x 4 5/16 in. (15.1 x 11 cm)

The Metropolitan Museum of Art

Mercury and the Graces

1589 · Engraving with etching in black ink on ivory laid paper

Image: 20.2 × 25.8 cm (8 × 10 3/16 in.); Plate: 20.5 × 25.8 cm (8 1/8 × 10 3/16 in.); Sheet: 20.8 × 25.8 cm (8 1/4 × 10 3/16 in.)

Art Institute of Chicago

St. Francis Receiving the Stigmata

1586 · engraving

Sheet: 45.8 x 31.5 cm (18 1/16 x 12 3/8 in.)

Cleveland Museum of Art

Ogni cosa vince l'oro

1585 · Engraving

8 3/8 x 5 7/8 in. (21.2 x 15 cm)

The Metropolitan Museum of Art

Orpheus and Eurydice

1585 · Engraving, second state

5 1/2 x 4 in. (14 x 10.2 cm) trimmed to the platemark

The Metropolitan Museum of Art

Rest on the Flight into Egypt

1585 · Pen and brown ink, over traces of red chalk, on pieced cream laid paper (oval), laid down on cream card

30.6 × 40.8 cm (12 1/16 × 16 1/8 in.)

Art Institute of Chicago

Seated Nude Male Figure (recto); Ornamental Designs of Foliage, a Grotesque Head, and a Leg (verso)

1585 · Pen and brown ink, over black chalk underdrawing

Sheet: 10 13/16 × 5 7/16 in. (27.4 × 13.8 cm)

The Metropolitan Museum of Art

A Headpiece in the Form of a Fan

1584 · Engraving on ivory laid paper

Image/sheet, cut within platemark: 37 × 24.8 cm (14 5/8 × 9 13/16 in.)

Art Institute of Chicago

Four Sketches: Standing Male Figure; Profile Bust of Bearded Man; Profile Head of Bearded Man; Landscape

1577 · Pen and brown ink, with traces of brush and brown wash, over black chalk, on ivory laid paper, pieced together and laid down on ivory laid paper

20.2 × 14.7 cm (8 × 5 13/16 in.)

Art Institute of Chicago

Studies of Nudes and Human Heads (recto and on the verso)

1557 · Pen and brown ink over traces of graphite

Sheet: 8 7/16 x 8 1/8 in. (21.5 x 20.7 cm)

The Metropolitan Museum of Art

Study of Heads (recto)

1550 · pen and brown ink; framing lines in brown ink

Sheet: 13.1 x 30.9 cm (5 3/16 x 12 3/16 in.)

Cleveland Museum of Art

Crenelated Fortress (verso)

1550 · pen and brown ink

Sheet: 13.1 x 30.9 cm (5 3/16 x 12 3/16 in.)

Cleveland Museum of Art

Study of Heads (recto); Crenelated Fortress (verso)

1550 · pen and brown ink; framing lines in brown ink

Sheet: 13.1 x 30.9 cm (5 3/16 x 12 3/16 in.)

Cleveland Museum of Art