Artworks · André Dunoyer de Segonzac

Plate (folio 16) from Hommage à Roger Lacourière

1968 · Etching from an illustrated book with twelve etchings (two with aquatint, two with drypoint, one with aquatint and drypoint) and one drypoint

plate: 5 1/8 × 7 1/16" (13 × 18 cm); page: 9 1/4 × 11 7/16" (23.5 × 29 cm)

Museum of Modern Art

André Gide in Profile

1947 · Etching

plate: 6 5/16 x 4 3/4" (16.1 x 12.1 cm); sheet: 12 13/16 x 10" (32.6 x 25.4 cm)

Museum of Modern Art

The Road from Grimaud

1937 · Ink and watercolour on paper

support: 495 x 718 mm

Tate

Portrait of Colette

1935 · Etching

plate: 9 1/8 x 8 1/4" (23.1 x 21 cm); sheet: 12 1/8 x 9 5/16" (30.8 x 23.7 cm)

Museum of Modern Art

Méditerranée

1934 · Etching on tan wove paper

Plate: 35.5 × 48 cm (14 × 18 15/16 in.); Sheet: 48.7 × 63.5 cm (19 3/16 × 25 in.)

Art Institute of Chicago

The Beach at St. Tropez

1934 · Drypoint

plate: 9 1/2 x 11 3/4" (24.2 x 29.8 cm); sheet: 13 x 20 1/16" (33 x 51 cm)

Museum of Modern Art

The Storm

1933 · Etching

plate: 11 3/8 x 9 5/16" (28.9 x 23.6 cm); sheet: 17 5/16 x 11 5/8" (44 x 29.5 cm)

Museum of Modern Art

Landscape

1928 · Watercolor on paper

18 7/8 x 24 5/8" (47.8 x 62.5 cm)

Museum of Modern Art

Woman Lying on the Sand

1927 · Etching on buff China paper

Plate: 15.5 × 25.5 cm (6 1/8 × 10 1/16 in.); Sheet: 24.8 × 32.5 cm (9 13/16 × 12 13/16 in.)

Art Institute of Chicago

Trees and Boats, St. Tropez

1927 · Etching on white wove paper

Plate: 20.8 × 32.9 cm (8 1/4 × 13 in.); Sheet: 33 × 51 cm (13 × 20 1/8 in.)

Art Institute of Chicago

Suzanne on the Beach (Suzanne sur la Plage)

1927 · Etching

plate: 6 1/8 x 8 1/16" (15.5 x 20.5 cm); sheet: 9 13/16 x 13" (25 x 33 cm)

Museum of Modern Art

The Farm: Afternoon

1926 · Etching on white wove paper

Plate: 27 × 33 cm (10 11/16 × 13 in.); Sheet: 39.2 × 51.8 cm (15 7/16 × 20 7/16 in.)

Art Institute of Chicago

Nude Woman with Parasol

1925 · Etching and drypoint

plate: 5 3/16 x 7" (13.1 x 17.8 cm); sheet: 7 5/16 x 9 13/16" (18.5 x 25 cm)

Museum of Modern Art

Entrance to the Menagerie, Versailles

1925 · Etching

plate: 10 7/16 x 8 3/4" (26.5 x 22.3 cm); sheet: 17 x 11" (43.2 x 27.9 cm)

Museum of Modern Art

The Apse of Notre Dame

1924 · Etching and drypoint

plate: 4 11/16 x 6 1/2" (11.9 x 16.5 cm); sheet: 7 5/16 x 9 7/16" (18.5 x 24 cm)

Museum of Modern Art

The Farm on the Estate

1923 · Oil paint on canvas

support: 600 x 810 mm

Tate

Fernande Sitting with her Hands Crossed

1923 · Etching on white wove paper

Plate: 11.2 × 12.1 cm (4 7/16 × 4 13/16 in.); Sheet: 27.2 × 22.2 cm (10 3/4 × 8 3/4 in.)

Art Institute of Chicago

Little Landscape

1923 · Drypoint

plate: 4 7/16 x 6" (11.2 x 15.2 cm); sheet (irreg.): 10 1/16 x 13" (25.5 x 33 cm)

Museum of Modern Art

Nude with a Newspaper

1921 · Oil paint on canvas

support: 924 x 600 mm

Tate

The Women of the Marne from the book Architectures

1921 · Drypoint

plate (irreg.): 11 3/16 x 16 9/16" (28.4 x 42.1 cm); sheet: 14 3/16 x 20 7/16" (36 x 51.9 cm)

Museum of Modern Art

Reclining Nude

1920 · Etching on white laid paper

Plate: 9.7 × 12.9 cm (3 7/8 × 5 1/8 in.); Sheet: 12.7 × 15.5 cm (5 × 6 1/8 in.)

Art Institute of Chicago

Still Life

1920 · Oil on panel

53.4 × 43.2 cm (21 × 17 in.)

Art Institute of Chicago

Still Life with a Cabbage

1919 · Oil paint on canvas

support: 730 x 921 mm

Tate

Pasturage

1912 · Oil on canvas

73.4 × 91.5 cm (28 7/8 × 36 in.)

Art Institute of Chicago

Souvenir of Isadora

1910 · Ink on paper

10 3/8 x 16 7/8" (26.4 x 42.9 cm)

Museum of Modern Art

Wintry Trees

1904 · Pen and black ink on ivory laid paper

31.4 × 23.7 cm (12 3/8 × 9 3/8 in.)

Art Institute of Chicago

Lovers in a Rowboat

1904 · Pen and black ink and brush and black and gray wash on cream wove paper

47.9 × 62.6 cm (18 7/8 × 24 11/16 in.)

Art Institute of Chicago

Still Life with Newspaper

1904 · Watercolor and gouache, with pen and black ink, over charcoal on ivory wove paper

57.7 × 79.6 cm (22 3/4 × 31 3/8 in.)

Art Institute of Chicago

Landscape at Grimaud, Provence

1904 · Watercolor and gouache, with pen and black ink, over charcoal on ivory wove paper

56.8 × 78.8 cm (22 3/8 × 31 1/16 in.)

Art Institute of Chicago

View of Town with Water and Mountains in Background

1904 · Pen and black ink, with touches of brush and black wash on cream wove paper, laid down on tan wove paper

51.1 × 65.8 cm (20 1/8 × 25 15/16 in.)

Art Institute of Chicago

Vase of Flowers

1904 · Watercolor and gouache, with pen and black ink, over charcoal on ivory wove paper

57.5 × 80 cm (22 11/16 × 31 1/2 in.)

Art Institute of Chicago

The Church at Les Arcs, Var, Provence

1904 · Pen and black ink and watercolor on cream bristol board, laid down on tan board

Primary support: 62.7 × 47.7 cm (24 11/16 × 18 13/16 in.); Secondary support: 63.3 × 48.5 cm (24 15/16 × 19 1/8 in.)

Art Institute of Chicago

Recumbant Female Nude, Seen from Back

1904 · Pen and black ink on cream wove paper, discolored to tan

25.7 × 46.1 cm (10 1/8 × 18 3/16 in.)

Art Institute of Chicago

Portrait of a Woman in Profile

1901 · Pen and black ink, with brush and black wash on ivory wove paper

32 × 25.6 cm (12 5/8 × 10 1/8 in.)

Art Institute of Chicago

Road and Crane

Watercolor on paper

24 7/8 x 18 7/8" (63.2 x 47.9 cm)

Museum of Modern Art