WATTS INDEXThe canonical database of visual culture

Artists›Andrea Lilio

Andrea Lilio

Artist

WA-00049291

Painting

Representation

None documented

Institutional Exhibitions

Works in Collection

Assets Indexed

Authority-backed Facts

Publications Referenced

50%

Profile Completeness

Cultural Positioning

Influence Graph

No influence edges encoded yet.

Authority Records (1)

WikidataQ2846359

Field Verification (5 fields)

1 cross-verified · 4 single-source

Is PublishedManual· 100%✓
Birth yearWikidata· 92%
Death yearWikidata· 92%
Primary mediumWikidata· 92%
LocationWikidata· 80%

Source Registry (1)

Aichttps://www.artic.edu/artists/42462
Tier 3 · Scraped/inferred95%

About

Why this artist matters now

No biography available for Andrea Lilio yet.

Graph relationships

Taste overlap and adjacency

Movement

—

Medium

Painting

Related Artists

6 in graph

Institutional

Museum Collections

Art Institute of ChicagoChicago National Gallery of ArtWashington, D.C.

Canonical record

Artworks (17)

Die Kreuzabnahme

1615

The Adoration of the Shepherds

1600 · pen

sheet: 25.9 × 20.3 cm (10 3/16 × 8 in.) mount: 32.2 × 26.6 cm (12 11/16 × 10 1/2 in.)

National Gallery of Art

Hercules Slaying the Serpent Ladon in the Garden of the Hesperides

1600 · Pen and brown ink with brush and brown wash, heightened with lead white (discolored), over red chalk, on ivory laid paper, laid down on ivory laid paper, laid down on blue laid paper

24.6 × 18 cm (9 11/16 × 7 1/8 in.)

Art Institute of Chicago

View of Ancona

1597 · oil paint

Allegory of Geometry

1595 · Pen and brown ink with brush and brown wash, squared in red chalk, on ivory laid paper, laid down on blue laid paper

21.6 × 10.7 cm (8 9/16 × 4 1/4 in.)

Art Institute of Chicago

Allegory of Painting

1595 · Pen and brown ink with brush and brown wash, squared in red chalk, on ivory laid paper, pieced and laid down on ivory laid paper and blue laid paper

25.5 × 9.3 cm (10 1/16 × 3 11/16 in.)

Art Institute of Chicago

Saint Clement Flanked by Saints Sebastian and Roch

1590 · Pen and black ink with brush and gray wash, over touches of black chalk, heightened with lead white (oxidized), on cream laid paper, squared in red chalk

25.9 × 18.2 cm (10 1/4 × 7 3/16 in.)

Art Institute of Chicago

Saint Romuald or Saint Augustine in His Study

1590 · Pen and brown ink with brush and brown wash, heightened with lead white (oxidized), on ivory laid paper, squared in red chalk, laid down on blue wove paper

24.8 × 14.7 cm (9 13/16 × 5 13/16 in.)

Art Institute of Chicago

Monk Turning Sideways

1580 · Pen and brown ink with brush and brown wash, heightened with lead white (oxidized), over traces of black chalk, on ivory laid paper, laid down on ivory laid paper

12.2 × 5.5 cm (4 13/16 × 2 3/16 in.)

Art Institute of Chicago

Venus and Cupid

1576 · Pen and brown ink with traces of black chalk, on ivory laid paper, laid down on ivory laid paper

10.3 × 10.2 cm (4 1/16 × 4 1/16 in.)

Art Institute of Chicago

Putto with Garland

1575 · Pen and brown ink with brush and brown wash, on ivory laid paper, laid down on blue laid paper

6.1 × 10.5 cm (2 7/16 × 4 3/16 in.)

Art Institute of Chicago

Putto with Garland

1575 · Pen and brown ink with brush and brown wash, squared in red chalk, on ivory laid paper, laid down on blue laid paper

7.8 × 11.1 cm (3 1/8 × 4 3/8 in.)

Art Institute of Chicago

Putto with Garland

1575 · Pen and brown ink with brush and brown wash, squared in red chalk, on ivory laid paper, laid down on blue laid paper

9.5 × 6.5 cm (3 3/4 × 2 9/16 in.)

Art Institute of Chicago

Putto with Garland

1575 · Pen and brown ink with brush and brown wash, squared in red chalk, on ivory laid paper, laid down on blue laid paper

8.7 × 10.3 cm (3 7/16 × 4 1/16 in.)

Art Institute of Chicago

The Crucifix between St. John the Baptist and St. Nicholas of Tolentino

1574 · oil paint

Boy Holding Staff

1555 · Red chalk, on ivory laid paper, laid down on ivory wove board

26.9 × 18.9 cm (10 5/8 × 7 1/2 in.)

Art Institute of Chicago

The story of St. Nicholas

oil paint

View all 17 artworks →

Artwork sources (3)

17 published of 17 catalogued · 17 with image

Art Institute Chicago
12 published12 img
Wikidata
4 published4 img
Nga
1 published1 img

Per-Artwork Provenance Chains (top 5)

22 entries · 1 sources

The Crucifix between St. John the Baptist and St. Nicholas of Tolentino
1574 · Wikidata · 5 prov
Wikidata·titleWikidata·mediumWikidata·year_createdWikidata·primary_image_urlWikidata·artwork_type
View of Ancona
1597 · Wikidata · 5 prov
Wikidata·titleWikidata·mediumWikidata·year_createdWikidata·primary_image_urlWikidata·artwork_type
The Adoration of the Shepherds
1600 · Nga · 5 prov
Wikidata·titleWikidata·mediumWikidata·year_createdWikidata·primary_image_urlWikidata·artwork_type
The story of St. Nicholas
— · Wikidata · 4 prov
Wikidata·titleWikidata·mediumWikidata·primary_image_urlWikidata·artwork_type
Die Kreuzabnahme
1615 · Wikidata · 3 prov
Wikidata·titleWikidata·year_createdWikidata·primary_image_url

Record

Images

Wikimedia Commons (Instagram fallback)

Saint Benedict at the School in Rome MET DP810373

Wikimedia Commons (Instagram fallback)

Art Institute of Chicago

Relationships

Collections2

Art Institute of Chicago National Gallery of Art

Institutional

Representation & Collections

In collection

Art Institute of Chicago

Chicago, United States

In collection

National Gallery of Art

Washington, D.C., United States

Record

Exhibitions and timeline

No exhibitions or timeline entries yet