Artworks · Ben Kinmont

665 artworks · page 11 of 14

Draft of the project description from Moveable type no documenta, “For ten days I visited people in Kassel, Germany…,” published in Prospectus 1998-2010. Forty-two works by Ben Kinmont

laser printout, printed in black ink with handwriting in pencil on white paper

Museum of Modern Art

Signatures of the illustrations from the making of Prospectus 1998-2010. Fortytwo works by Ben Kinmont

laser printout, printed in black ink with handwriting in pencil on white paper

Museum of Modern Art

Draft D of the expanded edition of Prospectus 1998-2010. Forty-two works by Ben Kinmont

laser printout, printed in black ink with handwritten notes and edits in pencil on light blue paper

Museum of Modern Art

Drafts of nine of the illustrations used in the expanded edition of Prospectus 1998-2010. Forty-two works by Ben Kinmont

paper-clipped in the upper left corner, laser printout, printed in black ink with handwriting in pencil on white paper

Museum of Modern Art

Black and white scan of one of the illustrations used in the expanded edition of Prospectus 1998-2010. Forty-two works by Ben Kinmont

printed in black ink on white paper

Museum of Modern Art

Black and white scan of one of the illustrations used in the expanded edition of Prospectus 1998-2010. Forty-two works by Ben Kinmont

printed in black ink on white paper

Museum of Modern Art

Archival box

Museum of Modern Art

Black and white scan of one of the illustrations used in the expanded edition of Prospectus 1998-2010. Forty-two works by Ben Kinmont

printed in black ink with handwriting in pencil on white paper

Museum of Modern Art

Set of black and white scans considered for use in the expanded edition of Prospectus 1998-2010. Forty-two works by Ben Kinmont

printed in black ink on white paper

Museum of Modern Art

Draft A of the press release for the artist’s edition of Prospectus 1998-2010. Forty-two works by Ben Kinmont

laser printout, printed in black ink with Kinmont’s handwritten notes in pencil

Museum of Modern Art

Draft B of the press release for the artist’s edition of Prospectus 1998-2010. Forty-two works by Ben Kinmont

stapled in the upper left corner, laser printout, printed in black ink with Kinmont’s handwritten notes in red ink on white paper

Museum of Modern Art

Grey paper folder, with red cloth straps, used to contain various materials related to the making of the expanded edition of Prospectus 1998-2010. Fortytwo works by Ben Kinmont

paper folder

Museum of Modern Art

Archival envelope, cream-colored, used to contain archive materials

Large sheet of white paper, folded over and used to contain the final galleys from the making of the book Prospectus. 1998-2010. Forty-two works by Ben Kinmont

Archival envelope, cream-colored, used to contain archive materials

Archival envelope

Museum of Modern Art

White paper sleeve used to contain archive materials

Draft of the broadside Towards a definition of project art….Ethical considerations in project art

printed in black and red ink on white paper

Large sheet of white paper, folded over and used to contain one of the broadsides

Museum of Modern Art

Paper folder

Large sheet of white paper, folded over and used to contain one of the broadsides

Museum of Modern Art

Paper folder

Large sheet of white paper, folded over and used to contain one of the broadsides

Museum of Modern Art

Paper folder

Large sheet of white paper, folded over and used to contain one of the broadsides

Museum of Modern Art

Paper folder

Large sheet of white paper, folded over and used to contain one of the broadsides

Museum of Modern Art

Paper folder

Large sheet of white paper, folded over and used to contain one of the broadsides

Museum of Modern Art

Paper folder

Large sheet of white paper, folded over and used to contain one of the broadsides

Museum of Modern Art

Paper folder

Large sheet of white paper, folded over and used to contain one of the broadsides

Mock-up of the Antinomian Press logo

Photocopy

Museum of Modern Art

Invitation to a Cocktail Reception “to celebrate the launch of Karen Finley’s 1-900-ALL-KAREN”

printed in maroon ink and handwritten in blue ink, with notes scratched into the paper

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