Artworks · David Cox

Clouds

1857 · Oil paint on paper

image: 165 x 238 mm support: 165 x 238 mm

Tate

Rhyl Sands

1853 · oil paint

support: 454 x 630 mm frame: 637 x 817 x 94 mm

Tate

The Road across the Common

1853 · Oil paint on canvas

support: 190 x 241 mm frame: 372 x 421 x 77 mm

Tate

The Heather or Broom Gatherers

1851 · watercolor on wove paper

sheet: 61.3 × 87.2 cm (24 1/8 × 34 5/16 in.)

National Gallery of Art

Moorland Road

1851 · Oil paint on canvas

support: 273 x 356 mm frame: 478 x 565 x 95 mm

Tate

Mountain Heights, Cader Idris

1850 · watercolor over chalk on oatmeal paper; laid down

Overall: 47.7 x 74.6 cm (18 3/4 x 29 3/8 in.) overall (mat size): 59.7 x 85.7 cm (23 1/2 x 33 3/4 in.)

National Gallery of Art

A Windy Day

1850 · Oil paint on canvas

support: 267 x 359 mm

Tate

Study of an Antique Armchair

1849 · Watercolor

Sheet: 7 3/8 × 5 1/4 in. (18.7 × 13.4 cm)

The Metropolitan Museum of Art

Study of an antique armchair

1849 · Watercolor

Sheet: 7 3/8 × 5 1/4 in. (18.7 × 13.4 cm)

The Metropolitan Museum of Art

A Welsh Funeral, Betwys-y-Coed

1847 · Oil paint on paper

support: 540 x 749 mm frame: 791 x 996 x 135 mm

Tate

A Mountain Torrent

1845 · Black and white chalk, and charcoal on cream wove paper

53.1 × 73.3 cm (20 15/16 × 28 7/8 in.)

Art Institute of Chicago

Grotto Interior

1845 · watercolor over graphite on wove paper

sheet: 41.9 × 57.1 cm (16 1/2 × 22 1/2 in.)

National Gallery of Art

River Landscape in Wales

1845 · Watercolor with touches of gouache (bodycolor) over black chalk on rough paper pasted onto board

18-7/8 x 28-5/8 in. (47.9 x 72.7 cm)

The Metropolitan Museum of Art

A Mountain Torrent

1845 · Black and white chalk, and charcoal on cream wove paper

53.1 × 73.3 cm (20 15/16 × 28 7/8 in.)

Art Institute of Chicago

Bolton Abbey

1845 · watercolor with black chalk

Sheet: 48.8 x 75.4 cm (19 3/16 x 29 11/16 in.)

Cleveland Museum of Art

River Landscape in Wales

1845 · Watercolor with touches of gouache (bodycolor) over black chalk on rough paper pasted onto board

18-7/8 x 28-5/8 in. (47.9 x 72.7 cm)

The Metropolitan Museum of Art

Lancaster: Peace and War

1842 · Watercolor, with touches of gouache, black chalk, and scraping, selectively varnished with gum arabic, on cream wove paper

49.7 × 76 cm (19 5/8 × 29 15/16 in.)

Art Institute of Chicago

Beckenham Church, Kent

1842 · Watercolour on paper

support: 229 x 279 mm

Tate

Lancaster: Peace and War

1842 · Watercolor, with touches of gouache, black chalk, and scraping, selectively varnished with gum arabic, on cream wove paper

49.7 × 76 cm (19 5/8 × 29 15/16 in.)

Art Institute of Chicago

Driving Sheep in a Rocky Landscape

1841 · Black chalk and watercolor, heightened with white gouache (bodycolor) and gum arabic

Sheet: 10 3/16 × 14 5/16 in. (25.9 × 36.3 cm)

The Metropolitan Museum of Art

Driving sheep in a rocky landscape

1841 · Black chalk and watercolor, heightened with white gouache (bodycolor) and gum arabic

Sheet: 10 3/16 × 14 5/16 in. (25.9 × 36.3 cm)

The Metropolitan Museum of Art

Waiting for the Ferry Boat

1835 · Watercolour on paper

support: 197 x 292 mm

Tate

Journey Home

1833 · Watercolor with reductive techniques and black chalk

Sheet: 11 1/4 × 19 1/8 in. (28.6 × 48.6 cm)

The Metropolitan Museum of Art

Journey Home

1833 · Watercolor with reductive techniques and black chalk

Sheet: 11 1/4 × 19 1/8 in. (28.6 × 48.6 cm)

The Metropolitan Museum of Art

Chatsworth [recto]

1831 · graphite on wove paper

overall: 17.9 x 28.5 cm (7 1/16 x 11 1/4 in.)

National Gallery of Art

Trees [verso]

1831 · graphite on wove paper

overall: 17.9 x 28.5 cm (7 1/16 x 11 1/4 in.)

National Gallery of Art

Tuintrap bij Haddon Hall (Derbyshire)

1831 · paper, deck paint, watercolor (paint), pencil

width: 258 cm, height: 365 cm

Rijksmuseum

Riders with Sheep near an Estuary

1830 · Watercolor

sheet: 6 1/8 x 9 3/16 in. (15.5 x 23.3 cm)

The Metropolitan Museum of Art

Riders with sheep near an estuary

1830 · Watercolor

sheet: 6 1/8 x 9 3/16 in. (15.5 x 23.3 cm)

The Metropolitan Museum of Art

A French Market Scene, possibly Boulogne

1829 · Watercolor, with touches of opaque watercolor, over graphite, on off-white wove paper, edge mounted onto buff wove paper, ruled in the margins with pen and brown ink

Primary support: 16.6 × 20.8 cm (6 9/16 × 8 1/4 in.); Secondary support: 18.5 × 22.8 cm (7 5/16 × 9 in.)

Art Institute of Chicago

Tour d’Horloge, Rouen

1829 · Graphite and watercolour on paper

support: 343 x 257 mm

Tate

Near the Pont d’Arcole, Paris

1829 · Watercolour and graphite on paper

support: 258 x 371 mm

Tate

Calais: Hôtel de Guise

1829 · Watercolour and graphite on paper

support: 162 x 216 mm

Tate

Calais: Street Scene with Lighthouse

1829 · Graphite and watercolour on paper

support: 162 x 254 mm

Tate

St. Eustache, Paris

1829 · Watercolor and graphite

Sheet: 13 1/4 × 10 3/16 in. (33.7 × 25.8 cm)

The Metropolitan Museum of Art

A French Market Scene, possibly Boulogne

1829 · Watercolor, with touches of opaque watercolor, over graphite, on off-white wove paper, edge mounted onto buff wove paper, ruled in the margins with pen and brown ink

Primary support: 16.6 × 20.8 cm (6 9/16 × 8 1/4 in.); Secondary support: 18.5 × 22.8 cm (7 5/16 × 9 in.)

Art Institute of Chicago

Dover Pier, Kent

1828 · Watercolor and gouache (bodycolor) over graphite, with reductive techniques

Sheet: 5 7/8 × 9 3/16 in. (15 × 23.4 cm)

The Metropolitan Museum of Art

The Thames at Battersea

1824 · watercolor over graphite on wove paper

overall: 19.5 x 27.6 cm (7 11/16 x 10 7/8 in.)

National Gallery of Art

On the Thames

1822 · watercolor with graphite and scraping

Sheet: 19.8 x 27.1 cm (7 13/16 x 10 11/16 in.)

Cleveland Museum of Art

Study of Clouds (recto); Study of an Elder Bush by a Fence (verso)

1820 · Watercolor (recto); watercolor and graphite (verso)

Sheet: 7 5/8 × 9 7/16 in. (19.3 × 24 cm)

The Metropolitan Museum of Art

Greenwich Hospital (recto); Study of a Building (verso)

1820 · Watercolor over graphite (recto); graphite (verso)

The Metropolitan Museum of Art

Greenwich Hospital (recto); Study of a Building (verso)

1820 · Watercolor over graphite (recto); graphite (verso)

Sheet: 10 9/16 x 14 3/4 in. (26.8 x 37.5 cm)

The Metropolitan Museum of Art

View in Wales

1813 · Watercolor with black pastel on ivory wove paper, partially laid down on ivory wove paper

25 × 36 cm (9 7/8 × 14 3/16 in.)

Art Institute of Chicago

A Treatise on Landscape Painting and Effect in Water Colours: From the First Rudiments, to the Finished Picture No. 1

1813 · Book with six etchings and letterpress in black on cream wove paper, in box

Book: 30.3 × 49 × 0.5 cm (11 15/16 × 19 5/16 × 1/4 in.); Box: 33.5 × 50.9 × 4.5 cm (13 1/4 × 20 1/16 × 1 13/16 in.)

Art Institute of Chicago

View in Wales

1813 · Watercolor with black pastel on ivory wove paper, partially laid down on ivory wove paper

25 × 36 cm (9 7/8 × 14 3/16 in.)

Art Institute of Chicago

A Treatise on Landscape Painting and Effect in Water Colours: From the First Rudiments, to the Finished Picture No. 1

1813 · Book with six etchings and letterpress in black on cream wove paper, in box

Book: 30.3 × 49 × 0.5 cm (11 15/16 × 19 5/16 × 1/4 in.); Box: 33.5 × 50.9 × 4.5 cm (13 1/4 × 20 1/16 × 1 13/16 in.)

Art Institute of Chicago

Pont Pwl Gwyn, River Usk

1803 · Graphite on buff wove paper, laid down on buff wove paper

20.3 × 28 cm (8 × 11 1/16 in.)

Art Institute of Chicago

Langham, South Wales

1803 · Graphite on cream wove paper, laid down on board

20.1 × 28 cm (7 15/16 × 11 1/16 in.)

Art Institute of Chicago