Artworks · Domenico Mondo

Virgin of the Immaculate Conception

1755 · pen and brown ink with gray and brown washes over red chalk on laid paper

sheet: 30.4 × 21.4 cm (11 15/16 × 8 7/16 in.) (irregular; corner missing)

National Gallery of Art

Forge of Vulcan

1747 · Brush and black ink, with gray and white gouache, over pink-gray ground on buff laid paper

15.7 × 20.7 cm (6 3/16 × 8 3/16 in.)

Art Institute of Chicago

David and Abigail

1747 · Pen and brush and black ink, with brush and gray and white gouache and brown wash, over traces of black chalk, on cream laid paper

14.9 × 16.3 cm (5 7/8 × 6 7/16 in.)

Art Institute of Chicago

Penitent Magdalene

1747 · Pen and brown ink, with brush and brown wash, and white gouache, over black chalk, on ivory laid paper, tipped onto ivory wove paper

16.9 × 14.4 cm (6 11/16 × 5 11/16 in.)

Art Institute of Chicago

Heilige Brigitta, staande met het schip in de rechterhand

1733 · pen on pencil, chalk, ink, paper

width: 210 cm, height: 260 cm

Rijksmuseum

Christ Giving Communion (The Institution of the Eucharist)

1707 · Pen and brown wash with brush and gray wash, over black chalk, on ivory laid paper, laid down on ivory laid paper

26.5 × 13.4 cm (10 7/16 × 5 5/16 in.)

Art Institute of Chicago

Apotheosis of a Hero

1690 · Pen and brown and black ink, with brush and gray and brown wash, over traces of black chalk, on cream laid paper (upper left corner missing), laid down on ivory laid paper

20.2 × 31.5 cm (8 × 12 7/16 in.)

Art Institute of Chicago

Saint called to Papal Chair

1677 · Pen and black ink, with brush and gray wash, with black chalk, on cream laid paper, partially laid down on tan wove paper

17.8 × 20.6 cm (7 1/16 × 8 1/8 in.)

Art Institute of Chicago