Artworks · Edgar Chahine

The Sardine Fisherman

1931 · etching

Sheet: 31.5 x 45 cm (12 3/8 x 17 11/16 in.); Platemark: 21.7 x 31.8 cm (8 9/16 x 12 1/2 in.)

Cleveland Museum of Art

Venice, Baratteri Bridge

1923 · etching and drypoint

Sheet: 50.3 x 33 cm (19 13/16 x 13 in.); Platemark: 32 x 21.9 cm (12 5/8 x 8 5/8 in.)

Cleveland Museum of Art

Venice, St. Mark Basilica

1923 · etching and drypoint

Sheet: 50.2 x 33.2 cm (19 3/4 x 13 1/16 in.); Platemark: 31.9 x 21.9 cm (12 9/16 x 8 5/8 in.)

Cleveland Museum of Art

Venice, Ponte dei Baratteri

1923 · Etching and drypoint on cream Japanese tissue, laid down on off-white wove paper (chine collé)

Image/plate: 31.9 × 21.9 cm (12 9/16 × 8 5/8 in.); Primary support: 31.6 × 21.8 cm (12 1/2 × 8 5/8 in.); Secondary support: 43.9 × 33.2 cm (17 5/16 × 13 1/8 in.)

Art Institute of Chicago

Venice, Basilica of San Marco

1923 · Etching and drypoint on tan wove paper

Plate: 31.8 × 20.7 cm (12 9/16 × 8 3/16 in.); Sheet: 50.5 × 33.3 cm (19 15/16 × 13 1/8 in.)

Art Institute of Chicago

Venice: The Gossips

1922 · drypoint and chine collé

Platemark: 31.8 x 21.7 cm (12 1/2 x 8 9/16 in.); Paper: 44.9 x 31.3 cm (17 11/16 x 12 5/16 in.)

Cleveland Museum of Art

Venice, Casa dei Mori

1922 · Drypoint on blue laid paper

Image/plate: 31.8 × 22.1 cm (12 9/16 × 8 3/4 in.); Sheet: 40 × 27.3 cm (15 3/4 × 10 3/4 in.)

Art Institute of Chicago

Ghemma in Black Turban

1910 · drypoint and chine collé

Cleveland Museum of Art

The French Fries (Les Frites)

1908 · Etching and drypoint (2nd state of two)

Sheet: 18 11/16 × 24 11/16 in. (47.5 × 62.7 cm) Plate: 13 11/16 × 19 11/16 in. (34.8 × 50 cm)

The Metropolitan Museum of Art

The Mattress Workers (Les Matelassieres)

1908 · Etching and Drypoint (2nd state of two)

Sheet: 25 9/16 × 19 9/16 in. (65 × 49.7 cm) Plate: 19 11/16 × 13 11/16 in. (50 × 34.7 cm)

The Metropolitan Museum of Art

Wrestlers: Double Down with Head to the Ground (Double Prise de Tete a Terre)

1904 · Soft-ground etching (Vernis Mou); fourth state of four

Sheet: 24 1/2 × 16 3/4 in. (62.2 × 42.5 cm) Plate: 11 3/4 × 19 1/2 in. (29.8 × 49.6 cm)

The Metropolitan Museum of Art

Lerand in the Role of "Rodin" in The Wandering Jew

1903 · Etching, drypoint, and aquatint on cream wove paper

Image/plate: 46.4 × 27.6 cm (18 5/16 × 10 7/8 in.); Sheet: 57.2 × 44 cm (22 9/16 × 17 3/8 in.)

Art Institute of Chicago

The Poor Ones

1902 · etching and drypoint

Sheet: 21.4 x 30.5 cm (8 7/16 x 12 in.); Platemark: 11 x 22.1 cm (4 5/16 x 8 11/16 in.)

Cleveland Museum of Art

The Poor Women (Les Pauvresses)

1902 · drypoint

Image: 10.8 x 21.9 cm (4 1/4 x 8 5/8 in.); Sheet: 20.3 x 27.9 cm (8 x 11 in.); Matted: 27.9 x 34.9 cm (11 x 13 3/4 in.)

Cleveland Museum of Art

Female Wrestler

1902 · Etching, aquatint and drypoint on ivory laid paper

Image/plate: 18.8 × 30 cm (7 7/16 × 11 13/16 in.); Sheet: 29.3 × 45.3 cm (11 9/16 × 17 7/8 in.)

Art Institute of Chicago

Promenade

1902 · Drypoint, etching and aquatint on cream wove paper

Image/plate: 46.2 × 66.3 cm (18 1/4 × 26 1/8 in.); Sheet: 53 × 72.1 cm (20 7/8 × 28 7/16 in.)

Art Institute of Chicago

Entrance to Saint-Germain-l'Auxerrois, Paris

1902 · Etching and aquatint in dark brown on cream Japanese paper

Image/plate: 29.9 × 18.9 cm (11 13/16 × 7 1/2 in.); Sheet: 36.3 × 22.2 cm (14 5/16 × 8 3/4 in.)

Art Institute of Chicago

A Side Street in the Grandes Carridres Quarter

1901 · Color etching, aquatint and drypoint, printed à la poupée, on ivory wove paper

Plate: 17.3 × 46.5 cm (6 13/16 × 18 5/16 in.); Sheet: 37 × 55.6 cm (14 5/8 × 21 15/16 in.)

Art Institute of Chicago

Alfred Stevens

1900 · Drypoint on ivory wove paper

Image: 14.3 × 21.4 cm (5 11/16 × 8 7/16 in.); Plate: 15 × 22.1 cm (5 15/16 × 8 3/4 in.); Sheet: 23.5 × 32.6 cm (9 5/16 × 12 7/8 in.)

Art Institute of Chicago

Friday Soup Distribution, Rue de Calais, Paris

1899 · Drypoint on cream wove paper

Image: 28 × 33 cm (11 1/16 × 13 in.); Plate: 30 × 34.5 cm (11 13/16 × 13 5/8 in.); Sheet: 37.8 × 42.8 cm (14 15/16 × 16 7/8 in.)

Art Institute of Chicago