Artworks · Francesco Guardi, Italian

A Procession of Triumphal Cars in the Piazza San Marco, Venice, Celebrating the Visit of the Conti del Nord (recto); Three Sketches of Arches (verso)

1782 · pen and brown ink with brush and brown wash

Sheet: 25.9 x 36.8 cm (10 3/16 x 14 1/2 in.)

Cleveland Museum of Art

A Procession of Triumphal Cars in the Piazza San Marco, Venice, Celebrating the Visit of the Conti del Nord (recto)

1782 · pen and brown ink with brush and brown wash

Sheet: 25.9 x 36.8 cm (10 3/16 x 14 1/2 in.)

Cleveland Museum of Art

Panaromic View of the Bacino di San Marco, Looking up the Giudecca Canal

1780 · Pen and brown ink, light brown wash, on two sheets of paper, joined.

13 3/4 x 26 5/8 in. (34.9 x 67.6 cm)

The Metropolitan Museum of Art

Piazza San Marco, Venice

1780 · pen and brown ink, brush and brown wash, with brush and gray wash (possibly chalk) and traces of black chalk, framing lines in brown and black ink

Sheet: 31.3 x 46.5 cm (12 5/16 x 18 5/16 in.)

Cleveland Museum of Art

Ruined Archway

1775 · Oil on canvas

29.5 × 49.7 cm (11 5/8 × 19 1/2 in.); Framed: 40.7 × 61 × 6.4 cm (16 × 24 × 2 1/2 in.)

Art Institute of Chicago

The Garden of Palazzo Contarini dal Zaffo

1775 · Oil on canvas

48 × 78 cm (19 × 30 5/8 in.); Framed: 63.5 × 92.7 × 6.7 cm (25 × 36 1/2 × 2 5/8 in.)

Art Institute of Chicago

Capriccio: The Lagoon

1771 · Oil on canvas

21.3 × 17.2 cm (8 3/8 × 6 3/4 in.)

Art Institute of Chicago

A Capriccio with a Ruined Gothic Arch

1770 · Pen and brown ink, and brush and brown wash, over traces of black chalk on ivory laid paper

17.5 × 24.8 cm (6 15/16 × 9 13/16 in.)

Art Institute of Chicago

The Grand Canal above the Rialto

1767 · Oil on canvas

21 in. × 33 3/4 in. (53.3 × 85.7 cm)

The Metropolitan Museum of Art

The Antechamber of the Sala del Maggior Consiglio

1765 · Oil on canvas

13 3/8 x 20 in. (34 x 50.8 cm)

The Metropolitan Museum of Art

Santa Maria della Salute

1763 · Oil on canvas

21 x 33 3/4 in. (53.3 x 85.7 cm)

The Metropolitan Museum of Art

Venice from the Bacino di San Marco

1760 · Oil on canvas

48 x 60 in. (121.9 x 152.4 cm)

The Metropolitan Museum of Art

Fantastic Landscape

1760 · Oil on canvas

Irregular, 61 1/4 x 74 1/2 in. (155.6 x 189.2 cm)

The Metropolitan Museum of Art

The Grand Canal, Venice

1755 · Oil on canvas

73 × 119.4 cm (28 3/4 × 47 in.)

Art Institute of Chicago

Adoration of the Shepherds (recto); Three Sketches: Buildings by Canal with Boats, Landscape with Buldings on Hillside, Buildings with Portico (verso)

1755 · Pen and brown ink and brush and pale brown wash, with traces of black chalk (recto), and pen and brown ink with brush and black and gray and brown wash and touches of red chalk (verso), on gray laid paper

37.8 × 51.8 cm (14 15/16 × 20 7/16 in.)

Art Institute of Chicago

Abraham Welcoming the Three Angels

1750 · oil on canvas

Framed: 70.5 x 90.5 x 5.5 cm (27 3/4 x 35 5/8 x 2 3/16 in.); Unframed: 56.5 x 75.5 cm (22 1/4 x 29 3/4 in.)

Cleveland Museum of Art

Tobias and the Angel

1750 · oil on canvas

Framed: 70.5 x 90.5 x 6.5 cm (27 3/4 x 35 5/8 x 2 9/16 in.); Unframed: 56.5 x 75.5 cm (22 1/4 x 29 3/4 in.)

Cleveland Museum of Art

The Sacrifice of Isaac

1750 · oil on canvas

Framed: 71 x 90.5 x 5.5 cm (27 15/16 x 35 5/8 x 2 3/16 in.); Unframed: 56.5 x 75.5 cm (22 1/4 x 29 3/4 in.)

Cleveland Museum of Art

The Angels Appearing to Abraham

1750 · oil on canvas

Framed: 71 x 90.5 x 7 cm (27 15/16 x 35 5/8 x 2 3/4 in.); Unframed: 56.5 x 75.5 cm (22 1/4 x 29 3/4 in.)

Cleveland Museum of Art

Harem Scene

1732 · Pen and brown and black ink, brush and gray wash, red chalk with red chalk wash on buff laid paper

36.4 × 24.1 cm (14 3/8 × 9 1/2 in.)

Art Institute of Chicago

Sketch for a reception at Palazzo Surian

pen and ink, brush and wash on laid paper

Cooper Hewitt, Smithsonian Design Museum