WATTS INDEXThe canonical database of visual culture

Artists›Francesco Solimena

Francesco Solimena

1657

WA-00119738

PaintingBaroque

Representation

None documented

Institutional Exhibitions

Works in Collection

Assets Indexed

Authority-backed Facts

Publications Referenced

60%

Profile Completeness

Cultural Positioning

Influence Graph

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Authority Records (1)

Smithsonian

Field Verification (1 fields)

1 cross-verified · 0 single-source

Birth yearArtsy· 85%✓

Source Registry (1)

Smithsonianhttps://www.si.edu/object/chndm_1960-1-92
Tier 1 · Institutional90%

About

Why this artist matters now

Francesco Solimena was a prolific Italian Baroque painter, one of an established family of painters and draughtsmen. In his early years, influenced above all by Luca Giordano and Mattia Preti, he developed a highly personal and dramatic handling of light and shade, yet his later art reveals a tendency towards a more restrained classicism. Solimena had many pupils, making him one of the strongest influence in Neapolitan painting of the early 18th century.

Source: Smithsonian Institution · Trust score: 90% · Updated 1mo ago

Graph relationships

Taste overlap and adjacency

Movement

Baroque

Medium

Painting

Related Artists

12 in graph

Canonical record

Artworks (16)

Diego Pignatelli d'Aragona (1687–1750) and an Enslaved Servant

1731 · Oil on canvas

23 1/4 x 18 1/4 in. (59.1 x 46.4 cm)

The Metropolitan Museum of Art

The Prophetess Deborah Ordering Barak to Take Arms against Sisera

1728 · Brush and black ink, brush and gray wash, over black chalk (recto); small black chalk sketch of a nude male figure (verso)

14-15/16 x 11-15/16 in. (37.9 x 30.3 cm)

The Metropolitan Museum of Art

Seated Allegorical Female Figure

1700 · Black crayon, with stumping, on tan laid paper, tipped on ivory laid paper, tipped on cream wove paper

30.3 × 22.9 cm (11 15/16 × 9 1/16 in.)

Art Institute of Chicago

Adam and Eve in Paradise

1695 · Oil on canvas

128.2 × 101 cm (50 1/2 × 39 3/4 in.)

Art Institute of Chicago

Portrait of a Girl

1695 · Oil on canvas

56.3 × 43.2 cm (22 3/16 × 17 in.)

Art Institute of Chicago

Jacopo Butera

1690 · Oil on canvas

117 × 91.6 cm (46 1/16 × 36 1/16 in.); Framed: 116.9 × 91.8 × 2.6 cm (46 × 36 1/8 × 1 in.)

Art Institute of Chicago

Study for the Fall of Simon Maqus, S. Paolo Maggiare, Naples

1690 · Pen and brown ink, gray, green, and rose washes over graphite

The Metropolitan Museum of Art

The Birth of the Virgin

1685 · Oil on canvas

80 1/2 x 67 1/4 in. (204.5 x 170.8 cm)

The Metropolitan Museum of Art

Pope Blessing Nun

1677 · Pen and brown ink with brush and brown wash, over traces of black chalk, on ivory laid paper

22.8 × 29 cm (9 × 11 7/16 in.)

Art Institute of Chicago

Christ Healing the Lame Man

1677 · Pen and brown ink, with brush and brown wash, over black chalk, on ivory laid paper

16.6 × 39.2 cm (6 9/16 × 15 7/16 in.)

Art Institute of Chicago

Zittende vrouwenfiguur

1667 · chalk, paper

height: 112 cm, width: 120 cm

Rijksmuseum

Fragment van een krijtschets

1667 · chalk, paper

height: 112 cm, width: 120 cm

Rijksmuseum

Jupiter with his Eagle (recto)

1657 · Pen, brown ink, gray wash over black chalk

10 7/16 x 8 1/4in. (26.5 x 20.9cm)

The Metropolitan Museum of Art

Group of Allegorical figures: Sketch for a Ceiling Decoration ?

1657 · Pen, brown ink, gray wash over black chalk

10 9/16 x 7 11/16in. (26.8 x 19.5cm)

The Metropolitan Museum of Art

The Continence of Scipio

1657 · Pen and brown ink, brush and gray wash, over black chalk

16-9/16 x 22-5/16 in. (42 x 56.6 cm)

The Metropolitan Museum of Art

Massacre of the Innocents

1600 · Pen and brown ink, over black chalk, on ivory laid paper, tipped onto ivory laid paper and green card

39.5 × 29 cm (15 9/16 × 11 7/16 in.)

Art Institute of Chicago

View all 16 artworks →

Artwork sources (3)

16 published of 16 catalogued · 16 with image

Art Institute Chicago
7 published7 img
The Met
7 published7 img
Rijksmuseum
2 published2 img

Record

Images

Artsy

Relationships

Movements1

Baroque

Record

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