WATTS INDEXThe canonical database of visual culture

Artists›François Gérard

François Gérard

Artist

WA-00016030

Painting

Representation

None documented

Institutional Exhibitions

Works in Collection

Assets Indexed

Authority-backed Facts

Publications Referenced

70%

Profile Completeness

Cultural Positioning

Influence Graph

No influence edges encoded yet.

Authority Records (1)

WikidataQ163543

Field Verification (6 fields)

0 cross-verified · 6 single-source

BiographyWikipedia + Wikidata· 92%
Birth yearWikidata· 92%
Death yearWikidata· 92%
DeceasedWikidata· 92%
NationalityWikidata· 92%
Primary mediumWikidata· 92%

Source Registry (1)

Wikidata
Tier 1 · Institutional40%

About

Why this artist matters now

No biography available for François Gérard yet.

Graph relationships

Taste overlap and adjacency

Movement

—

Medium

Painting

Related Artists

6 in graph

Institutional

Museum Collections

Rijksmuseum The Metropolitan Museum of Art Art Institute of Chicago

Canonical record

Artworks (20)

Carolina Ferdinanda Louisa of Sicily (1798-1870). Wife of Charles Ferdinand, Duc de Berry, in the Park of Bagatelle in the Bois de Boulogne (near Paris)

1820 · canvas, oil paint (paint)

depth: 6.8 cm, height: 194.5 cm, width: 142.5 cm

Rijksmuseum

Carolina Ferdinanda Louisa of Sicily (1798-1870). Wife of Charles Ferdinand, Duc de Berry, in the Park of Bagatelle in the Bois de Boulogne (near Paris)

1820 · canvas, oil paint (paint)

depth: 6.8 cm, height: 194.5 cm, width: 142.5 cm

Rijksmuseum

Portrait of Henry IV

1817 · Lithograph in black on ivory wove paper

Image: 18.8 × 14.3 cm (7 7/16 × 5 11/16 in.); Sheet: 36 × 25.7 cm (14 3/16 × 10 1/8 in.)

Art Institute of Chicago

Monsieur Tortoni

1815 · Oil on canvas

92 × 72.8 cm (38 × 28 3/4 in.); Framed: 114.3 × 95.3 × 12.4 cm (45 × 37 1/2 × 4 7/8 in.)

Art Institute of Chicago

Portrait of the Duchesse de Berry

1815 · Lithograph in black on ivory laid paper

Image: 17.2 × 9.5 cm (6 13/16 × 3 3/4 in.); Sheet: 26.4 × 17.5 cm (10 7/16 × 6 15/16 in.)

Art Institute of Chicago

Napoleon Accompanied by his Good Men, Returning to France on March 1, 1815

1815 · Lithograph in black, with a second tint stone in gray, on ivory wove paper

Image: 32.1 × 24.5 cm (12 11/16 × 9 11/16 in.); Sheet: 54.8 × 42.7 cm (21 5/8 × 16 13/16 in.)

Art Institute of Chicago

Monsieur Tortoni

1815 · Oil on canvas

92 × 72.8 cm (38 × 28 3/4 in.); Framed: 114.3 × 95.3 × 12.4 cm (45 × 37 1/2 × 4 7/8 in.)

Art Institute of Chicago

Portrait of the Duchesse de Berry

1815 · Lithograph in black on ivory laid paper

Image: 17.2 × 9.5 cm (6 13/16 × 3 3/4 in.); Sheet: 26.4 × 17.5 cm (10 7/16 × 6 15/16 in.)

Art Institute of Chicago

Charles Maurice de Talleyrand Périgord (1754–1838), Prince de Bénévent

1808 · Oil on canvas

83 7/8 x 57 7/8 in. (213 x 147 cm)

The Metropolitan Museum of Art

Charles Maurice de Talleyrand Périgord (1754–1838), Prince de Bénévent

1808 · Oil on canvas

83 7/8 x 57 7/8 in. (213 x 147 cm)

The Metropolitan Museum of Art

Portrait of Napoleon I

1805 · Wool, silk, silver-gilt thread (26-28 warps per inch, 10-12 per cm.); gilded pine frame

87 1/2 × 57 1/2 in. (222.3 × 146.1 cm) Framed: 8 ft. 9 3/4 in. × 75 3/4 in. (268.6 × 192.4 cm)

The Metropolitan Museum of Art

Portrait of Napoleon I

1805 · Wool, silk, silver-gilt thread (26-28 warps per inch, 10-12 per cm.); gilded pine frame

87 1/2 × 57 1/2 in. (222.3 × 146.1 cm) Framed: 8 ft. 9 3/4 in. × 75 3/4 in. (268.6 × 192.4 cm)

The Metropolitan Museum of Art

Madame Charles Maurice de Talleyrand Périgord (1761–1835)

1799 · Oil on canvas

88 7/8 x 64 7/8 in. (225.7 x 164.8 cm)

The Metropolitan Museum of Art

The Judgment of Paris

1799 · Graphite; squared in graphite

Sheet: 7 1/2 in. × 9 in. (19.1 × 22.9 cm)

The Metropolitan Museum of Art

Madame Charles Maurice de Talleyrand Périgord (1761–1835)

1799 · Oil on canvas

88 7/8 x 64 7/8 in. (225.7 x 164.8 cm)

The Metropolitan Museum of Art

Daphnis Running toward Chloe

1793 · Black chalk, brush with brown and gray wash, heightened with white gouache, on light tan wove paper

Sheet: 10 13/16 x 8 15/16 in. (27.5 x 22.7 cm)

The Metropolitan Museum of Art

Two Sketches of Seated Female Nude

1790 · Red, black, and white chalk on tan laid paper

22.9 × 25.4 cm (9 1/16 × 10 in.)

Art Institute of Chicago

Othello Hesitating to Kill Desdemona

1790 · Pen and brown ink over black chalk

6 7/8 × 8 11/16 in. (17.5 × 22 cm)

The Metropolitan Museum of Art

Two Sketches of Seated Female Nude

1790 · Red, black, and white chalk on tan laid paper

22.9 × 25.4 cm (9 1/16 × 10 in.)

Art Institute of Chicago

View of Rome (recto); A Woman's Head In Profile (verso)

1785 · Black chalk, brush and gray wash (recto); pen and iron gall ink (verso)

8 3/8 × 12 15/16 in. (21.3 × 32.8 cm)

The Metropolitan Museum of Art

View all 20 artworks →

Artwork sources (3)

20 published of 20 catalogued · 20 with image

The Met
10 published10 img
Art Institute Chicago
8 published8 img
Rijksmuseum
2 published2 img

Per-Artwork Provenance Chains (top 2)

2 entries · 1 sources

Carolina Ferdinanda Louisa of Sicily (1798-1870). Wife of Charles Ferdinand, Duc de Berry, in the Park of Bagatelle in the Bois de Boulogne (near Paris)
1820 · Rijksmuseum · 1 prov
Url Pattern Extraction 2026-05-27·accession_number
Carolina Ferdinanda Louisa of Sicily (1798-1870). Wife of Charles Ferdinand, Duc de Berry, in the Park of Bagatelle in the Bois de Boulogne (near Paris)
1820 · Rijksmuseum · 1 prov
Url Pattern Extraction 2026-05-27·accession_number

Record

Images

Rijksmuseum

Smithsonian Institution

Portrait of Marie-Louise, Duchess of Parma (c. 1810–1814)

Cleveland Museum of Art

Art Institute of Chicago

Met Museum

Relationships

Collections3

Rijksmuseum The Metropolitan Museum of Art Art Institute of Chicago

Institutional

Representation & Collections

In collection

Rijksmuseum

In collection

The Metropolitan Museum of Art

In collection

Art Institute of Chicago

Record

Exhibitions and timeline

No exhibitions or timeline entries yet