Artworks · Georges Rouault

The Speaker (L'Orateur)

1924 · Lithograph

Comp. 11 5/16 x 8 13/16" (28.7 x 22.2 cm)

Museum of Modern Art

The Boxers. Wandering Circus (Les Boxeurs. Cirque forain)

1924 · Lithograph

composition: 13 3/16 x 8 7/16" (33.5 x 21.4cm); sheet: 19 3/4 x 12 15/16" (50.2 x 32.8 cm)

Museum of Modern Art

Clowns and Dancer (Clowns et danseuse)

1924 · Lithograph

Comp. 12 7/16 x 10 3/16" (31.6 x 25.8 cm)

Museum of Modern Art

The Prostitute (La Prostituée)

1924 · Lithograph

composition: 12 7/8 x 9" (32.7 x 22.8cm); sheet: 19 11/16 x 12 7/8" (50 x 32.7 cm)

Museum of Modern Art

We Will Be Strong (Nous serons forts), first plate

1924 · Lithograph

Comp. 12 1/16 x 8 9/16" (32.3 x 21.7 cm)

Museum of Modern Art

Clown (Le Pitre)

1924 · Lithograph

composition: 13 5/8 x 8 7/8" (34.6 x 22.6cm); sheet: 19 11/16 x 13" (50 x 33 cm)

Museum of Modern Art

Flotsam (Les Épaves)

1924 · Lithograph

composition: 12 1/2 x 8 3/4" (31.7 x 22.3cm); sheet: 19 13/16 x 12 15/16" (50.4 x 32.8 cm)

Museum of Modern Art

The Future Belongs to Us. Citizen Gaspard. Second Plate

1924 · Lithograph, printed in black

Comp. 13 7/16 x 8 11/16" (34.1 x 22.1 cm)

Museum of Modern Art

The Bilboquet Player (Le Bilboquet)

1924 · Lithograph

composition: 12 5/16 x 8 15/16" (31.3 x 22.7cm); sheet: 18 3/4 x 13" (47.6 x 33 cm)

Museum of Modern Art

The Trio (Le Trio), second plate

1924 · Lithograph

composition: 12 3/4 x 10 11/16" (32.4 x 27.1cm); sheet: 18 13/16 x 12 7/8" (47.8 x 32.7 cm)

Museum of Modern Art

Mother and Child

1923 · Heliogravure and aquatint on cream laid paper

Image/plate: 57.7 × 41.3 cm (22 3/4 × 16 5/16 in.); Sheet: 65.2 × 50.3 cm (25 11/16 × 19 13/16 in.)

Art Institute of Chicago

Mother and Child

1923 · Heliogravure and aquatint on cream laid paper

Image: 56 × 39.2 cm (22 1/16 × 15 7/16 in.); Plate: 60.2 × 43.5 cm (23 3/4 × 17 3/16 in.); Sheet: 65 × 50.1 cm (25 5/8 × 19 3/4 in.)

Art Institute of Chicago

Omens, plate 41 from Miserere

1923 · Heliogravure, with aquatint, roulette, burnishing, and drypoint on paper

Plate: 50.5 × 43.5 cm (19 15/16 × 17 3/16 in.); Sheet: 65.5 × 50.5 cm (25 13/16 × 19 15/16 in.)

Art Institute of Chicago

He that believes in me, though he were dead, yet shall he live, plate 28 from Miserere

1923 · Heliogravure, with sugar-lift and drypoint on paper

Plate: 57.5 × 43.5 cm (22 11/16 × 17 3/16 in.); Sheet: 65.5 × 50.5 cm (25 13/16 × 19 15/16 in.)

Art Institute of Chicago

He was oppressed and afflicted but he never opened his mouth, plate 21 from Miserere

1923 · Heliogravure and aquatint on paper

Plate: 57.8 × 41 cm (22 13/16 × 16 3/16 in.); Sheet: 65.5 × 50.5 cm (25 13/16 × 19 15/16 in.)

Art Institute of Chicago

A Woman Freed..., plate seventeen from Miserere

1923 · Heliogravure wih sugar-lift, burnishing, drypoint on paper

Plate: 55.5 × 42.8 cm (21 7/8 × 16 7/8 in.); Sheet: 65.5 × 50.5 cm (25 13/16 × 19 15/16 in.)

Art Institute of Chicago

We Believe Ourselves to be Kings, plate seven from Miserere

1923 · Heliogravure, with sugar-lift aquatint, scraping, burnishing, and roulette on paper

Plate: 59 × 42 cm (23 1/4 × 16 9/16 in.); Sheet: 65.5 × 50.5 cm (25 13/16 × 19 15/16 in.)

Art Institute of Chicago

Have mercy on me my God according to your great Mercy, plate one from Miserere

1923 · Heliogravure, burnishing and drypoint on paper

Plate: 57.5 × 42 cm (22 11/16 × 16 9/16 in.); Sheet: 65.5 × 50.5 cm (25 13/16 × 19 15/16 in.)

Art Institute of Chicago

Have mercy on me my God according to your great Mercy, plate one from Miserere

1923 · Heliogravure and aquatint with sugar-lift, touched with brush and ink, on paper

Plate: 57.5 × 42 cm (22 11/16 × 16 9/16 in.); Sheet: 65.5 × 50.5 cm (25 13/16 × 19 15/16 in.)

Art Institute of Chicago

WE THINK OURSELVES KINGS, plate VII (folio 28) from MISERERE

1923 · Aquatint, lift ground aquatint, soft ground etching, and drypoint with roulette over photogravure, printed in black

plate 23 1/16 x 16 5/8" (58.6 x 42.2 cm)

Museum of Modern Art

WHO DOES NOT PAINT HIMSELF A FACE?, plate VIII (folio 31) from MISERERE

1923 · Aquatint, lift ground aquatint, and drypoint with roulette over photogravure, printed in black

plate 22 1/4 x 16 7/8" (56.5 x 42.8 cm)

Museum of Modern Art

"THAT YE LOVE ONE ANOTHER," plate XXXI (folio 100) from MISERERE

1923 · Lift ground aquatint, aquatint, and drypoint with roulette over photogravure, printed in black

plate 23 5/16 x 16 7/8" (59.3 x 42.8 cm)

Museum of Modern Art

PORTENTS, plate XLI (folio 130) from MISERERE

1923 · Aquatint and drypoint with roulette over photogravure, printed in black

plate 20 x 17 1/4" (50.9 x 43.8 cm)

Museum of Modern Art

IN THE OLD SUBURB OF LONG SUFFERING, plate X (folio 37) from MISERERE

1923 · Lift ground aquatint and drypoint over photogravure, printed in black

plate 22 5/16 x 16 1/2" (56.7 x 42 cm)

Museum of Modern Art

IT WOULD BE SO SWEET TO LOVE!, plate XIII (folio 46) from MISERERE

1923 · Lift ground aquatint, etching, and drypoint over photogravure, printed in black

plate 22 5/8 x 16 1/8" (57.5 x 41 cm)

Museum of Modern Art

EMANCIPATED WOMAN, WHO HAS LOST HER WAY, plate XVII (folio 58) from MISERERE

1923 · Lift ground aquatint and drypoint over photogravure, printed in black

plate 21 7/8 x 16 15/16" (55.6 x 43 cm)

Museum of Modern Art

"HE WAS OPPRESSED, AND HE WAS AFFLICTED, YET HE OPENED NOT HIS MOUTH," plate XXI (folio 70) from MISERERE

1923 · Aquatint, lift ground aquatint, and drypoint over photogravure, printed in black

plate 22 15/16 x 16 3/16" (58.2 x 41.1 cm)

Museum of Modern Art

JEAN-FRANÇOIS NEVER SINGS HALLELUJAH..., plate XXV (folio 82) from MISERERE

1923 · Aquatint, lift ground aquatint, and drypoint over photogravure, printed in black

plate 23 3/16 x 16 3/4" (58.9 x 42.5 cm)

Museum of Modern Art

IN THE LAND OF THIRST AND TERROR, plate XXVI (folio 85) from MISERERE

1923 · Aquatint, lift ground aquatint, and drypoint with roulette over photogravure, printed in black

plate 16 1/4 x 22 15/16" (41.2 x 58.2 cm)

Museum of Modern Art

"HE THAT BELIEVETH IN ME, THOUGH HE WERE DEAD, YET SHALL HE LIVE," plate XXVIII (folio 91) from MISERERE

1923 · Aquatint, lift ground aquatint, and drypoint with roulette over photogravure, printed in black

plate 22 3/4 x 17 3/16" (57.8 x 43.6 cm)

Museum of Modern Art

HAVE MERCY UPON ME, OH GOD, ACCORDING TO THY LOVING KINDNESS, plate I (folio 10) from MISERERE

1923 · Lift ground aquatint, aquatint, and drypoint over photogravure, printed in black

plate 22 11/16 x 16 1/2" (57.6 x 42 cm)

Museum of Modern Art

Trial proof for We Think Ourselves Kings, plate VII from Miserere

1923 · Aquatint with roulette over photogravure

plate: 23 1/4 x 16 5/8" (59 x 42.2 cm); sheet (irreg.): 25 13/16 x 19 13/16" (65.5 x 50.4 cm)

Museum of Modern Art

Trial proof for Jean-François Never Sings Hallelujah..., plate XXV from Miserere

1923 · Aquatint and drypoint over photogravure, with pen and ink additions

plate: 23 3/16 x 16 3/4" (58.9 x 42.5 cm); sheet (irreg.): 25 15/16 x 19 3/4" (65.9 x 50.2 cm)

Museum of Modern Art

Trial proof for Who Does Not Paint Himself a Face?, plate VIII from Miserere

1923 · Aquatint and drypoint with roulette over photogravure

plate: 22 1/4 x 16 7/8" (56.5 x 42.8 cm); sheet (irreg.): 25 7/16 x 19 7/8" (64.6 x 50.5 cm)

Museum of Modern Art

Trial proof for In the Land of Thirst and Terror, plate XXVI from Miserere

1923 · Aquatint and lift ground aquatint with roulette over photogravure

plate: 17 1/8 x 23 11/16" (43.5 x 60.1 cm); sheet (irreg.): 19 3/4 x 25 7/8" (50.2 x 65.8 cm)

Museum of Modern Art

Trial proof for We Think Ourselves Kings, plate VII from Miserere

1923 · Aquatint, lift ground aquatint, and drypoint with roulette over photogravure

plate: 24 x 17 1/2" (61 x 44.5 cm); sheet (irreg.): 25 11/16 x 19 15/16" (65.3 x 50.7 cm)

Museum of Modern Art

Trial proof for It Would be So Sweet to Love!, plate XIII from Miserere

1923 · Lift ground aquatint, etching, and drypoint over photogravure

Museum of Modern Art

Trial proof for "Have Mercy Upon Me, Oh God, According to Thy Loving Kindness", plate I from Miserere

1923 · Aquatint, lift ground aquatint, and drypoint over photogravure

plate: 23 5/8 x 17 5/8" (60 x 44.7 cm); sheet (irreg.): 25 11/16 x 19 3/4" (65.2 x 50.2 cm)

Museum of Modern Art

"He That Believeth in Me, Though He Were Dead, Yet Shall He Live" («Celui qui croit en moi fût-il mort vivra»), plate XXVIII from Miserere

1923 · Aquatint and drypoint with roulette over photogravure from an illustrated book with 22 aquatints over photogravure (19 with drypoint, 18 with roulette, five with etching)

plate: 22 3/4 x 17 3/16" (57.8 x 43.6 cm)

Museum of Modern Art

In the Old Suburb of Long Suffering (Aux vieux faubourg de longues peines), plate X from Miserere

1923 · Aquatint and drypoint over photogravure from an illustrated book with 22 aquatints over photogravure (19 with drypoint, 18 with roulette, five with etching)

plate: 22 5/16 x 16 9/16" (56.7 x 42 cm)

Museum of Modern Art

Emancipated Woman, Who Has Lost Her Way (Femme affranchie à quatorze heures chante midi), plate XVII from Miserere

1923 · Aquatint and drypoint over photogravure from an illustrated book with 22 aquatints over photogravure (19 with drypoint, 18 with roulette, five with etching)

plate: 21 7/8 x 16 15/16" (55.6 x 43 cm)

Museum of Modern Art

"He Was Oppressed, and He Was Afflicted, Yet He Opened Not His Mouth" («Il a été maltraité et opprimé et il n'a pas ouvert la bouche»), plate XXI from Miserere

1923 · Aquatint and drypoint over photogravure from an illustrated book with 22 aquatints over photogravure (19 with drypoint, 18 with roulette, five with etching)

plate: 22 15/16 x 16 3/16" (58.2 x 41.1 cm)

Museum of Modern Art

"That Ye Love One Another" («Aimez-vous les uns les autres»), plate XXXI from Miserere

1923 · Aquatint and drypoint with roulette over photogravure from an illustrated book with 22 aquatints over photogravure (19 with drypoint, 18 with roulette, five with etching)

plate: 23 3/8 x 16 7/8" (59.3 x 42.8 cm)

Museum of Modern Art

Portents... (Augures...), plate XLI from Miserere

1923 · Aquatint and drypoint with roulette over photogravure from an illustrated book with 22 aquatints over photogravure (19 with drypoint, 18 with roulette, five with etching)

plate: 20 1/16 x 17 1/4" (50.9 x 43.8 cm)

Museum of Modern Art

Se Réfugie En Ton Coeur, Va-Nu-Pieds De Malheur

1922

La mort l'a pris comme il' sortait du lit d'orties (Death took him as he rose from his bed of nettles), Plate no. 45 from the series, Miserere

1922

En bouche qui fut fraîche, goût de fiel (Mouth that was fresh, bitter as gall), Plate no. 15 from the series, Miserere

1922

Miserere: Even the ruins have perished (Lucian: Pharcale IX, 969)

1922 · intaglio

Cleveland Museum of Art