Artworks · Georges Rouault

Trial proof for Abandoned, rejected plate from Miserere

1922 · Aquatint with roulette over photogravure

plate: 23 5/8 x 18 1/2" (60 x 47 cm); sheet (irreg.): 25 11/16 x 19 13/16" (65.3 x 50.3 cm)

Museum of Modern Art

Trial proof for Road of the Cross, rejected plate from Miserere

1922 · Aquatint with roulette over photogravure

plate: 24 1/8 x 18 1/4" (61.2 x 46.3 cm); sheet (irreg.): 25 3/4 x 19 13/16" (65.4 x 50.4 cm)

Museum of Modern Art

Trial proof for Death Took Him As He Rose From His Bed of Nettles, plate XLV from Miserere

1922 · Aquatint, etching, and drypoint with roulette over photogravure

composition: 21 1/4 x 13 1/8" (54 x 33.3 cm); sheet (irreg.): 25 11/16 x 19 3/4" (65.2 x 50.2 cm)

Museum of Modern Art

Trial proof for Eternally Scourged..., plate III from Miserere

1922 · Aquatint, etching, and drypoint with roulette over photogravure

plate: 19 1/8 x 14 1/2" (48.6 x 36.8 cm); sheet (irreg.): 25 11/16 x 19 7/8" (65.2 x 50.5 cm)

Museum of Modern Art

Trial proof for It is Hard to Live..., plate XII from Miserere

1922 · Aquatint, etching, and drypoint with roulette over photogravure

plate: 18 7/8 x 14 1/4" (47.9 x 36.2 cm); sheet (irreg.): 25 13/16 x 20" (65.5 x 50.8 cm)

Museum of Modern Art

Trial proof for Mouth that was Fresh, Bitter as Gall, plate XV from Miserere

1922 · Aquatint and drypoint with roulette over photogravure

plate: 19 13/16 x 13 7/8" (50.4 x 35.2 cm); sheet (irreg.): 25 1/2 x 19 15/16" (64.7 x 50.7 cm)

Museum of Modern Art

Trial proof for Daughter of Joy, So-Called, plate XIV from Miserere

1922 · Aquatint and drypoint with roulette over photogravure, with pen and ink additions

plate: 20 1/16 x 14 3/8" (51 x 36.5 cm); sheet (irreg.): 25 9/16 x 19 13/16" (64.9 x 50.3 cm)

Museum of Modern Art

Trial proof for Take Refuge in Your Heart, Miserable Vagabond, plate IV from Miserere

1922 · Aquatint, etching, and drypoint with roulette over photogravure, with pen and ink additions

plate: 19 1/8 x 14 5/8" (48.6 x 37.2 cm); sheet (irreg.): 25 9/16 x 19 13/16" (65 x 50.3 cm)

Museum of Modern Art

Trial proof for The Condemned is Led Away..., plate XVIII from Miserere

1922 · Aquatint, etching, and drypoint with roulette over photogravure, with pen and ink additions

plate: 19 13/16 x 13 1/2" (50.3 x 34.3 cm); sheet (irreg.): 25 5/8 x 19 13/16" (65.1 x 50.3 cm)

Museum of Modern Art

Trial proof for The Society Lady Fancies She Has a Rserved Seat in Heaven, plate XVI from Miserere

1922 · Aquatint and drypoint with roulette over photogravure

plate: 22 11/16 x 16 1/4" (57.6 x 41.3 cm); sheet (irreg.): 25 11/16 x 19 7/8" (65.3 x 50.5 cm)

Museum of Modern Art

Trial proof for Street of the Lonely, plate XXIII from Miserere

1922 · Aquatint, etching, and drypoint with roulette over photogravure, with pen and ink additions

plate: 20 x 14 3/8" (50.8 x 36.5 cm); sheet (irreg.): 19 7/8 x 25 11/16" (50.5 x 65.2 cm)

Museum of Modern Art

Trial proof for Sing Matins, A New Day Is Born, plate XXIX from Miserere

1922 · Aquatint and drypoint with roulette over photogravure

plate: 14 3/8 x 20 1/8" (36.5 x 51.1 cm); sheet (irreg.): 25 11/16 x 19 15/16" (65.3 x 50.7 cm)

Museum of Modern Art

Trial proof for And Veronica With Her Delicate Linen Still Goes Her Way..., plate XXXIII from Miserere

1922 · Aquatint and drypoint with roulette over photogravure

plate: 17 1/4 x 16 15/16" (43.8 x 43 cm); sheet (irreg.): 25 9/16 x 19 15/16" (65 x 50.7 cm)

Museum of Modern Art

Trial proof for In The Press, The Grapes Were Trodden, plate XLVIII from Miserere

1922 · Aquatint and drypoint with roulette over photogravure

plate: 15 9/16 x 19 1/8" (39.5 x 48.5 cm); sheet (irreg.): 19 7/8 x 25 5/8" (50.5 x 65.1 cm)

Museum of Modern Art

Trial proof for Tomorrow Will Be Beautiful, Said The Shipwrecked Man, plate XI from Miserere

1922 · Aquatintand drypoint with roulette over photogravure

plate: 19 15/16 x 14" (50.6 x 35.5 cm); sheet (irreg.): 25 11/16 x 19 7/8" (65.2 x 50.5 cm)

Museum of Modern Art

Trial proof for Jesus Mocked..., plate II from Miserere

1922 · Aquatint and drypoint with roulette over photogravure

plate: 21 5/8 x 15 13/16" (55 x 40.1 cm); sheet (irreg.): 25 9/16 x 19 7/8" (65 x 50.5 cm)

Museum of Modern Art

Trial proof for Christ Laying On His Hands, rejected plate from Miserere

1922 · Aquatint with roulette over photogravure

plate: 24 5/16 x 18 5/16" (61.7 x 46.5 cm); sheet (irreg.): 25 7/8 x 19 7/8" (65.7 x 50.5 cm)

Museum of Modern Art

Trial proof for ...The Accused Indicted Beneath A Forgotten Crucifix, rejected plate from Miserere

1922 · Aquatint over photogravure

sheet (irreg.): 25 11/16 x 19 3/4" (65.2 x 50.2 cm); slate: 24 1/16 x 17 11/16" (61.1 x 45 cm)

Museum of Modern Art

Trial proof for The Bay Of The Dead, rejected plate from Miserere

1922 · Aquatint with roulette over photogravure

plate: 24 1/8 x 17 11/16" (61.3 x 45 cm); sheet (irreg.): 25 13/16 x 19 7/8" (65.5 x 50.5 cm)

Museum of Modern Art

Trial proof for Christ and the Robber, rejected plate from Miserere

1922 · Aquatint with roulette over photogravure

plate: 22 3/16 x 18 7/8" (56.3 x 48 cm); sheet (irreg.): 25 13/16 x 19 7/8" (65.5 x 50.5 cm)

Museum of Modern Art

Trial proof for Christ Laying On His Hands, rejected plate from Miserere

1922 · Aquatint and drypoint with roulette over photogravure

plate: 24 1/16 x 18 1/16" (61.1 x 45.8 cm); sheet (irreg.): 25 11/16 x 19 11/16" (65.2 x 50 cm)

Museum of Modern Art

Trial proof for And Of The Lost Life of the Prostitue Who Gave Herself For A Bone To Gnaw, rejected plate from Miserere

1922 · Aquatint and etching with roulette over photogravure

plate: 24 1/8 x 17 5/16" (61.2 x 44 cm); sheet (irreg.): 25 9/16 x 19 7/8" (65 x 50.5 cm)

Museum of Modern Art

His Lawyer, in Hollow Phrases, Proclaims His Complete Unawareness... (Son avocat en phrases creuses clame sa totale inconscience...), plate XIX from Miserere

1922 · Aquatint and drypoint with roulette over photogravure from an illustrated book with 22 aquatints over photogravure (19 with drypoint, 18 with roulette, five with etching)

plate: 21 3/16 x 16 1/8" (53.8 x 40.9 cm)

Museum of Modern Art

"Know Ye Not That So Many of Us as Were Baptized into Jesus Christ Were Baptized into His Death" («Nous...c'est en Sa mort que nous avons été baptisé»), plate XXX from Miserere

1922 · Aquatint over photogravure from an illustrated book with 22 aquatints over photogravure (19 with drypoint, 18 with roulette, five with etching)

plate: 21 3/4 x 16 5/8" (55.2 x 42.3 cm)

Museum of Modern Art

We Are Insane (Nous sommes fous...), plate XXXIX from Miserere

1922 · Aquatint, etching, and drypoint with roulette over photogravure from an illustrated book with 22 aquatints over photogravure (19 with drypoint, 18 with roulette, five with etching)

plate: 22 3/8 x 16 5/16" (56.8 x 41.4 cm)

Museum of Modern Art

Far from the Smile of Rheims (Loin du sourire de Reims), plate LI from Miserere

1922 · Aquatint and drypoint with roulette over photogravure from an illustrated book with 22 aquatints over photogravure (19 with drypoint, 18 with roulette, five with etching)

plate: 20 3/16 x 15 1/8" (51.2 x 38.4 cm)

Museum of Modern Art

"Winter, Leper of the Earth" («Hiver lèpre de la terre»), plate XXIV from Miserere

1922 · Aquatint, etching, and drypoint with roulette over photogravure from an illustrated book with 22 aquatints over photogravure (19 with drypoint, 18 with roulette, five with etching)

plate: 20 5/16 x 14 1/2" (51.6 x 36.8 cm)

Museum of Modern Art

Sometimes the Way Is Beautiful... (Arrive parfois que la route soit belle...), plate IX from Miserere

1922 · Aquatint, etching, and drypoint with roulette over photogravure from an illustrated book with 22 aquatints over photogravure (19 with drypoint, 18 with roulette, five with etching)

plate: 14 5/8 x 19 15/16" (37.2 x 50.6cm)

Museum of Modern Art

Lonely Sojourner in this Life of Pitfalls and Malice (Solitaire en cette vie d'embûches et de malices), plate V from Miserere

1922 · Aquatint and drypoint with roulette over photogravure from an illustrated book with 22 aquatints over photogravure (19 with drypoint, 18 with roulette, five with etching)

plate: 22 11/16 x 16 3/8" (57.7 x 41.6 cm)

Museum of Modern Art

Miserere

1922 · Illustrated book with 22 aquatints over photogravure (19 with drypoint, 18 with roulette, five with etching)

page (each): 25 15/16 x 19 3/4" (66 x 50.2 cm)

Museum of Modern Art

"And with His Stripes We Are Healed" («C'est par ses meurtrissures que nous sommes guéris»), plate LVIII from Miserere

1922 · Aquatint and drypoint with roulette over photogravure from an illustrated book with 22 aquatints over photogravure (19 with drypoint, 18 with roulette, five with etching)

plate: 22 13/16 x 18 5/8" (58 x 47.3 cm)

Museum of Modern Art

"We All Must Die, We and All We Possess" («Nous devons mourir, nous et tout ce qui est nôtre») plate XLIII from Miserere

1922 · Aquatint, etching, and drypoint with roulette over photogravure from an illustrated book with 22 aquatints over photogravure (19 with drypoint, 18 with roulette, five with etching)

plate 20 3/8 x 14 3/8" (51.7 x 36.5 cm)

Museum of Modern Art

Smooth Talker, or The Academician (Bonimenteur ou L'Académicien)

1920 · Oil on canvas

106.5 × 76 cm (41 7/8 × 29 7/8 in.)

Art Institute of Chicago

Femme Hideuse from Réincarnations du Père Ubu

1919

LANDSCAPE WITH TOWER (unpublished proof) from LES FLEURS DU MAL (color version, 1936-38)

1919 · Lift ground aquatint and drypoint with roulette, printed in black

plate 12 1/4 x 8 1/2" (31.2 x 21.6 cm)

Museum of Modern Art

NUDE IN PROFILE (unpublished proof) from LES FLEURS DU MAL (color version, 1936-38)

1919 · Lift ground aquatint and drypoint with roulette, printed in black

plate 12 1/4 x 8 1/4" (31.2 x 21 cm)

Museum of Modern Art

(Unpublished materials)

1919 · 13 lift ground aquatints (including 1 duplicate), most with etching, aquatint, drypoint, and/or roulette over photogravure; and 3 drypoints with etching or roulette over photogravure: 14 printed in black and 2 printed in color on various papers

irreg. page 17 5/16 x 13 1/8" (44 x 33.4 cm)

Museum of Modern Art

LA POLITIQUE COLONIALE DU PÈRE UBU

1919 · 2 line block reproductions after brush and ink drawing (including duplicate on front cover)

irreg. page 9 15/16 x 6 11/16" (25 x 17 cm)

Museum of Modern Art

MOTHER UBU (NUDE) (unpublished proof)

1919 · Aquatint, lift ground aquatint, and drypoint over photogravure, printed in black

plate 12 9/16 x 8 3/8" (32 x 21.3 cm)

Museum of Modern Art

PROUD WOMAN (unpublished proof) from LES FLEURS DU MAL (color version, 1936-38)

1919 · Aquatint, lift ground aquatint, and etching with roulette, printed in black

plate 12 5/16 x 8 1/4" (31.3 x 21 cm)

Museum of Modern Art

Man with Spectacles

1917 · Watercolor and crayon on paper

11 3/4 x 6 1/2" (29.8 x 16.5 cm)

Museum of Modern Art

Portrait of a German Officer (recto); The Palace of King Ubu (verso)

1916 · Opaque watercolor on paper (recto); Opaque watercolor on paper (verso)

30 × 22 7/8 in. (76.2 × 58.1 cm)

The Metropolitan Museum of Art

Tailpiece (page 92) from RÉINCARNATIONS DU PÈRE UBU

1916 · Wood engraving, printed in black

irreg. composition 5 1/4 x 7 15/16" (13.4 x 20.3 cm)

Museum of Modern Art

Plate (page 6) from RÉINCARNATIONS DU PÈRE UBU

1916 · Wood engraving, printed in black

irreg. composition 10 15/16 x 7 11/16" (27.9 x 19.5 cm)

Museum of Modern Art

Headpiece (page 103) from RÉINCARNATIONS DU PÈRE UBU

1916 · Wood engraving, printed in black

irreg. composition 3 x 7 3/16" (7.7 x 18.3 cm)

Museum of Modern Art

Tailpiece (page 125) from RÉINCARNATIONS DU PÈRE UBU

1916 · Wood engraving, printed in black

irreg. composition 3 3/8 x 7 7/8" (8.6 x 20 cm)

Museum of Modern Art

In-text plate (page 169) from RÉINCARNATIONS DU PÈRE UBU

1916 · Wood engraving, printed in black

irreg. composition 2 15/16 x 7 15/16" (7.6 x 20.2 cm)

Museum of Modern Art

In-text plate (page 74) from RÉINCARNATIONS DU PÈRE UBU

1916 · Wood engraving, printed in black

irreg. composition 3 x 7 7/8" (7.7 x 20 cm)

Museum of Modern Art