Artworks · Giovanni Battista Foggini

Design for Suspended Censer

1652 · Pen and brown ink, brush and gray wash over traces of black chalk

sheet: 9/16 x 5 1/16 in. (1.5 x 12.8 cm)

The Metropolitan Museum of Art

Design for Suspended Censer

1652 · Pen and brown ink, brush and brown wash, over traces of black chalk or graphite

sheet: 4 1/2 x 3 3/8 in. (11.4 x 8.5 cm)

The Metropolitan Museum of Art

Galatea on her Chariot drawn by Dolphins

1652 · Pen and brown ink, over preliminary drawing made in black chalk

sheet: 7 3/16 x 5 7/8 in. (18.2 x 15 cm)

The Metropolitan Museum of Art

Outline of the Design for a Two-Handled Vase

1652 · Pen and brown ink over traces of black chalk; glued onto secondary paper support

sheet: 4 5/16 x 2 3/8 in. (10.9 x 6 cm)

The Metropolitan Museum of Art

Design for an Epitaph

1652 · Pen and light brown ink, brush and brown-gray wash, over traces of black chalk

sheet: 9 3/8 x 5 15/16 in. (23.8 x 15.1 cm)

The Metropolitan Museum of Art

Designs for the Decoration of a Frieze and Corner Motifs (recto); Design for Two Frames Decorated with Volutes, Garlands and the Head of a Putto (verso)

1652 · Pen and brown ink, over traces of black chalk. Verso: pen and brown ink

sheet: 4 1/16 x 4 9/16 in. (10.3 x 11.6 cm)

The Metropolitan Museum of Art

Designs for a Palmette Motif with Tendrils (recto); studies for a Male Figure and Decorative Sculpture (verso)

1652 · Pen and brown ink, over traces of graphite. Verso: Pen and brown ink, brush and gray wash, over traces of graphite

sheet: 2 13/16 x 3 7/8 in. (7.2 x 9.8 cm)

The Metropolitan Museum of Art

Design for a Vase with a Cross-section of its Neck (recto); Design for a Vase with studies of a Muscular Nude Male Figure and figures for a Baptism (verso)

1652 · Pen and brown ink, brush and gray wash, over traces of black chalk (recto); pen and brown ink, over leadpoint (verso)

sheet: 8 1/16 x 5 9/16 in. (20.4 x 14.2 cm)

The Metropolitan Museum of Art

Design for the Base of a Vessel with Two Satyrs.

1652 · Pen and brown ink, brush and brown wash, over traces of black chalk

sheet: 3 7/8 x 3 3/4 in. (9.9 x 9.6 cm)

The Metropolitan Museum of Art

Design for a Lion's Head flanked by Satyrs

1652 · Pen and brown ink, over a preliminary drawing in black chalk

sheet: 1 15/16 x 4 5/16 in. (5 x 10.9 cm)

The Metropolitan Museum of Art

Design for a Cup or Reliquary Composed of a Shell and S-Volute.

1652 · Pen and brown ink, brush and gray wash, over traces of graphite

sheet: 11 1/8 x 5 13/16 in. (28.3 x 14.7 cm)

The Metropolitan Museum of Art

Design for Suspended Censer

1652 · Pen and brown ink, brush and brown wash, over traces of black chalk

sheet: 6 1/8 x 6 1/8 in. (15.5 x 15.5 cm)

The Metropolitan Museum of Art

Design for a Sculpture consisting of a Satyr and Satyress holding a Vase

1652 · Pen and brown ink, brush and gray-brown wash, over traces of black chalk or graphite

sheet: 7 7/16 x 4 1/2 in. (18.9 x 11.4 cm)

The Metropolitan Museum of Art

Design for a Vessel

1652 · Pen and brown ink, over traces of black chalk

sheet: 6 5/8 x 5 1/8 in. (16.8 x 13 cm)

The Metropolitan Museum of Art

Design for a Vessel with Two Tritons Blowing Horns and a Winged Putto on Top

1652 · Pen and brown ink, brush and brown wash over traces of graphite

sheet: 7 1/4 x 5 9/16 in. (18.4 x 14.2 cm)

The Metropolitan Museum of Art

Design for a Cartouche

1652 · Pen and light brown ink, over traces of black chalk

sheet: 3 15/16 x 2 3/4 in. (10 x 7 cm)

The Metropolitan Museum of Art

Design for the Base of a Vessel with Three Dolphins

1652 · Pen and brown ink, brush and brown wash, over traces of black chalk

sheet: 3 7/16 x 3 1/8 in. (8.7 x 8 cm)

The Metropolitan Museum of Art

Satyr and Satyress Seated on a Pedestal Supporting a Vase.

1652 · Pen and brown ink, brush and gray-brown wash over traces of black chalk

sheet: 7 5/8 x 4 5/16 in. (19.3 x 10.9 cm)

The Metropolitan Museum of Art

Design for a Cartouche with an Annunication above and a Kneeling Figure with Staff Below.

1652 · Pen and brown ink, over traces of black chalk

sheet: 2 5/8 x 2 13/16 in. (6.7 x 7.1 cm)

The Metropolitan Museum of Art

Design for a Vase with Handles, Decorated with a Festoon

1652 · Pen and brown ink, brush and brown wash, over traces of graphite

sheet: 13 1/16 x 8 5/16 in. (33.2 x 21.1 cm)

The Metropolitan Museum of Art

Designs for a Funerary Monument with Stairs (Recto). Various Funerary Monument Designs (Verso).

1652 · Pen and brown ink, brush and gray wash, over traces of graphite or black chalk. Verso: pen and brown ink over traces of graphite

sheet: 11 5/8 x 8 3/8 in. (29.5 x 21.3 cm)

The Metropolitan Museum of Art

Designs for Archways and Baldachins with Caryatids and Coats of Arms (Recto). Design for a Monument with Statues of Prudence and Fortitude (Verso).

1652 · Pen and brown ink, over traces of black chalk or graphite (recto and verso)

sheet: 11 3/4 x 7 7/8 in. (29.9 x 20 cm)

The Metropolitan Museum of Art

Studies for Coffee Urns, Arched-top Altars, and an Altar Project for the Baptistery of Florence Cathedral (Recto). Studies for Chapels and Portals (Verso).

1652 · Pen and light brown ink, brush and gray wash over traces of black chalk (recto and verso)

sheet: 11 5/8 x 8 3/16 in. (29.6 x 20.8 cm)

The Metropolitan Museum of Art

Designs for Bed Alcoves (Recto). Studies for a figure of St. John the Baptist and a Bed Alcove (Verso).

1652 · Pen and brown ink, brush and gray wash over traces of black chalk (recto and verso)

Sheet: 8 1/16 x 5 13/16 in. (20.5 x 14.8 cm)

The Metropolitan Museum of Art

Design for a Sarcophagus Supported by Putti for the Church of S. Maria Maddalena de' Pazzi, Florence.

1652 · Pen and brown ink, brush and gray wash over black chalk or graphite

sheet: 14 x 14 1/2 in. (35.6 x 36.8 cm)

The Metropolitan Museum of Art

Design for a Tomb of Epitaph (recto); An Unfinished Variation of a Tomb or Epitaph (verso)

1652 · Pen and brown ink over traces of black chalk (recto and verso)

sheet: 9 7/16 x 8 1/8 in. (23.9 x 20.7 cm)

The Metropolitan Museum of Art

Design for a Helmet with a Sphinx presented in 3/4 View

1652 · Pen and brown ink, brush and light brown wash, over traces of black chalk

sheet: 7 x 3 7/16 in. (17.8 x 8.8 cm)

The Metropolitan Museum of Art

Design for a Frame or Epitaph (recto); Caryatid Supporting a Frame (verso)

1652 · Pen and light brown ink, brush and brown wash over traces of black chalk (recto); Black chalk (verso)

sheet: 9 3/4 x 6 in. (24.7 x 15.2 cm)

The Metropolitan Museum of Art

Design for a Chalice (recto); Design for the Base of a Vase (verso)

1652 · Pen and brown ink, brush and brown wash, over traces of black chalk. Verso: graphite

sheet: 8 7/8 x 3 3/4 in. (22.6 x 9.5 cm)

The Metropolitan Museum of Art

Designs for a Pilaster Ornament and Cartouche (recto); Design for a Window or a Wall Plaque (verso).

1652 · Pen and brown ink, over traces of black chalk; verso: pen and brown ink over traces of black chalk

sheet: 4 3/16 x 3 3/16 in. (10.6 x 8.1 cm)

The Metropolitan Museum of Art

Design for the Frame of a Mirror or Fire Screen (recto); Various Sketches (verso).

1652 · Pen and brown ink, over traces of black chalk. Verso: pen and brown ink

sheet: 6 3/4 x 3 1/4 in. (17.1 x 8.2 cm)

The Metropolitan Museum of Art

Design for a Frieze Decorated With a Palmette and Tendrils (recto); Two Designs for a Rosette (verso)

1652 · Pen and brown ink, over traces of black chalk

sheet: 1 5/8 x 4 5/16 in. (4.2 x 11 cm)

The Metropolitan Museum of Art

Design for a Two-Handled Urn with Acanthus, Shell, and Egg-and-Tongue Motif.

1652 · Pen and brown ink, brush and light brown wash, over traces of black chalk or graphite

sheet: 13 9/16 x 9 1/2 in. (34.4 x 24.1 cm)

The Metropolitan Museum of Art

Design for the Crowning Decorations of a Gate (recto); Sketches of Stone Blocks with Measurements (verso)

1652 · Pen and light brown ink, brush and gray wash, over traces of graphite (Recto). Pen and brown ink (Verso)

sheet: 4 3/16 x 7 15/16 in. (10.6 x 20.1 cm)

The Metropolitan Museum of Art

Design for a Pedestal (recto); Design for the Plan of a Monument (verso)

1652 · Pen and brown ink over traces of black chalk. Vertical ruling lines (recto). Black chalk (verso)

sheet: 5 1/4 x 3 11/16 in. (13.3 x 9.3 cm)

The Metropolitan Museum of Art

Design for a Lectern (recto); Design for a Cartouche (verso).

1652 · Pen and brown ink, brush and brown wash, over traces of black chalk (recto); pen and brown ink and black chalk (verso)

sheet: 8 1/16 x 5 13/16 in. (20.4 x 14.7 cm)

The Metropolitan Museum of Art

Two Designs for Vases (recto); Design for Candle Stick (?) (verso)

1652 · Pen and brown ink, brush and brown and gray wash, over traces of black chalk. Traces of a vertical black chalk line through the center of the design. Verso: graphite

sheet: 8 1/16 x 5 11/16 in. (20.5 x 14.5 cm)

The Metropolitan Museum of Art

Table or Basin Supported by Male Sirens (recto); Sketch for the Same Subject (verso) .

1652 · Pen and brown ink, over traces of black chalk (recto); Pen and light brown ink, over traces of black chalk (verso)

sheet: 3 5/16 x 4 in. (8.4 x 10.2 cm)

The Metropolitan Museum of Art

Design for a Fountain with Two Water-Spouting Lions (recto); Sketch for Triumph of Galatea [?] (verso).

1652 · Pen and brown ink, over traces of black chalk. Verso: pen and brown ink over black chalk (Verso)

sheet: 5 15/16 x 5 3/4 in. (15.1 x 14.6 cm)

The Metropolitan Museum of Art

Studies for a Sculpture with Figures of Prudence, Industry and Economy Supported by Slaves and an Oval Plaque with Cartouche; Separate Study for a Cupola (Recto). Studies for Figural Ornament (Verso).

1652 · Pen and brown ink, brush and gray wash, over traces of black chalk (recto and verso)

sheet: 11 15/16 x 8 3/8 in. (30.3 x 21.3 cm)

The Metropolitan Museum of Art

Design for a Ewer with Bull's Heads under the Handels and Spout

1652 · Pen and brown ink, brush and gray wash, over traces of black chalk; glued onto secondary paper support

sheet: 7 3/8 x 4 in. (18.7 x 10.1 cm)

The Metropolitan Museum of Art

Studies for a Kneeling Figure of Christ and Altar Fronts.

1652 · Pen and brown ink, brush and gray wash over traces of black chalk; the secondary paper support is outlined with brush and pink wash on the verso

sheet: 8 1/8 x 5 7/8 in. (20.7 x 14.9 cm)

The Metropolitan Museum of Art

Design for a Ewer with Neptune on his Chariot

1652 · Pen and brown ink, brush and brown and gray wash, over traces of black chalk (recto); pen and brown ink (verso)

sheet: 10 11/16 x 6 15/16 in. (27.2 x 17.6 cm)

The Metropolitan Museum of Art

Sheet with Various Designs for Tables and a Funerary Monument

1652 · Pen and brown ink, brush and gray wash, over traces of black chalk

sheet: 11 3/8 x 8 1/4 in. (28.9 x 21 cm)

The Metropolitan Museum of Art

Female Mask Surrounded by Tendrils

1652 · Pen and brown ink, over preliminary drawing in black chalk

sheet: 6 1/4 x 10 in. (15.9 x 25.4 cm)

The Metropolitan Museum of Art

Design for a Helmet with a Dragon Presented in Frontal View

1652 · Pen and brown ink, brush and light brown wash, over traces of black chalk

sheet: 7 1/16 x 4 in. (17.9 x 10.1 cm)

The Metropolitan Museum of Art

Two Studies for Helmet Designs Presented En Profil

1652 · Pen and brown ink, brush and light brown wash, over traces of black chalk

sheet: 7 3/8 x 6 13/16 in. (18.8 x 17.3 cm)

The Metropolitan Museum of Art

Design for a Helmet with an Elaborate Plume

1652 · Pen and brown ink, brush and light brown wash, over traces of black chalk

sheet: 6 15/16 x 4 15/16 in. (17.6 x 12.6 cm)

The Metropolitan Museum of Art