WATTS INDEXThe canonical database of visual culture

Artists›Gregory Amenoff

Gregory Amenoff

1948

WA-00003964

Saint Charles, IL, United States

Painting

Representation

None documented

Institutional Exhibitions

Works in Collection

Assets Indexed

Authority-backed Facts

Publications Referenced

60%

Profile Completeness

Cultural Positioning

Influence Graph

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Authority Records (1)

WikidataQ18686472

Field Verification (6 fields)

5 cross-verified · 1 single-source

NationalityWikidata + Artsy+2· 92%✓
Birth yearWikidata + Duplicate Merge+1· 92%✓
Primary mediumWikidata + Unknown· 92%✓
BiographyWikipedia + Unknown· 88%✓
LocationArtsy + Gallery· 85%✓
DeceasedUnknown· 20%

Source Registry (1)

Paula-Cooper
Tier 3 · Scraped/inferred60%

About

Why this artist matters now

Gregory Amenoff is an American painter working in organic abstraction, a mode he has pursued since the early 1980s alongside contemporaries Bill Jensen, Katherine Porter, and Terry Winters. His formal lineage traces to early American modernists Georgia O'Keeffe, Charles Burchfield, Milton Avery, Arthur Dove, and Marsden Hartley, painters who derived abstraction from natural observation and biomorphic form. Amenoff's canvases emphasize the gestural and chromatic possibilities of landscape-derived imagery, working without literal representation.

Source: Paula Cooper · Trust score: 60% · Updated 2mo ago

Graph relationships

Taste overlap and adjacency

Movement

—

Medium

Painting

Related Artists

6 in graph

Institutional

Museum Collections

The Metropolitan Museum of Art

Canonical record

Artworks (7)

WattsOS

Earthworm (plate, folio 65 verso) from A Bestiary

1990 · Linoleum cut from an illustrated book with twenty-nine linoleum cuts (two with pochoir and two with letterpress) and seven woodcuts

composition: 8 7/8 × 4 5/16" (22.5 × 10.9 cm); page: 14 13/16 × 10 13/16" (37.6 × 27.5 cm)

Museum of Modern Art

WattsOS

Elephant (plate, folio 11 verso) from A Bestiary

1990 · Linoleum cut from an illustrated book with twenty-nine linoleum cuts (two with pochoir and two with letterpress) and seven woodcuts

composition (irreg.): 5 13/16 × 6 11/16" (14.8 × 17 cm); page: 14 13/16 × 10 13/16" (37.6 × 27.5 cm)

Museum of Modern Art

Celadon

1985 · Oil on canvas

8' 4 1/8" x 8' 4 1/8" (254.3 x 254.2 cm)

Museum of Modern Art

Medanales Group II

1985 · Synthetic polymer paint, ink, oilstick, pastel, and pencil on paper

31 x 30" (78.5 x 76.2 cm)

Composition: 36 3/8 x 32 1/16" (92.4 x 81.4 cm)

88 x 100 in. (223.5 x 254 cm)

The Metropolitan Museum of Art

WattsOS

Study for "Unrest II"

1981 · Oilstick, pastel, chalk, colored pencil, ink, graphite, and metallic paint on paper

34 × 25 in. (86.4 × 63.5 cm)

The Metropolitan Museum of Art

Artwork sources (2)

7 published of 7 catalogued · 2 with image

MoMA
5 published2 img
The Met
2 published

Record

Images

10 assets

Art Institute of Chicago

Artsy

View all 10 media items →

Relationships

Collections1

The Metropolitan Museum of Art

Institutional

Representation & Collections

In collection

The Metropolitan Museum of Art

Background

Education

Beloit College

Visual Arts

Record

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