WATTS INDEXThe canonical database of visual culture

Artists›Guglielmo Caccia

Guglielmo Caccia

?–1625

WA-00020218

PaintingBaroqueRenaissance

Representation

None documented

Institutional Exhibitions

Works in Collection

Assets Indexed

Authority-backed Facts

Publications Referenced

70%

Profile Completeness

Cultural Positioning

Influence Graph

No influence edges encoded yet.

Authority Records (1)

WikidataQ1136794

Field Verification (5 fields)

0 cross-verified · 5 single-source

BiographyWikidata· 70%
Birth yearWikidata· 70%
Death yearWikidata· 70%
Primary mediumWikidata· 70%
Profile imageWikidata· 70%

Source Registry (1)

Wikidata
Tier 1 · Institutional40%

About

Why this artist matters now

Guglielmo Caccia was an Italian draughtsman and painter active in Piedmont during the late Renaissance and early Baroque periods. Working primarily in drawing, he developed a refined linear style rooted in anatomical precision and religious narrative. His works on paper demonstrate mastery of pen and ink technique applied to devotional and allegorical subjects. Caccia's drawings were influential among Piedmontese artistic circles in the early seventeenth century.

Source: Wikidata · Trust score: 40% · Updated 2mo ago

Graph relationships

Taste overlap and adjacency

Movement

Baroque

Medium

Painting

Related Artists

12 in graph

Institutional

Museum Collections

Rijksmuseum Art Institute of Chicago

Canonical record

Artworks (6)

Draped Female Figure

1598 · Pen and brown ink with brush and brown wash, brushed with shellac, on tan laid paper, laid down on cream wove card

29.1 × 15.4 cm (11 1/2 × 6 1/8 in.)

Art Institute of Chicago

Saint Anthony of Padua Adoring the Christ Child

1588 · Pen and brown ink, with brush and pale brown wash, over traces of graphite, on tan laid paper, laid down on ivory laid paper

25.3 × 19.2 cm (10 × 7 9/16 in.)

Art Institute of Chicago

Assumption of the Virgin

1583 · Pen and brown ink, with brush and brown wash, over traces of graphite, on ivory laid paper, pieced and laid down on ivory laid paper

39 × 24 cm (15 3/8 × 9 1/2 in.)

Art Institute of Chicago

Madonna of the Rosary, with Dominic and Other Saints

1583 · Pen and brown ink, with brush and brown wash and graphite, on ivory laid paper, laid down on ivory laid card

24.6 × 17.5 cm (9 11/16 × 6 15/16 in.)

Art Institute of Chicago

Putti en een zwevende engel

1578 · brush on paper, chalk, ink

width: 119 cm, height: 196 cm

Rijksmuseum

Madonna and Child with Adoring Saints

1500 · Pen and brown ink with brush and brown wash, possibly with traces of graphite, on ivory laid paper, laid down on ivory laid paper

35.4 × 25.2 cm (13 15/16 × 9 15/16 in.)

Art Institute of Chicago

Artwork sources (2)

6 published of 6 catalogued · 6 with image

Art Institute Chicago
5 published5 img
Rijksmuseum
1 published1 img

Per-Artwork Provenance Chains (top 1)

1 entries · 1 sources

Putti en een zwevende engel
1578 · Rijksmuseum · 1 prov
Url Pattern Extraction 2026-05-27·accession_number

Record

Images

Wikipedia

Relationships

Movements2

Baroque Renaissance

Collections2

Rijksmuseum Art Institute of Chicago

Institutional

Representation & Collections

In collection

Rijksmuseum

In collection

Art Institute of Chicago

Record

Exhibitions and timeline

No exhibitions or timeline entries yet