WATTS INDEXThe canonical database of visual culture

Artists›Julius Schnorr von Carolsfeld

Julius Schnorr von Carolsfeld

Kingdom of Saxony, 1794–1872

WA-00017252

PaintingRenaissance

Representation

None documented

Institutional Exhibitions

Works in Collection

Assets Indexed

Authority-backed Facts

Publications Referenced

80%

Profile Completeness

Cultural Positioning

Influence Graph

No influence edges encoded yet.

Authority Records (1)

WikidataQ703458

Field Verification (2 fields)

1 cross-verified · 1 single-source

Birth yearArtsy· 85%✓
BiographyWikipedia· 88%

Source Registry (1)

Wikidata
Tier 1 · Institutional40%

About

Why this artist matters now

No biography available for Julius Schnorr von Carolsfeld yet.

Graph relationships

Taste overlap and adjacency

Movement

Renaissance

Medium

Painting

Related Artists

12 in graph

Institutional

Museum Collections

RijksmuseumAmsterdam The Metropolitan Museum of ArtManhattan Art Institute of ChicagoChicago National Gallery of ArtWashington, D.C.

Canonical record

Artworks (17)

De Graflegging

1853 · pen on ink, paper

height: 218 cm, width: 259 cm

Rijksmuseum

WattsOS

Study of a Male Figure

1849 · Pen and brown ink

sheet: 13 3/4 x 8 1/4 in. (35 x 21 cm)

The Metropolitan Museum of Art

Study of a Male Figure

1849 · Pen and brown ink

sheet: 13 3/4 x 8 1/4 in. (35 x 21 cm)

The Metropolitan Museum of Art

The Nibelungen's End - The Death of Kriemhild

1845 · Graphite and brush and brown washes on tan laid paper, with added strip of tan wove paper at top (restoration), laid down on brown wove paper

Primary support: 50.4 × 63.8 cm (19 7/8 × 25 1/8 in.); Secondary support: 62 × 68.5 cm (24 7/16 × 27 in.)

Art Institute of Chicago

WattsOS

The Entrance of Charlemagne into Pavia

1840 · Black chalk, graphite, brown watercolor washes, red chalk, red chalk washes. Squared for transfer in graphite with numerical indications of vertical divisions at the lower edge

sheet: 18 1/4 x 25 3/4 in. (46.3 x 65.4 cm)

The Metropolitan Museum of Art

The Entrance of Charlemagne into Pavia

1840 · Black chalk, graphite, brown watercolor washes, red chalk, red chalk washes. Squared for transfer in graphite with numerical indications of vertical divisions at the lower edge

sheet: 18 1/4 x 25 3/4 in. (46.3 x 65.4 cm)

The Metropolitan Museum of Art

Defeat of Wittekind near Bürberg

1835 · Graphite and red chalk, with brush and brown wash, on cream laid paper (pieced at top)

55.7 × 66 cm (21 15/16 × 26 in.)

Art Institute of Chicago

The Triumph of David

1826 · graphite

sheet: 22.6 x 27.1 cm (8 7/8 x 10 11/16 in.)

National Gallery of Art

WattsOS

The Martyrdom of the seven brothers; verso: Sketch of two men wrestling (?)

1826 · Pen and brown ink, over a sketch in graphite; verso: graphite

sheet: 8 7/16 x 9 13/16 in. (21.5 x 25 cm)

The Metropolitan Museum of Art

The Martyrdom of the seven brothers; verso: Sketch of two men wrestling (?)

1826 · Pen and brown ink, over a sketch in graphite; verso: graphite

sheet: 8 7/16 x 9 13/16 in. (21.5 x 25 cm)

The Metropolitan Museum of Art

Ruth and Boas

1825 · graphite

sheet: 21.7 x 25.8 cm (8 9/16 x 10 3/16 in.)

National Gallery of Art

Johann Evangelist Scheffer von Leonhardshoff

1822 · graphite

sheet: 32.1 x 23.7 cm (12 5/8 x 9 5/16 in.)

National Gallery of Art

Portrait of a Woman

1821 · Brush and brown wash and pen and brown ink, with graphite on ivory wove paper

22.7 × 20 cm (8 15/16 × 7 7/8 in.)

Art Institute of Chicago

Gustav Heinrich Naeke

1820 · graphite

sheet: 15.5 x 12 cm (6 1/8 x 4 3/4 in.)

National Gallery of Art

Study of a Standing Nude Youth

1820 · Graphite with stumping on cream wove paper

41.1 × 26.7 cm (16 3/16 × 10 9/16 in.)

Art Institute of Chicago

Hagen Leaves Siegfried's Body to be Carried Home from the Forest

1814 · Etching on tan wove paper

12.5 × 8.2 cm (4 15/16 × 3 1/4 in.)

Art Institute of Chicago

Mother and Daughter in Prayer

1806 · Pen and black ink, brush and watercolor. Framing lines in pen and black ink and brown watercolor.

sheet: 5 5/8 x 7 13/16 in. (14.3 x 19.8 cm)

The Metropolitan Museum of Art

View all 17 artworks →

Artwork sources (5)

17 published of 30 catalogued · 27 with image

The Met
7 published4 img
Art Institute Chicago
5 published5 img
Nga
4 published4 img
Rijksmuseum
1 published1 img
+ 1 more source · 13 catalogued, not yet published

Per-Artwork Provenance Chains (top 6)

24 entries · 2 sources

The Triumph of David
1826 · Nga · 5 prov
Wikidata·titleWikidata·mediumWikidata·year_createdWikidata·primary_image_urlWikidata·artwork_type
Gustav Heinrich Naeke
1820 · Nga · 5 prov
Wikidata·titleWikidata·mediumWikidata·year_createdWikidata·primary_image_urlWikidata·artwork_type
Johann Evangelist Scheffer von Leonhardshoff
1822 · Nga · 5 prov
Wikidata·titleWikidata·mediumWikidata·year_createdWikidata·primary_image_urlWikidata·artwork_type
Ruth and Boas
1825 · Nga · 5 prov
Wikidata·titleWikidata·mediumWikidata·year_createdWikidata·primary_image_urlWikidata·artwork_type
The Entrance of Charlemagne into Pavia
1840 · Met · 3 prov
Wikidata·titleWikidata·year_createdWikidata·primary_image_url
De Graflegging
1853 · Rijksmuseum · 1 prov
Url Pattern Extraction 2026-05-27·accession_number

Record

Images

Artsy

Met Museum

Relationships

Movements1

Renaissance

Collections4

Rijksmuseum The Metropolitan Museum of Art Art Institute of Chicago National Gallery of Art

Institutional

Representation & Collections

In collection

Rijksmuseum

Amsterdam, Netherlands

In collection

The Metropolitan Museum of Art

Manhattan, United States

In collection

Art Institute of Chicago

Chicago, United States

In collection

National Gallery of Art

Washington, D.C., United States

Record

Exhibitions and timeline

No exhibitions or timeline entries yet