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Artists›Koizumi Kishio

Koizumi Kishio

Japanese, 1893

WA-00042404

Painting

Representation

None documented

Institutional Exhibitions

Works in Collection

Assets Indexed

Authority-backed Facts

Publications Referenced

70%

Profile Completeness

Cultural Positioning

Influence Graph

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Authority Records (1)

WikidataQ23000631

Field Verification (6 fields)

3 cross-verified · 3 single-source

NationalityWikidata + Artsy· 92%✓
Is PublishedManual· 100%✓
Birth yearWikidata· 92%✓
Death yearWikidata· 92%
Primary mediumWikidata· 92%
BiographyWikipedia· 88%

Source Registry (1)

Aichttps://www.artic.edu/artists/14229
Tier 3 · Scraped/inferred95%

About

Why this artist matters now

Koizumi Kishio was a woodblock print artist and member of the creative print movement or sōsaku hanga in the early to mid-twentieth century. He is most famously known for his series: "One Hundred Pictures of Great Tokyo in the Showa Era (Showa dai Tōkyō hyakkei zue)" which he made between 1928 and 1940.

Source: Aic · Trust score: 95% · Updated 1mo ago

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Movement

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Medium

Painting

Related Artists

6 in graph

Institutional

Museum Collections

Art Institute of ChicagoChicago

Canonical record

Artworks (8)

Kiba Lumberyard along the River at Fukugawa (New Edition) [Fukagawa-ku, kiba no kawasuji (shinpan)], from the series "One Hundred Views of Great Tokyo in the Showa Era (Showa dai Tokyo fukei hyaku zue hanga)"

1940 · Color woodblock print; oban

30.9 × 39.7 cm (12 3/16 × 15 5/8 in.)

Art Institute of Chicago

Spring Snow at Hamacho Park in Nihonbashi (Nihonbashi-ku Hamacho koen shunsetsu) from the series "One Hundred Views of Great Tokyo in the Showa Era (Showa dai Tokyo fukei hyaku zue hanga)"

1940 · Color woodblock print; oban

39.1 × 30.2 cm (15 3/8 × 11 7/8 in.)

Art Institute of Chicago

Spring Snow at Hamacho Park in Nihonbashi (Nihonbashi-ku Hamacho koen shunsetsu) from the series "One Hundred Views of Great Tokyo in the Showa Era (Showa dai Tokyo fukei hyaku zue hanga)"

1940 · Color woodblock print; oban

39.1 × 30.2 cm (15 3/8 × 11 7/8 in.)

Art Institute of Chicago

Hoshifuri Pine at Zen'yoji Temple in Edogawa (Edogawa-ku Zen'yoji Hoshifuri matsu), from the series "One Hundred Views of Great Tokyo in the Showa Era (Showa dai Tokyo fukei hyaku zue hanga)"

1935 · Color woodblock print; oban

39.2 cm × 30.1 cm (15 7/16 × 11 7/8)

Art Institute of Chicago

Autumn Color along the Moat at Hanzo Gate (Hanzomon go-horihata no aki iro), from the series "One Hundred Views of Great Tokyo in the Showa Era (Showa dai Tokyo fukei hyaku zue hanga)"

1934 · Color woodblock print; oban

39.4 × 30.2 cm (15 1/2 × 11 7/8 in.)

Art Institute of Chicago

Autumn Color along the Moat at Hanzo Gate (Hanzomon go-horihata no aki iro), from the series "One Hundred Views of Great Tokyo in the Showa Era (Showa dai Tokyo fukei hyaku zue hanga)"

1934 · Color woodblock print; oban

39.4 × 30.2 cm (15 1/2 × 11 7/8 in.)

Art Institute of Chicago

The Memorial Hall of the Earthquake in Honjo, from the series One Hundred Views of Great Tokyo in the Showa Era

1932 · Color woodblock print; oban

30.2 × 39.4 cm (11 7/8 × 15 1/2 in.)

Art Institute of Chicago

Sengakuji Temple in Snow (Yuki no Sengakuji), from the series "One Hundred Views of Great Tokyo in the Showa Era (Showa dai Tokyo fukei hyaku zue hanga)"

1932 · Color woodblock print; oban

30.3 × 39.3 cm (11 15/16 × 15 1/2 in.)

Art Institute of Chicago

Artwork sources (1)

8 published of 8 catalogued · 8 with image

Art Institute Chicago
8 published8 img

Record

Images

15 assets