Artworks · Max Ernst

Iceflower Shawl and Gulf Stream (Le Châle à fleurs givre) from Natural History (Histoire naturelle)

1925 · One from a portfolio of 34 collotypes after frottage

composition: 16 7/8 × 10 1/4" (42.8 × 26 cm); sheet: 19 5/8 × 12 11/16" (49.8 × 32.3 cm)

Museum of Modern Art

Eve, the Only One Left to Us (Éve la seule qui nous reste) from Natural History (Histoire naturelle)

1925 · One from a portfolio of 34 collotypes after frottage

composition: 16 7/8 × 10 3/16" (42.9 × 25.9 cm); sheet: 19 5/8 × 12 11/16" (49.8 × 32.3 cm)

Museum of Modern Art

Natural History (Histoire naturelle)

1925 · Portfolio of thirty-four collotypes after frottage

composition (orientation varies, each approx.): 10 1/4 × 16 3/4" (26 × 42.5 cm) or 16 3/4 × 10 1/4" (42.5 × 26 cm); sheet (orientation varies, each approx.): 19 5/8 × 12 11/16" (49.8 × 32.3 cm) or 12 11/16 × 19 5/8" (32.3 × 49.8 cm)

Museum of Modern Art

Dadaville

1924 · Painted plaster and cork on canvas

unconfirmed: 680 x 560 x 63 mm frame: 856 x 742 x 117mm

Tate

Untitled (Birds)

1924 · Oil and sand on linen mounted on Masonite pressed-wood board, with cork frame by the artist

19.1 × 29.2 cm (7 1/2 × 11 1/2 in.)

Art Institute of Chicago

Two Children Are Threatened by a Nightingale (Deux Enfants sont menacés par un rossignol)

1924 · Oil with painted wood elements and cut-and-pasted printed paper on wood with wood frame

27 1/2 x 22 1/2 x 4 1/2" (69.8 x 57.1 x 11.4 cm)

Museum of Modern Art

Pietà or Revolution by Night

1923 · Oil paint on canvas

support: 1162 x 889 mm frame: 1457 x 1188 x 88 mm

Tate

Men Shall Know Nothing of This

1923 · Oil paint on canvas

support: 803 x 638 mm frame: 970 x 806 x 62 mm

Tate

Woman, Old Man, and Flower (Weib, Greis und Blume)

1923 · Oil on canvas

38 x 51 1/4" (96.5 x 130.2 cm)

Museum of Modern Art

Au 125 du boulevard Saint-Germain

1923 · Illustrated book with one drypoint

composition: 2 9/16 x 2 1/16" (6.5 x 5.3 cm); page (each approx.): 5 7/8 x 4 7/16" (15 x 11.3 cm)

Museum of Modern Art

Celebes

1921 · Oil paint on canvas

support: 1254 x 1079 mm frame: 1397 x 1210 x 102 mm

Tate

The Gramineous Bicycle Garnished with Bells the Dappled Fire Damps and the Echinoderms Bending the Spine to Look for Caresses (La Biciclette graminée garnie de grelots les grisous grivelés et les échinodermes courbants l'échine pour quêter des caresses)

1921 · Gouache, ink, and pencil on printed paper on paperboard

29 1/4 x 39 1/4" (74.3 x 99.7 cm)

Museum of Modern Art

The Massacre of the Innocents

1920 · Black-and-white photograph with hand-coloring in watercolor, gouache, and black ink, laid down on tan wove wood-pulp paper

Primary support: 21.5 × 28.9 cm (8 1/2 × 11 7/16 in.); Secondary support, sight: 29.5 × 38 cm (11 5/8 × 15 in.)

Art Institute of Chicago

Dada Gauguin

1920 · Gouache and ink on printed paper

30.3 × 40 cm (11 7/16 × 15 3/4 in.)

Art Institute of Chicago

Title page from Let There Be Fashion, Down with Art (Fiat modes pereat ars)

1920 · Letterpress and line block

composition (irreg.): 13 3/16 x 9 15/16" (33.5 x 25.2 cm); sheet: 17 3/16 x 12 9/16" (43.7 x 31.9 cm)

Museum of Modern Art

Plate II from Let There Be Fashion, Down With Art (Fiat modes pereat ars)

1920 · One from a portfolio of eight lithographs

composition (irreg.): 13 3/8 x 12 1/16" (33.8 x 30.5 cm); sheet: 17 3/16 x 12 9/16" (43 x 31.9 cm)

Museum of Modern Art

Plate III from Let There Be Fashion, Down With Art (Fiat modes pereat ars)

1920 · One from a portfolio of eight lithographs

composition (irreg.): 16 5/8 x 10 1/16" (42.3 x 25.6 cm); sheet: 17 3/16 x 12 9/16" (43 x 31.9 cm)

Museum of Modern Art

Plate V from Let There Be Fashion, Down With Art (Fiat modes pereat ars)

1920 · One from a portfolio of eight lithographs

composition (irreg.): 16 13/16 x 12 1/4" (42.7 x 31.2 cm); sheet: 17 3/16 x 12 9/16" (43 x 31.9 cm)

Museum of Modern Art

Plate I from Let There Be Fashion, Down With Art (Fiat modes pereat ars)

1920 · One from a portfolio of eight lithographs

composition (irreg.): 16 3/8 x 11 3/4" (37.9 x 30 cm); sheet: 17 3/16 x 12 9/16" (43 x 31.9 cm)

Museum of Modern Art

Plate VIII from Let There Be Fashion, Down With Art (Fiat modes pereat ars)

1920 · One from a portfolio of eight lithographs

composition (irreg.): 16 1/4 x 11 5/8" (41.2 x 29.6 cm); sheet: 17 3/16 x 12 9/16" (43 x 31.9 cm)

Museum of Modern Art

Plate IV from Let There Be Fashion, Down With Art (Fiat modes pereat ars)

1920 · One from a portfolio of eight lithographs

composition (irreg.): 15 3/16 x 12 1/16" (38.6 x 30.8 cm); sheet: 17 3/16 x 12 9/16" (43 x 31.9 cm)

Museum of Modern Art

Plate VII from Let There Be Fashion, Down With Art (Fiat modes pereat ars)

1920 · One from a portfolio of eight lithographs

composition (irreg.): 14 15/16 x 11 3/4" (37.9 x 30 cm); sheet: 17 3/16 x 12 9/16" (43.5 x 31.9 cm)

Museum of Modern Art

Plate VI from Let There Be Fashion, Down With Art (Fiat modes pereat ars)

1920 · One from a portfolio of eight lithographs

composition (irreg.): 15 3/4 x 10 1/2" (40 x 26.6 cm); sheet: 17 3/16 x 12 9/16" (43 x 31.9 cm)

Museum of Modern Art

Stratified Rocks, Nature's Gift of Gneiss Lava Iceland Moss 2 kinds of lungwort 2 kinds of ruptures of the perinaeum growths of the heart b) the same thing in a well-polished little box somewhat more expensive (schichtgestein naturgabe aus gneis lava isländisch moos 2 sorten lungenkraut 2 sorten dammriss/herzgewächse b) dasselbe in fein poliertem kästchen etwas teurer)

1920 · Gouache and pencil on printed paper on cardstock

7 1/2 x 9 1/2" (19.1 x 24.1 cm)

Museum of Modern Art

Here Everything Is Still Floating (Hier ist noch alles in der Schwebe)

1920 · Cut-and-pasted printed paper and pencil on printed paper on cardstock

6 1/2 x 8 1/4" (16.5 x 21 cm)

Museum of Modern Art

The Horse He's Sick (Un Peu malade le cheval)

1920 · Cut-and-pasted printed paper with pencil and gouache on printed paper on cardstock

8 7/8 x 11 7/8" (22.5 x 30.2 cm)

Museum of Modern Art

The Little Tear Gland That Says Tic Tac (La Petite fistule lacrimale qui dit tic tac)

1920 · Gouache, pencil, and ink on printed wallpaper on board

17 1/2 x 13" (44.5 x 33 cm)

Museum of Modern Art

The Hat Makes the Man (C'est le chapeau qui fait l'homme)

1920 · Gouache, pencil, oil, and ink on cut-and-pasted printed paper on board

13 7/8 x 17 3/4" (35.2 x 45.1 cm)

Museum of Modern Art

Farewell My Beautiful Land of Marie Laurencin (Adieu mon beau pays de Marie Laurencin)

1920 · Line block print with ink on paper

15 3/4 x 11" (40 x 27.9 cm)

Museum of Modern Art

Hypertrophic Trophy (hypertrophie trophäe, trophée hypertrophique)

1920 · Line block print with ink on paper

16 1/2 x 11" (41.9 x 28 cm)

Museum of Modern Art

Self-Constructed Little Machine

1919 · Graphite with pen and black ink on tan wove paper

46.6 × 31.5 cm (18 3/8 × 12 7/16 in.)

Art Institute of Chicago

Plate One, from Long Live Fashion, Down with Art

1919 · Pen lithograph on tan wove paper

Overall portfolio: 43.7 × 31.8 cm (17 1/4 × 12 9/16 in.)

Art Institute of Chicago

Portfolio wrapper, from Long Live Fashion, Down with Art

1919 · Blue-green title label on yellow paper wrappers

43.7 × 31.8 cm (17 1/4 × 12 9/16 in.)

Art Institute of Chicago

Plate Seven, from Long Live Fashion, Down with Art

1919 · Pen lithograph on tan wove paper

43.7 × 31.8 cm (17 1/4 × 12 9/16 in.)

Art Institute of Chicago

Title Page, from Long Live Fashion, Down with Art

1919 · Pen lithograph on tan wove paper

43.7 × 31.8 cm (17 1/4 × 12 9/16 in.)

Art Institute of Chicago

Plate five. from Long Live Fashion, Down with Art

1919 · Pen lithograph on tan wove paper

43.7 × 31.8 cm (17 1/4 × 12 9/16 in.)

Art Institute of Chicago

Plate Three, from Long Live Fashion, Down with Art

1919 · Pen lithograph on tan wove paper

43.7 × 31.8 cm (17 1/4 × 12 9/16 in.)

Art Institute of Chicago

Plate Six, from Long Live Fashion, Down with Art

1919 · Pen lithograph on tan wove paper

43.7 × 31.8 cm (17 1/4 × 12 9/16 in.)

Art Institute of Chicago

Plate Eight, from Long Live Fashion, Down with Art

1919 · Pen lithograph on tan wove paper

43.7 × 31.8 cm (17 1/4 × 12 9/16 in.)

Art Institute of Chicago

Plate Four, from Long Live Fashion, Down with Art

1919 · Pen lithograph on tan wove paper

43.7 × 31.8 cm (17 1/4 × 12 9/16 in.)

Art Institute of Chicago

Plate Two, from Long Live Fashion, Down with Art

1919 · Pen lithograph on tan wove paper

43.7 × 31.8 cm (17 1/4 × 12 9/16 in.)

Art Institute of Chicago

Helio Alcohodada

1919 · Pencil on paper

17 3/4 x 13 1/4" (44.9 x 33.4 cm)

Museum of Modern Art

Untitled

1911 · Oil and crayon on hardboard panel

10 × 8 in.; 14 in. overall

Art Institute of Chicago

Untitled

Cut-and-pasted printed paper on printed paper with gouache and pencil

7 1/8 x 9 1/2" (18.1 x 24.1 cm)

Museum of Modern Art