Artworks · Norman Roland Eppink

Plaster Relief Print (Nets), plate 100 from 101 Prints

1967 · Collagraph in black on white wove paper

Art Institute of Chicago

Paraffin Print (Chatter), plate 101 from 101 Prints

1967 · Paraffin engraving in black on white wove paper

Art Institute of Chicago

Transfer Monotype (Tools and Machines), plate 96 from 101 Prints

1967 · Transfer drawing in black on tan Japanese paper

Art Institute of Chicago

Stencil Print (Rotten Stump), plate 94 from 101 Prints

1967 · Color pochoir (stencil) on ivory wove paper

Art Institute of Chicago

Foil Print (Twigs and Pebbles), plate 98 from 101 Prints

1967 · Relief print in black on ivory wove paper

Art Institute of Chicago

Floatagraph (Dancers), plate 97 from 101 Prints

1967 · Paper marbling with colored inks on ivory wove paper

Art Institute of Chicago

Glue Print (Still Waiting), plate 99 from 101 Prints

1967 · Color collagraph on ivory wove paper

Art Institute of Chicago

Texture Print (Split Pea), plate 92 from 101 Prints

1967 · Relief print in black on ivory wove paper

Art Institute of Chicago

Rubbing (Griswold), plate 93 from 101 Prints

1967 · Color crayon rubbing (frottage) on ivory wove paper

Art Institute of Chicago

Stamped Print (Spring Downtown), plate 88 from 101 Prints

1967 · Color wood and metal relief print on ivory wove paper

Art Institute of Chicago

Screen Print (Industrial), plate 95 from 101 Prints

1967 · Color screenprint on ivory wove paper

Art Institute of Chicago

Paper Print (Umbrellas), plate 91 from 101 Prints

1967 · Collagraph (paper relief print) in black on ivory Japanese paper

Art Institute of Chicago

Hand Print (Personal Data), plate 86 from 101 Prints

1967 · Hand-applied color printing ink on ivory wove paper

Art Institute of Chicago

Potato Print (Bugs), plate 87 from 101 Prints

1967 · Color potato print on ivory wove paper

Art Institute of Chicago

Clay Print (Garden), plate 89 from 101 Prints

1967 · Clay relief print in black on white wove paper

Art Institute of Chicago

Embossed Print (Erosion), plate 84 from 101 Prints

1967 · Line etching in black and embossing on white wove paper

Art Institute of Chicago

Clay Print, Modeled (Phantom Shapes), plate 90 from 101 Prints

1967 · Clay relief print in black on white wove paper

Art Institute of Chicago

Texture Imprint (Pierced), plate 80 from 101 Prints

1967 · Color collagraph on ivory wove paper

Art Institute of Chicago

Combined Process (The Square), plate 85 from 101 Prints

1967 · Etching and engraving in black, and color lithograph and linocut on white wove paper

Art Institute of Chicago

Metal Graphic (Time Dissected), plate 83 from 101 Prints

1967 · Color metal relief print on ivory wove paper

Art Institute of Chicago

Cellocut (Directions), plate 82 from 101 Prints

1967 · Color collagraph (cellocut) on ivory wove paper

Art Institute of Chicago

Color Monotype, Metal Base (August), plate 79 from 101 Prints

1967 · Color monotype on ivory wove paper

Art Institute of Chicago

Monotype, Glass Base (Pears in a Basket), plate 76 from 101 Prints

1967 · Monotype in black on ivory wove paper

Art Institute of Chicago

Collagraph (Façade), plate 81 from 101 Prints

1967 · Collagraph in black on ivory wove paper

Art Institute of Chicago

Stone Rubbing (Surfer), plate 75 from 101 Prints

1967 · Stone rubbing in black on ivory wove paper

Art Institute of Chicago

Monotype, Metal Base (Black Abstraction), plate 78 from 101 Prints

1967 · Monotype in black on ivory wove paper

Art Institute of Chicago

Color Monotype, Glass Base (Red, Black, and Gray), plate 77 from 101 Prints

1967 · Color monotype on ivory wove paper

Art Institute of Chicago

Bas-relief Print (Variety in Unity), plate 73 from 101 Prints

1967 · Gelatin silver print on white wove paper

Art Institute of Chicago

Color Photograph (Lichen), plate 74 from 101 Prints

1967 · Dye destruction print (Cibachrome) on white wove paper

Art Institute of Chicago

Photomontage, Type 1 (Green Bay), plate 70 from 101 Prints

1967 · Gelatin silver print on white wove paper

Art Institute of Chicago

Photograph Used for Solarization (Barbed Wire), plate 72a from 101 Prints

1967 · Gelatin silver print on white wove paper

Art Institute of Chicago

Solarized Print (Barbed Wire), plate 72 from 101 Prints

1967 · Gelatin silver print on white wove paper

Art Institute of Chicago

Photograph (Rocks), plate 69 from 101 Prints

1967 · Gelatin silver print on white wove paper

Art Institute of Chicago

Photo-monotype (Decayed Wood), plate 68 from 101 Prints

1967 · Gelatin silver print on white wove paper

Art Institute of Chicago

Photomontage, Type 2 (What’s Your Number?), plate 71 from 101 Prints

1967 · Gelatin silver print on white wove paper

Art Institute of Chicago

Photogram (Taken From an Onion), plate 67 from 101 Prints

1967 · Gelatin silver print on white wove paper

Art Institute of Chicago

Lumiprint (Graffito), plate 65 from 101 Prints

1967 · Lumiprint in black on ivory wove paper

Art Institute of Chicago

Serigraph, Resist Method (View from Above), plate 61 from 101 Prints

1967 · Color screenprint on ivory wove paper

Art Institute of Chicago

Cliché-verre, Type 1 (Erratic Wasp), plate 63 from 101 Prints

1967 · Cliché-verre in black on ivory wove paper

Art Institute of Chicago

Cliché-verre, Color Method (Figurative), plate 66 from 101 Prints

1967 · Cliché-verre in black and green on ivory wove paper

Art Institute of Chicago

Serigraph, Film, and Photographic Stencil (Carnival), plate 62 from 101 Prints

1967 · Color screenprint on ivory wove paper

Art Institute of Chicago

Cliché-verre, Type 2 (Convention), plate 64 from 101 Prints

1967 · Cliché-verre in black on ivory wove paper

Art Institute of Chicago

Stencil, Colored Inks (Waupaca), plate 59 from 101 Prints

1967 · Color pochoir (stencil) on ivory wove paper

Art Institute of Chicago

Stencil, Water Color (Opposition), plate 58 from 101 Prints

1967 · Color pochoir (stencil) with watercolor on ivory wove paper

Art Institute of Chicago

Lithographic Engraving (Weeds), plate 57 from 101 Prints

1967 · Lithographic engraving in black on ivory wove paper

Art Institute of Chicago

Serigraph, Block-Out Method (Patches), plate 60 from 101 Prints

1967 · Color screenprint on ivory wove paper

Art Institute of Chicago

Transfer Lithograph (Miscellany), plate 56 from 101 Prints

1967 · Transfer lithograph in black on ivory wove paper

Art Institute of Chicago

Eleven-color Lithograph (Puppet Cupboard), plate 52 from 101 Prints

1967 · Color lithograph on ivory wove paper

Art Institute of Chicago