Artworks · Norman Roland Eppink

Lithograph, Tusche Method (8 A.M.), plate 54 from 101 Prints

1967 · Lithograph in black on ivory wove paper

Art Institute of Chicago

Pen and Ink Lithograph (Woods), plate 55 from 101 Prints

1967 · Lithograph in black on ivory wove paper

Art Institute of Chicago

Lithotint (Whitefish Bay), plate 49 from 101 Prints

1967 · Lithotint in black on ivory wove paper

Art Institute of Chicago

Hand Colored Lithograph (Landscape), plate 53 from 101 Prints

1967 · Hand-colored lithograph on ivory wove paper

Art Institute of Chicago

Lithograph on Tint (Lakeside), plate 50 from 101 Prints

1967 · Lithograph in black and cream on ivory wove paper

Art Institute of Chicago

Crayon Lithograph (Roman Cats), plate 48 from 101 Prints

1967 · Lithograph in black on ivory wove paper

Art Institute of Chicago

Three-level Intaglio (Shore Partners), plate 47 from 101 Prints

1967 · Color etching, aquatint, and relief roll on ivory wove paper

Art Institute of Chicago

Four-color Lithograph (Elliptical), plate 51 from 101 Prints

1967 · Color lithograph on ivory wove paper

Art Institute of Chicago

Photogravure Method (Bathers), plate 45 from 101 Prints

1967 · Photogravure in black on ivory wove paper

Art Institute of Chicago

Etching, Engraving, and Color Offset from Linoleum (Webs), plate 46 from 101 Prints

1967 · Etching and engraving in black, and color offset, on ivory wove paper

Art Institute of Chicago

Etching, Engraving, and Acquaint (Two Figures), plate 39 from 101 Prints

1967 · Etching, engraving, and acquaint in black on ivory wove paper

Art Institute of Chicago

Etching, Engraving, Soft Ground, and Aquatint (City Complex), plate 43 from 101 Prints

1967 · Etching, engraving, soft ground etching, and acquaint in black on ivory wove paper

Art Institute of Chicago

Etching, Engraving, Soft Ground, Aquatint, and Embossing (City Complex), plate 44 from 101 Prints

1967 · Etching, engraving, soft ground etching, and acquaint in black, with embossing, on ivory wove paper

Art Institute of Chicago

Etching, Engraving, and Soft Ground (City Complex), plate 42 from 101 Prints

1967 · Etching, engraving, and soft ground etching in black on ivory wove paper

Art Institute of Chicago

Etching, Engraving, and Color Aquatint (Two Figures), plate 41 from 101 Prints

1967 · Etching and engraving in black, and acquaint in green and red, on ivory wove paper

Art Institute of Chicago

Etching and Engraving (Two Figures), plate 37 from 101 Prints

1967 · Etching and engraving in black on ivory wove paper

Art Institute of Chicago

Etching, Engraving, Acquaint, and Stencil Color on Plate (Two Figures), plate 40 from 101 Prints

1967 · Etching, engraving, and acquaint in black, with color pochoir additions, on ivory wove paper

Art Institute of Chicago

Lift Ground (Lovers), plate 33 from 101 Prints

1967 · Lift-ground aquatint in black on ivory wove paper

Art Institute of Chicago

Three-color Stipple Engraving (Venetian Theme), plate 36 from 101 Prints

1967 · Color stipple engraving in black on ivory wove paper

Art Institute of Chicago

Mezzotint (Artichoke and Pepper), plate 34 from 101 Prints

1967 · Mezzotint in black on ivory wove paper

Art Institute of Chicago

Stipple Engraving (Milkweed Pods), plate 35 from 101 Prints

1967 · Stipple engraving in black on ivory wove paper

Art Institute of Chicago

Etching, Engraving, and Stencil Color on Paper (Two Figures), plate 38 from 101 Prints

1967 · Etching and engraving in black, with color pochoir additions, on ivory wove paper

Art Institute of Chicago

Collage Aquatint (Nude), plate 31 from 101 Prints

1967 · Color aquatint on ivory wove paper

Art Institute of Chicago

Soft Ground Aquatint (The Remains), plate 32 from 101 Prints

1967 · Soft ground etching in black on ivory wove paper

Art Institute of Chicago

Three-color Aquatint (Park), plate 30 from 101 Prints

1967 · Color aquatint on ivory wove paper

Art Institute of Chicago

Colored Aquatint (Plant Forms), plate 28 from 101 Prints

1967 · Color aquatint on ivory wove paper

Art Institute of Chicago

Hand Colored Aquatint (Quartet), plate 29 from 101 Prints

1967 · Hand-colored aquatint on ivory wove paper

Art Institute of Chicago

Hand Colored Etching (Decay), plate 25 from 101 Prints

1967 · Hand-colored etching on ivory wove paper

Art Institute of Chicago

Acquaint (Growth), plate 27 from 101 Prints

1967 · Aquatint in black on ivory wove paper

Art Institute of Chicago

Two-color Engraving (Grasses), plate 21 from 101 Prints

1967 · Engraving in black and yellow ochre on ivory wove paper

Art Institute of Chicago

Colored Etching (Dock), plate 24 from 101 Prints

1967 · Color etching on ivory wove paper

Art Institute of Chicago

Three-color Etching (Skeletal), plate 26 from 101 Prints

1967 · Color etching on ivory wove paper

Art Institute of Chicago

Line Engraving (Fish Count), plate 19 from 101 Prints

1967 · Engraving in black on ivory wove paper

Art Institute of Chicago

Blake Technique (Madrigal), plate 17 from 101 Prints

1967 · Relief etching in black and light green on ivory wove paper

Art Institute of Chicago

Drypoint (French Street), plate 22 from 101 Prints

1967 · Drypoint in black on ivory wove paper

Art Institute of Chicago

Etching (Krieman’s Fish Heads), plate 23 from 101 Prints

1967 · Etching in black on ivory wove paper

Art Institute of Chicago

Hand Colored Engraving (Pagans), plate 20 from 101 Prints

1967 · Hand-colored engraving on ivory wove paper

Art Institute of Chicago

Metal Relief (Fish Count), plate 18 from 101 Prints

1967 · Metal relief engraving in black on ivory wove paper

Art Institute of Chicago

Flock Print (Figure Composition), plate 15 from 101 Prints

1967 · Punch engraving and engraving in black on ivory wove paper

Art Institute of Chicago

Paste Print, plate printed relief (Man of the Cloth), plate 14b from 101 Prints

1967 · Engraving and punch engraving, printed in relief in black, on ivory wove paper

Art Institute of Chicago

Flock Print (Figure Composition), plate 15 from 101 Prints

1967 · Relief print in green and yellow green on ivory wove paper

Art Institute of Chicago

Paste Print, plate printed intaglio (Man of the Cloth), plate 14a from 101 Prints

1967 · Engraving and punch engraving in black on ivory wove paper

Art Institute of Chicago

Four-color Wood Engraving (Waiting), plate 11 from 101 Prints

1967 · Color wood engraving on ivory wove paper

Art Institute of Chicago

Linoleum Cut (Aquatium), plate 12 from 101 Prints

1967 · Linocut in black on ivory wove paper

Art Institute of Chicago

Wood Engraving (Ruins), plate 8 from 101 Prints

1967 · Wood engraving in black on ivory wove paper

Art Institute of Chicago

Three-Color Linoleum Cut (Doors), plate 13 from 101 Prints

1967 · Color linocut on ivory wove paper

Art Institute of Chicago

Paste Print (Man of the Cloth), plate 14 from 101 Prints

1967 · Paste print in yellow and ochre, with gold leaf, on ivory wove paper

Art Institute of Chicago

Two-color Wood Engraving (Pickle Pickers), plate 10 from 101 Prints

1967 · Wood engraving in black and green on ivory wove paper

Art Institute of Chicago