Artworks · Odilon Redon

825 of 882 artworks · page 17 of 18

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Primitive Being

1871 · Various charcoals and black chalk, with stumping, wiping, and erasing, fixed, on cream wove paper

44.5 × 36.9 cm (17 9/16 × 14 9/16 in.)

Art Institute of Chicago

Human Plant

1870 · Charcoal with black pastel, stumping, scraping and erasing, on ivory wove paper, now discolored.

47.3 × 34.2 cm (18 5/8 × 13 1/2 in.)

Art Institute of Chicago

Landscape

1868 · Various charcoals, with black chalk and black Conté crayon, wiping, stumping and erasing on cream wove paper altered to a golden tone

53.6 × 75.5 cm (21 1/8 × 29 3/4 in.)

Art Institute of Chicago

Standard-Bearer Crossing a Stream

1868 · Etching and drypoint on cream China paper laid down on white wove paper

Image: 10.2 × 16.8 cm (4 1/16 × 6 5/8 in.); Plate: 12 × 18.5 cm (4 3/4 × 7 5/16 in.); Sheet: 22.5 × 31.5 cm (8 7/8 × 12 7/16 in.)

Art Institute of Chicago

Standard Bearer

1868 · Etching and drypoint, heightened with pen and black and brown ink, on mounted tan China paper

Image: 10.2 × 16.8 cm (4 1/16 × 6 5/8 in.); Plate: 12 × 18.5 cm (4 3/4 × 7 5/16 in.)

Art Institute of Chicago

Woman with Outstretched Arm

1868 · Graphite on ivory wove paper

11 1/4 x 8 3/4" (28.6 x 22.2 cm)

Museum of Modern Art

The Head of Saint John the Baptist (after Andrea Solario)

1868 · Pencil and chalk on paper

11 1/2 x 13 3/8" (29.2 x 34 cm)

Museum of Modern Art

The Die, also called the Weight of Passions

1867 · Graphite with pen and black ink, heightened with white lead (discolored) on cream wove paper

17.1 × 12.7 cm (6 3/4 × 5 in.)

Art Institute of Chicago

Cavalier Galopant (Galloping Horseman)

1866 · etching

National Gallery of Art

Horseman Waiting

1866 · Etching on ivory wove paper, cut down within plate mark and mounted on ivory wove card

Image/sheet: 10.1 × 7 cm (4 × 2 13/16 in.); Sheet, mount: 36.1 × 27.6 cm (14 1/4 × 10 7/8 in.)

Art Institute of Chicago

Fear

1866 · Etching on tan China paper laid down on white wove, trimmed within plate mark

Image/sheet: 10.8 × 20.2 cm (4 5/16 × 8 in.); Sheet, mount: 23.2 × 30.6 cm (9 3/16 × 12 1/16 in.)

Art Institute of Chicago

Horseman Waiting

1866 · Etching on light gray China paper laid down on ivory wove paper

Image: 12.8 × 9.7 cm (5 1/16 × 3 7/8 in.); Plate: 15.2 × 11 cm (6 × 4 3/8 in.); Sheet: 20.5 × 13.7 cm (8 1/8 × 5 7/16 in.)

Art Institute of Chicago

Fear

1866 · Etching on ivory wove paper

Image: 11 × 20 cm (4 3/8 × 7 7/8 in.); Plate: 14 × 22.3 cm (5 9/16 × 8 13/16 in.)

Art Institute of Chicago

Horseman Under a Stormy Sky

1866 · Etching on ivory wove paper, cut within plate mark and mounted on light gray wove paper

Image/sheet: 5.9 × 13.9 cm (2 3/8 × 5 1/2 in.); Sheet, mount: 16.1 × 24.4 cm (6 3/8 × 9 5/8 in.)

Art Institute of Chicago

Galloping Horseman

1866 · Etching on light gray China paper laid down on ivory wove paper

Image: 6.3 × 13.5 cm (2 1/2 × 5 3/8 in.); Plate: 7.5 × 14.7 cm (3 × 5 13/16 in.); Sheet: 16 × 22.2 cm (6 5/16 × 8 3/4 in.)

Art Institute of Chicago

Horseman in the Mountains

1866 · Etching on paper

Composition: 8.4 × 11.3 cm (3 5/16 × 4 1/2 in.); Plate: 12.8 × 14 cm (5 1/16 × 5 9/16 in.)

Art Institute of Chicago

St.-Jean-Pied-de-Port

1866 · Etching on mounted cream China paper

Plate: 14 × 22.1 cm (5 9/16 × 8 3/4 in.); Sheet: 11.2 × 19.9 cm (4 7/16 × 7 7/8 in.)

Art Institute of Chicago

Horseman Under a Stormy Sky

1866 · Etching on white wove paper

Image: 5.9 × 13.9 cm (2 3/8 × 5 1/2 in.); Plate: 6.8 × 15 cm (2 11/16 × 5 15/16 in.); Sheet: 15.6 × 22.1 cm (6 3/16 × 8 3/4 in.)

Art Institute of Chicago

The Ford: Landscape with Horsemen

1866 · Etching on mounted cream China paper

Image: 17.5 × 13.4 cm (6 15/16 × 5 5/16 in.); Plate: 23.8 × 16.2 cm (9 3/8 × 6 7/16 in.)

Art Institute of Chicago

Chapel and Pilgrim's Hospice at Harambeltz (Basses-Pyrenees)

1866 · Etching on cream China paper laid down on white wove paper

Image: 6.1 × 13.6 cm (2 7/16 × 5 3/8 in.); Plate: 7.4 × 14.7 cm (2 15/16 × 5 13/16 in.); Sheet: 15.5 × 22 cm (6 1/8 × 8 11/16 in.)

Art Institute of Chicago

Horsemen in Combat

1866 · Etching on ivory wove paper

Image: 8.3 × 18.2 cm (3 5/16 × 7 3/16 in.); Plate: 10 × 20 cm (3 15/16 × 7 7/8 in.)

Art Institute of Chicago

Seated Woman Surrounded by Cliffs

1866 · Pen and ink on tan wove paper

5 7/8 x 5 7/8" (14.9 x 14.9 cm)

Museum of Modern Art

Fear (La Peur)

1866 · Etching

plate: 5 1/2 × 8 11/16" (14 × 22 cm); sheet: 10 1/16 × 12 13/16" (25.5 × 32.6 cm)

Museum of Modern Art

Portrait of a Young Man (after Holbein)

1866 · Pencil on colored paper

9 1/8 x 7 1/8" (23.2 x 18.1 cm)

Museum of Modern Art

Two Figures in a Landscape

1865 · graphite on wove paper

sheet: 22.23 × 22.54 cm (8 3/4 × 8 7/8 in.)

National Gallery of Art

The Headhunter and His Family

1865 · graphite

sheet: 29.5 x 12.9 cm (11 5/8 x 5 1/16 in.)

National Gallery of Art

Le Gue (The Ford)

1865 · etching

National Gallery of Art

La Peur (Fear)

1865 · etching

National Gallery of Art

Two Grotesque Figures

1865 · Graphite on ivory wove paper, discolored to cream

17.5 × 22.3 cm (6 15/16 × 8 13/16 in.)

Art Institute of Chicago

Sketch for Redon's first etching, The Ford (M. 2)

1865 · Graphite on cream tracing paper, discolored to tan, laid down on cream laid paper

8.7 × 11.4 cm (3 7/16 × 4 1/2 in.)

Art Institute of Chicago

Self-Portrait

1865 · Charcoal on tan wove paper

32.4 × 25.3 cm (12 13/16 × 10 in.)

Art Institute of Chicago

Two Small Horsemen

1865 · Etching on ivory wove paper mounted on ivory wove paper

Image/sheet: 9.9 × 8.1 cm (3 15/16 × 3 1/4 in.); Sheet, mounting: 32 × 22.3 cm (12 5/8 × 8 13/16 in.)

Art Institute of Chicago

Battle

1865 · Etching on white wove paper

Image: 5.6 × 13.2 cm (2 1/4 × 5 1/4 in.); Plate: 7.4 × 14.7 cm (2 15/16 × 5 13/16 in.); Sheet: 14.7 × 14.6 cm (5 13/16 × 5 3/4 in.)

Art Institute of Chicago

In Spain

1865 · Etching on off-white wove paper

Plate: 20 × 11 cm (7 7/8 × 4 3/8 in.); Sheet: 22.2 × 15.9 cm (8 3/4 × 6 5/16 in.)

Art Institute of Chicago

The Two Small Horsemen

1865 · Etching on ivory wove paper

Image: 9.9 × 8 cm (3 15/16 × 3 3/16 in.); Plate: 12.1 × 10.2 cm (4 13/16 × 4 1/16 in.); Sheet: 31.5 × 21.9 cm (12 7/16 × 8 5/8 in.)

Art Institute of Chicago

Horsemen in Combat

1865 · Etching and drypoint on ivory laid paper

Plate: 10.2 × 13.9 cm (4 1/16 × 5 1/2 in.); Sheet: 37.5 × 28.5 cm (14 13/16 × 11 1/4 in.)

Art Institute of Chicago

Battle

1865 · Etching and drypoint on ivory laid paper

Image: 5.6 × 13.2 cm (2 1/4 × 5 1/4 in.); Plate: 7.4 × 14.7 cm (2 15/16 × 5 13/16 in.); Sheet: 26.9 × 35.4 cm (10 5/8 × 13 15/16 in.)

Art Institute of Chicago

The Ford: Landscape with Horsemen

1865 · Etching on ivory wove paper

Plate: 24.2 × 16 cm (9 9/16 × 6 5/16 in.); Sheet: 36.1 × 26.9 cm (14 1/4 × 10 5/8 in.)

Art Institute of Chicago

Fear

1865 · Etching on cream laid paper

110 × 200 mm (image) 140 × 222 mm (plate); 270 × 358 mm (sheet)

Art Institute of Chicago

Battle (Bataille)

1865 · Etching and drypoint

plate: 2 15/16 x 5 13/16" (7.4 x 14.7 cm); sheet: 9 1/2 x 12 3/4" (24.1 x 32.4 cm)

Museum of Modern Art

The Battle

1865 · Charcoal, on colored paper

25 x 44 3/4" (63.5 x 113.7 cm)

Museum of Modern Art

Trees

1865 · Pencil on colored paper

16 3/4 x 11 5/8" (42.5 x 29.5 cm)

Museum of Modern Art

Woman Kneeling

1863 · Graphite on cream wove paper

25.5 × 20.5 cm (10 1/16 × 8 1/8 in.)

Art Institute of Chicago

Flowers: Poppies and Daisies

1862 · Oil on cardboard

19 × 23.5 cm (7 1/2 × 9 1/4 in.); Framed: 33.7 × 30.2 × 4.5 cm (13 1/4 × 11 7/8 × 1 3/4 in.)

Art Institute of Chicago

Hermit in Landscape

1861 · Pen and black ink on tan card

12 × 17.2 cm (4 3/4 × 6 13/16 in.)

Art Institute of Chicago

Mountain Landscape

1861 · Etching and drypoint on ivory wove paper

Image: 3.8 × 10.2 cm (1 1/2 × 4 1/16 in.); Plate: 4.8 × 11 cm (1 15/16 × 4 3/8 in.); Sheet: 16 × 22.1 cm (6 5/16 × 8 3/4 in.)

Art Institute of Chicago

Wizard's Meditation

1860 · Charcoal and black chalk with stumping, scraping and erasing, on cream wove paper, discolored to tan

52.9 × 37.4 cm (20 7/8 × 14 3/4 in.)

Art Institute of Chicago

Sketchbook

1860 · 54 pages with period binding, including 20 drawings after Old Masters, Redon's artistic, musical, and literary theories, and technical studies

21 × 17 cm (8 5/16 × 6 3/4 in.)

Art Institute of Chicago

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