Artworks · Paolo Veronese

Allegory of Love: Scorn

1800 · Pen and black ink, with brush and watercolor and gouache, over graphite, on cream wove paper, laid down on ivory wove paper

42 × 42.7 cm (16 9/16 × 16 13/16 in.)

Art Institute of Chicago

Judgement of Paris

1600 · Pen and brown ink and brush and brown wash, on tan laid paper, edge mounted to tan board

33 × 41.7 cm (13 × 16 7/16 in.)

Art Institute of Chicago

Fortitude (or Strength) Flanked by Two Satyrs

1600 · Brush and brown wash, heightened with lead white (partially oxidized), over black chalk, on blue laid paper, squared in black chalk

39.2 × 28 cm (15 7/16 × 11 1/16 in.)

Art Institute of Chicago

Saint Jerome in the Wilderness

1585 · Oil on canvas

134.8 × 176.6 cm (53 1/8 × 69 7/8 in.); Framed: 163.2 × 203.9 × 6.4 cm (64 1/4 × 80 1/4 × 2 1/2 in.)

Art Institute of Chicago

Saint Catherine of Alexandria in Prison

1580 · Oil on canvas

45 3/4 x 33 in. (116.2 x 83.8 cm)

The Metropolitan Museum of Art

Circumcision of the Christ Child (recto); Marriage of the Virgin (verso)

1575 · Black chalk with pen and brown ink, heightened with lead white (partially discolored) (recto), and black chalk (verso), on cream laid paper, recto squared in black chalk

26.4 × 33.4 cm (10 7/16 × 13 3/16 in.)

Art Institute of Chicago

Alessandro Vittoria (1525–1608)

1575 · Oil on canvas

43 1/2 x 32 1/4 in. (110.5 x 81.9 cm)

The Metropolitan Museum of Art

Various Sketches of the Madonna and Child (recto)

1575 · pen and brown ink (iron gall) and brush and brown wash

Sheet: 20.5 x 23.4 cm (8 1/16 x 9 3/16 in.); Secondary Support: 22 x 28.2 cm (8 11/16 x 11 1/8 in.)

Cleveland Museum of Art

Head of a Woman

1573 · Black chalk, heightened with white chalk, on pale blue laid paper

26.5 × 18.6 cm (10 7/16 × 7 3/8 in.)

Art Institute of Chicago

Portrait of Agostino Barbarigo

1571 · oil on canvas

Framed: 136.2 x 136.2 x 12.1 cm (53 5/8 x 53 5/8 x 4 3/4 in.); Unframed: 102.2 x 104.2 cm (40 1/4 x 41 in.)

Cleveland Museum of Art

Studies for The Allegories of Love

1570 · Pen and brown ink, brush and brown wash

12 5/8 x 8 3/4in. (32 x 22.2cm)

The Metropolitan Museum of Art

Mars and Venus United by Love

1570 · Oil on canvas

81 x 63 3/8 in. (205.7 x 161 cm)

The Metropolitan Museum of Art

Boy with a Greyhound

1570 · Oil on canvas

68 3/8 x 40 1/8 in. (173.7 x 101.9 cm)

The Metropolitan Museum of Art

Various Sketches of the Madonna and Child (recto); Architectural Studies (verso) [partially visible on recto]

1565 · pen and brown ink (iron gall) and brush and brown wash

Sheet: 20.5 x 23.4 cm (8 1/16 x 9 3/16 in.); Secondary Support: 22 x 28.2 cm (8 11/16 x 11 1/8 in.)

Cleveland Museum of Art

The Annunciation

1560 · oil paint

Framed: 176 x 159.5 x 9.5 cm (69 5/16 x 62 13/16 x 3 3/4 in.); Unframed: 150 x 133.4 cm (59 1/16 x 52 1/2 in.)

Cleveland Museum of Art

Portrait of Daniele Barbaro

1556 · canvas, oil paint (paint)

width: 121 cm, height: 147 cm, height: 121 cm, width: 105.5 cm, thickness: 9 cm

Rijksmuseum

Virgin Mary Handing Scapular to Saint Simon Stock

1550 · Pen and iron gall ink and brown and gray wash, heightened with lead white, on blue laid paper, laid down on blue wove paper and ivory laid card

34.4 × 25 cm (13 9/16 × 9 7/8 in.)

Art Institute of Chicago

Halfnaakt jongetje

1538 · pen on ink, paper

height: 216 cm, width: 152 cm

Rijksmuseum

Studies van een liggende naakte mannelijke figuur

1538 · pen on paper, ink

width: 152 cm, height: 216 cm

Rijksmuseum

Allegory of the Redemption of the World

1528 · Pen and black ink, brush and gray wash, highlighted with white gouache, on gray washed paper

24 1/8 x 16 9/16in. (61.3 x 42cm)

The Metropolitan Museum of Art

St. George Preparing for His Martyrdom

1518 · engraving and etching

Sheet: 49 x 30 cm (19 5/16 x 11 13/16 in.); Platemark: 34.1 x 23.5 cm (13 7/16 x 9 1/4 in.)

Cleveland Museum of Art