Artworks · Pierre Bonnard

Basket of Fruit in a Cupboard

1944 · oil paint

18 5/8 x 28 1/8" (47.3 x 71.4 cm)

Museum of Modern Art

The Checkered Tablecloth

1939 · Oil on canvas

58.4 × 58.4 cm (23 × 23 in.)

Art Institute of Chicago

The Yellow Boat

1936 · Oil paint on canvas

support: 581 x 754 x 20 mm

Tate

Woman Bathing

1932 · Gouache with graphite on ivory wove paper

26.3 × 32.6 cm (10 3/8 × 12 7/8 in.)

Art Institute of Chicago

The Bathroom

1932 · Oil on canvas

47 5/8 x 46 1/2" (121 x 118.2 cm)

Museum of Modern Art

Still Life: Preparation for Lunch

1930 · Gouache, with touches of watercolor and graphite on cream wove paper

49.9 × 65 cm (19 11/16 × 25 5/8 in.)

Art Institute of Chicago

The Life of St. Monique, plate twelve

1930 · Etching on cream wove paper

Plate: 23.7 × 17.7 cm (9 3/8 × 7 in.); Sheet: 32.5 × 24.7 cm (12 13/16 × 9 3/4 in.)

Art Institute of Chicago

The Life of St. Monique, plate thirteen

1930 · Etching on cream wove paper

Plate: 23.1 × 17.3 cm (9 1/8 × 6 13/16 in.); Sheet: 32.2 × 25 cm (12 11/16 × 9 7/8 in.)

Art Institute of Chicago

The Life of St. Monique, plate nine

1930 · Etching on cream wove paper

Plate: 23.7 × 17.8 cm (9 3/8 × 7 1/16 in.); Sheet: 32.5 × 24.2 cm (12 13/16 × 9 9/16 in.)

Art Institute of Chicago

The Life of St. Monique, plate four

1930 · Etching on cream wove paper

Plate: 24.5 × 17.4 cm (9 11/16 × 6 7/8 in.); Sheet: 32 × 24.5 cm (12 5/8 × 9 11/16 in.)

Art Institute of Chicago

Dining Room Overlooking the Garden (The Breakfast Room)

1930 · Oil on canvas

62 7/8 x 44 7/8" (159.6 x 113.8 cm)

Museum of Modern Art

Grapes

1928 · Oil on canvas

16 5/8 x 18 3/8" (42.2 x 46.4 cm)

Museum of Modern Art

Nude in the Bath

1925 · Oil paint on canvas

support: 1048 x 654 x 20 mm frame: 1237 x 852 x 76 mm

Tate

The Window

1925 · Oil paint on canvas

support: 1086 x 886 mm frame: 1283 x 1094 x 127 mm

Tate

The Bath

1925 · Oil paint on canvas

support: 860 x 1206 mm frame: 1079 x 1438 x 116 mm

Tate

The Table

1925 · Oil paint on canvas

support: 1029 x 743 mm frame: 1256 x 965 x 113 mm

Tate

The Seine at Vernonnet

1925 · Oil on canvas

108 × 108 cm (42 1/2 × 42 1/2 in.)

Art Institute of Chicago

The Tuileries Garden

1925 · Etching on ivory wove paper, retouched with graphite

35 × 27.2 cm (13 13/16 × 10 3/4 in.)

Art Institute of Chicago

Landscape in the South of France

1925 · Lithograph in black on cream wove paper

Image: 21.5 × 29.2 cm (8 1/2 × 11 1/2 in.); Sheet: 32.5 × 49.5 cm (12 13/16 × 19 1/2 in.)

Art Institute of Chicago

Woman Dressing, Seated (La Toilette Assise) from the portfolio Pierre Bonnard, Peintre et Lithographe

1925 · Lithograph

composition: 12 7/8 x 8 11/16" (32.7 x 22 cm)

Museum of Modern Art

The Bath

1924 · Lithograph in black on off-white wove paper

Image: 30 × 18 cm (11 13/16 × 7 1/8 in.); Sheet: 50 × 32.5 cm (19 11/16 × 12 13/16 in.)

Art Institute of Chicago

Man in frock-coat (L'homme à la redingot)

1924 · Etching and drypoint

plate: 11 1/4 x 8 15/16" (28.6 x 22.7cm); sheet: 12 11/16 x 9 3/4" (32.2 x 24.8cm)

Museum of Modern Art

Cat and Dog

1924 · Etching and drypoint

plate: 11 1/4 x 8 15/16" (28.5 x 22.7cm); sheet: 12 5/8 x 9 3/4" (32 x 24.8cm)

Museum of Modern Art

Policeman and accused man (Gendarme et accusé)

1924 · Etching and drypoint

plate and sheet: 12 11/16 x 9 3/4" (32.2 x 24.8 cm)

Museum of Modern Art

Portrait of Ambroise Vollard

1924 · Etching

plate: 13 15/16 x 9 3/8" (35.4 x 23.8 cm); sheet: 17 11/16 x 13 3/8" (45 x 33.9 cm)

Museum of Modern Art

The Bath (Le Bain) from Essai dur l'histoire de la lithographie en France. Les Peintures lithographes de Manet à Matisse. Album de lithographies originales.

1924 · Lithograph from a portfolio of 16 lithographs

composition: 11 13/16 x 8 7/16" (30 x 21.5 cm); sheet: 14 7/16 × 10 13/16" (36.7 × 27.4 cm)

Museum of Modern Art

Before Dinner

1924 · oil paint

35 1/2 x 42 in. (90.2 x 106.7 cm)

The Metropolitan Museum of Art

Nude Bending Down

1923 · Oil paint on canvas

support: 571 x 527 mm frame: 853 x 801 x 108 mm

Tate

Place Clichy

1922 · Lithograph in black, black-brown, orange, blue, and green on off-white wove paper

Image: 48 × 64 cm (18 15/16 × 25 1/4 in.); Sheet: 57 × 75 cm (22 1/2 × 29 9/16 in.)

Art Institute of Chicago

Portrait of Ambroise Vollard

1920 · Etching on off-white wove paper

Plate: 35.4 × 23.9 cm (13 15/16 × 9 7/16 in.); Sheet: 38.1 × 28.2 cm (15 × 11 1/8 in.)

Art Institute of Chicago

Le Prométhée mal enchaîné (Prometheus Illbound)

1920 · Illustrated book with forty-six line block reproductions after drawings (including covers)

page (each): 9 7/16 × 7 3/8" (24 × 18.7 cm); overall: 9 5/8 × 7 1/2 × 1/2" (24.4 × 19.1 × 1.3 cm)

Museum of Modern Art

Preparatory Sketch for ‘The Bowl of Milk’

1919 · Graphite on paper

support: 123 x 181 mm

Tate

Preparatory Sketch for ‘The Bowl of Milk’

1919 · Graphite on paper

support: 181 x 122 mm

Tate

Preparatory Sketch for ‘The Bowl of Milk’

1919 · Graphite on paper

support: 180 x 122 mm

Tate

Preparatory Sketch for ‘The Bowl of Milk’

1919 · Graphite on paper

support: 123 x 181 mm

Tate

Preparatory Sketch for ‘The Bowl of Milk’

1919 · Graphite on paper

support: 181 x 123 mm

Tate

Preparatory Sketch for ‘The Bowl of Milk’

1919 · Graphite on paper

support: 123 x 179 mm

Tate

Preparatory Sketch for ‘The Bowl of Milk’

1919 · Graphite on paper

support: 123 x 179 mm

Tate

Preparatory Sketch for ‘The Bowl of Milk’

1919 · Graphite on paper

support: 181 x 123 mm

Tate

Preparatory Sketch for ‘The Bowl of Milk’

1919 · Graphite on paper

support: 179 x 122 mm

Tate

Bathing Woman, Seen from the Back

1919 · Oil paint on canvas

support: 441 x 346 mm frame: 631 x 534 x 105 mm

Tate

The Bowl of Milk

1919 · Oil paint on canvas

support: 1162 x 1210 mm frame: 1380 x 1435 x 140 mm

Tate

Plate (between pages 16 and 17) from Der Schlecht Gefesselte Prometheus (Prometheus Illbound)

1919 · One from an illustrated book with six relief halftone reproductions after drawings

composition (irreg.): 4 9/16 × 5" (11.6 × 12.7 cm); page: 8 1/4 × 6 7/8" (21 × 17.4 cm)

Museum of Modern Art

Frontispiece from Der Schlecht Gefesselte Prometheus (Prometheus Illbound)

1919 · One from an illustrated book with six relief halftone reproductions after drawings

composition (irreg.): 4 5/16 × 4 7/16" (11 × 11.3 cm); page: 8 1/4 × 6 7/8" (21 × 17.4 cm)

Museum of Modern Art

Plate (between pages 48 and 49) from Der Schlecht Gefesselte Prometheus (Prometheus Illbound)

1919 · One from an illustrated book with six relief halftone reproductions after drawings

composition (irreg.): 5 7/16 × 3 9/16" (13.8 × 9.1 cm); page: 8 1/4 × 6 7/8" (21 × 17.4 cm)

Museum of Modern Art

Plate (between pages 36 and 37) from Der Schlecht Gefesselte Prometheus (Prometheus Illbound)

1919 · One from an illustrated book with six relief halftone reproductions after drawings

composition (irreg.): 3 11/16 × 4 7/16" (9.3 × 11.2 cm); page: 8 1/4 × 6 7/8" (21 × 17.4 cm)

Museum of Modern Art

Plate (between pages 44 and 45) from Der Schlecht Gefesselte Prometheus (Prometheus Illbound)

1919 · One from an illustrated book with six relief halftone reproductions after drawings

composition (irreg.): 4 3/8 × 5 1/4" (11.1 × 13.4 cm); page: 8 1/4 × 6 7/8" (21 × 17.4 cm)

Museum of Modern Art

Plate (between pages 12 and 13) from Der Schlecht Gefesselte Prometheus (Prometheus Illbound)

1919 · One from an illustrated book with six relief halftone reproductions after drawings

composition (irreg.): 3 3/4 × 5 1/2" (9.6 × 14 cm); page: 8 1/4 × 6 7/8" (21 × 17.4 cm)

Museum of Modern Art