Artworks · Salvator Rosa

Scenes of Witchcraft: Night

1640 · oil on canvas

Framed: 76.2 x 9.6 cm (30 x 3 3/4 in.); Unframed: 54.5 cm (21 7/16 in.)

Cleveland Museum of Art

Scenes of Witchcraft: Morning

1640 · oil paint

Framed: 76.2 x 9.6 cm (30 x 3 3/4 in.); Unframed: 54.5 cm (21 7/16 in.)

Cleveland Museum of Art

Scenes of Witchcraft: Day

1640 · oil on canvas

Framed: 76.2 x 9.6 cm (30 x 3 3/4 in.); Unframed: 54.5 cm (21 7/16 in.)

Cleveland Museum of Art

Apollo and the Cumean Sibyl

1635 · Red chalk with graphite additions, on cream laid paper

27.4 × 22.2 cm (10 13/16 × 8 3/4 in.)

Art Institute of Chicago

The Nurturing of Jupiter

1635 · Brush and brown and gray (possibly discolored) washes and pen and brown ink, over traces of black chalk, on tan laid paper; laid down on tan paper; ruled along edges in yellow metallic paint

30.2 × 20.3 cm (11 15/16 × 8 in.)

Art Institute of Chicago

Apple Harvesters and Resting Shepherds

1635 · Pen and black ink, with brush and gray wash, on cream laid paper, laid down on gray card

16.1 × 19.8 cm (6 3/8 × 7 13/16 in.)

Art Institute of Chicago

Man Mounting Lion

1635 · Pen and brown ink with brush and brown wash, over red chalk, on cream laid paper

9.5 × 5.4 cm (3 3/4 × 2 3/16 in.)

Art Institute of Chicago

Warrior at Rest

1635 · Red chalk, on ivory laid paper, tipped on ivory laid paper, tipped on pale green laid paper

19.5 × 15.2 cm (7 11/16 × 6 in.)

Art Institute of Chicago

Two Male Warriors

1635 · Red chalk, on tan laid paper, laid down on tan laid paper

17.1 × 13.1 cm (6 3/4 × 5 3/16 in.)

Art Institute of Chicago

Four Men in Forest

1635 · Pen and brown ink on tan laid paper

13.5 × 12.9 cm (5 3/8 × 5 1/8 in.)

Art Institute of Chicago

Two Grappling Figures

1635 · Brush and brown ink, with traces of black chalk, on tan laid paper, laid down on ivory laid paper

13.2 × 19.9 cm (5 1/4 × 7 7/8 in.)

Art Institute of Chicago

Standing Warrior

1635 · Red chalk transfer onto ivory laid paper

15.3 × 8.4 cm (6 1/16 × 3 5/16 in.)

Art Institute of Chicago

Standing Draped Figure in Profile (recto); Massacre of the Innocents (verso)

1635 · Pen and brown ink and brush and brown wash, with traces of graphite (recto), and pen and brown ink (verso), on ivory laid paper

12.4 × 5.4 cm (4 15/16 × 2 3/16 in.)

Art Institute of Chicago

Figure with Staff Pointing

1635 · Woodcut

Art Institute of Chicago

Landscape with a herdsmen

1635 · Etching and drypoint

Sheet: 3 7/16 × 3 7/16 in. (8.8 × 8.7 cm)

The Metropolitan Museum of Art

Landscape with a figure seated on a rock

1635 · Etching

Sheet: 5 11/16 × 3 5/8 in. (14.5 × 9.2 cm)

The Metropolitan Museum of Art

Praying male penitent in the wilderness

1635 · Etching and Drypoint

Sheet: 5 11/16 × 3 11/16 in. (14.5 × 9.3 cm)

The Metropolitan Museum of Art

Two warriors, one seated asleep on a foreground rock, from Figurine series

1635 · Etching on ivory laid paper

14.1 × 9 cm (5 9/16 × 3 9/16 in.)

Art Institute of Chicago

Figures on a Winding Road

1635 · Pen and brown ink and brush and gray and brown wash, traces of framing lines in brown ink

Sheet: 18.4 x 12.5 cm (7 1/4 x 4 15/16 in.)

Cleveland Museum of Art

Landscape with a figure seated on a rock

1635 · Etching

Sheet: 5 11/16 × 3 5/8 in. (14.5 × 9.2 cm)

The Metropolitan Museum of Art

Studies for Standing and Seated Figures.

1634 · Pen and brown ink, brush with gray and brown wash, over leadpoint or graphite

sheet: 8 9/16 x 14 in. (21.7 x 35.6 cm)

The Metropolitan Museum of Art

Sketches of Turbanned Men (recto); Fragment of a Figure and Sketches of Foliated Architectural Ornament (verso)

1632 · Pen and brown ink, with brush and brown wash (recto and verso), on ivory laid paper

20.6 × 14.8 cm (8 1/8 × 5 7/8 in.)

Art Institute of Chicago

Male nude lying on his side with his right arm behind his back

1630 · Etching

Sheet: 3 1/8 × 4 3/4 in. (8 × 12 cm)

The Metropolitan Museum of Art

A landscape with water in the foreground and mountains in the distance

1625 · Etching

Sheet: 3 9/16 × 4 9/16 in. (9.1 × 11.6 cm)

The Metropolitan Museum of Art

Bergachtig landschap met twee piramides en een aantal figuren

1625 · pen on ink, paper

width: 204 cm, height: 175 cm

Rijksmuseum

Soldier Seated

1615 · etching

National Gallery of Art

Rocky Landscape with a Rustic House

1615 · pen and brown ink

Overall: 23.5 x 42.5 cm (9 1/4 x 16 3/4 in.) support: 25.8 x 44.4 cm (10 3/16 x 17 1/2 in.)

National Gallery of Art

The Dream of Aeneas

1615 · etching

National Gallery of Art

The Academy of Plato

1615 · etching

National Gallery of Art

The Genius of Salvator Rosa

1615 · etching

National Gallery of Art

Diogenes Casting Away His Bowl

1615 · etching

overall: 46 x 27.5 cm (18 1/8 x 10 13/16 in.)

National Gallery of Art

Witches' Sabbath (recto); Figures Gathered around a tree (verso)

1615 · Pen and brown ink, brush and brown wash (recto and verso); framing lines in black chalk

8-9/16 x 12-1/2 in. (21.8 x 31.7 cm)

The Metropolitan Museum of Art

The Prodigal Son

1615 · Gray, black and brown wash, black and white chalk

22-7/16 x 17-3/8 in. (57.0 x 44.2 cm)

The Metropolitan Museum of Art

Study for a Raising of Lazarus (recto); half-length study of bearded nude male figure, and a man and woman with donkey (verso)

1615 · Red chalk highlighted with white chalk

10-7/8 x 8-3/8 in. (27.6 x 21.3 cm.) (margins irregular)

The Metropolitan Museum of Art

A Large Tree

1615 · Pen and brown ink, on brown paper

24 3/16 x 16 7/16in. (61.5 x 41.8cm)

The Metropolitan Museum of Art

Study for a Judgment of Paris and Other Figure Studies

1615 · Pen and brown ink, over black chalk

10-1/16 x 7-7/16 in. (25.5 x 18.9 cm)

The Metropolitan Museum of Art

Old Man Kneeling Facing Upper Left

1615 · Pen and brown ink, brown and gray wash, traces of red chalk

4-3/8 x 3-1/4 in. (11.1 x 8.2 cm)

The Metropolitan Museum of Art

Two Standing Soldiers and Six other Figures

1615 · Pen and brown ink

4-3/8 x 7-1/2 in. (11.1 x 19.0 cm)

The Metropolitan Museum of Art

Milo of Crotona

1615 · Pen and brown ink

5 9/16 x 3 5/16in. (14.1 x 8.4cm)

The Metropolitan Museum of Art

Two Standing Men Gesticulating

1615 · Pen and brown ink. Pen scribbles on verso are indistinctly visible on recto

5-1/4 x 3-1/16 in. (13.3 x 7.7 cm) (irregular)

The Metropolitan Museum of Art

Studies of Kneeling Figures

1615 · Pen and brown ink, brush and brown wash

7 15/16 x 5 9/16in. (20.2 x 14.1cm)

The Metropolitan Museum of Art

Death of Regulus

1615 · Pen and brown ink, brush and brown wash, on faded light green paper

18-1/8 x 28-7/8 in. (46 x 73.4 cm)

The Metropolitan Museum of Art

Figure studies: seated and standing men

1615 · Pen and brown ink, over traces of black chalk

6 3/8 x 6 11/16 in. (16.1 x 17 cm)

The Metropolitan Museum of Art

An Apparition

1615 · Pen and brown ink, lightly washed

7 3/8 × 5 1/2 in. (18.7 × 13.9 cm)

The Metropolitan Museum of Art

Study for a Prometheus Bound (recto); slight sketch of head and shoulders of man in lead pencil (verso)

1615 · Pen, brown ink and lead graphite

10 x 7 1/16 in. (25.4 x 17.9 cm)

The Metropolitan Museum of Art

The Prodigal Son Kneeling Repentant among Swine

1615 · Pen and brown ink, brown wash, on brownish paper

15-1/4 x 10-15/16 in. (38.7 x 27.8 cm)

The Metropolitan Museum of Art

Three Figures around a globe

1615 · Pen and brown ink, brush and brown wash, over traces of black chalk

9 1/4 x 7 3/4in. (23.5 x 19.7cm)

The Metropolitan Museum of Art

Studies for a Figure Lifted from a Grave or Pit by Cords. V e r s o: Further Study of the Same Figure

1615 · Pen and brown ink (recto and verso)

6 3/16 x 4 7/8in. (15.7 x 12.4cm)

The Metropolitan Museum of Art