WATTS INDEXThe canonical database of visual culture

Artists›Theodoor van Thulden

Theodoor van Thulden

Dutch, 1606–1669

WA-00048050

Drawing

Representation

None documented

Institutional Exhibitions

Works in Collection

Assets Indexed

Authority-backed Facts

Publications Referenced

50%

Profile Completeness

Cultural Positioning

Influence Graph

No influence edges encoded yet.

Field Verification (2 fields)

2 cross-verified · 0 single-source

Is PublishedPath D Subcohort3 Directory 2026-05-23· 100%✓
Birth yearArtic· 93%✓

Source Registry (1)

Aicsub-cohort-3-backfill:aic
Tier 3 · Scraped/inferred50%

About

Why this artist matters now

No biography available for Theodoor van Thulden yet.

Graph relationships

Taste overlap and adjacency

Movement

—

Medium

Drawing

Related Artists

6 in graph

Institutional

Museum Collections

Rijksmuseum The Metropolitan Museum of Art Art Institute of Chicago National Gallery of Art

Canonical record

Artworks (17)

Allegory of the Farewell of William III from Amalia van Solms following the transfer of Regency to the States General

1661 · canvas, oil paint (paint)

width: 97 cm, height: 115 cm

Rijksmuseum

Antwerp Blessed with Abundance

1648 · red chalk and brush and black ink with brown and gray wash

overall: 34.2 x 38.5 cm (13 7/16 x 15 3/16 in.)

National Gallery of Art

Compositional Sketch for The Request for Admission into the Union, a Painting in the Town Hall of 's-Hertogenbosch. The Province of Brabant requests the same status as the seven provinces of the Dutch Republic

1645 · Pen and brown ink, brush and blue wash

4 15/16 x 7 5/16 in. (12.5 x 18.5 cm)

The Metropolitan Museum of Art

Vierentwintig Romeinse munten met deviezen en emblemen van keizers

1642 · engraving on paper

width: 411 cm, height: 467 cm

Rijksmuseum

Negentien Romeinse munten met deviezen en emblemen van keizers

1642 · engraving on paper

width: 403 cm, height: 525 cm

Rijksmuseum

Firework around the Antwerp Cathedral, plate 41 from Casperius Gevartius, Pompa Introitus Honori Serenissimi Principis Ferdinandi

1642 · Engraving, with etching and plate tone, in black on cream laid paper

Plate: 44.4 × 29.9 cm (17 1/2 × 11 13/16 in.); Sheet: 46 × 31.6 cm (18 1/8 × 12 1/2 in.)

Art Institute of Chicago

Philip IV Appointing Prince Ferdinand Governor of the Netherlands, plate 25 from Casperius Gevartius, Pompa Introitus Honori Serenissimi Principis Ferdinandi (Triumphal Entry of the Most Serene and Honorable Cardinal-Infante Ferdinand)

1642 · Engraving, with etching and plate tone, in black on cream laid paper

Plate: 26.9 × 33.4 cm (10 5/8 × 13 3/16 in.); Sheet: 55.6 × 39.6 cm (21 15/16 × 15 5/8 in.)

Art Institute of Chicago

Stage in Memory of Isabella Clara Eugenia, plate 24 from Casperius Gevartius, Pompa Introitus Honori Serenissimi Principis Ferdinandi (Triumphal Entry of the Most Serene and Honorable Cardinal-Infante Ferdinand)

1642 · Engraving, with etching and plate tone, in black on cream laid paper

Plate: 50.2 × 38.5 cm (19 13/16 × 15 3/16 in.); Sheet: 55.5 × 39.4 cm (21 7/8 × 15 9/16 in.)

Art Institute of Chicago

Genealogical Tree of the Austrian Royal Family, plate 32 from Casperius Gevartius, Pompa Introitus Honori Serenissimi Principis Ferdinandi (Triumphal Entry of the Most Serene and Honorable Cardinal-Infante Ferdinand)

1642 · Engraving, with etching and plate tone, in black on cream laid paper

Plate: 41.5 × 28.7 cm (16 3/8 × 11 5/16 in.); Sheet: 55.7 × 38.8 cm (21 15/16 × 15 5/16 in.)

Art Institute of Chicago

The Return of Ulysses

1633 · Pen and brown ink with brush and gray wash, over traces of black chalk, on ivory laid paper

19.8 × 25.3 cm (7 13/16 × 10 in.)

Art Institute of Chicago

Maria als Onze Lieve Vrouwe ter Hulpe en de verlossing van de gevangenen

1632 · engraving on paper

width: 218 cm, height: 304 cm

Rijksmuseum

De metgezellen van Odysseus maken de zak open waarin Aeolus de winden besloten had

1631 · pen on ink, paper

width: 239 cm, height: 168 cm

Rijksmuseum

Isaac and Rebecca at Well

1626 · Pen and brown ink, with brush and brown wash and lead white (partly discolored), over red chalk, on cream laid paper, laid down on card

41.5 × 29 cm (16 3/8 × 11 7/16 in.)

Art Institute of Chicago

The Marriage of Maximilian of Austria with Mary of Burgundy

1626 · Etching on tan laid paper

Plate: 25.8 × 29.8 cm (10 3/16 × 11 3/4 in.); Sheet: 45.7 × 35.7 cm (18 × 14 1/16 in.)

Art Institute of Chicago

Neptune

1626 · Black and red chalk, heightened with white chalk, on tan laid paper

32 × 22.1 cm (12 5/8 × 8 3/4 in.)

Art Institute of Chicago

The Adoration of the Magi

1616 · Pen and black ink, brush and brown wash, over black chalk or graphite; double framing lines in pen and brown ink and brush and brown wash, probably by the artist

sheet: 9 3/16 x 6 7/8 in. (23.3 x 17.4 cm)

The Metropolitan Museum of Art

Gelijkenis van de verloren zoon

1616 · etching on paper

width: 103 cm, height: 130 cm

Rijksmuseum

View all 17 artworks →

Artwork sources (4)

17 published of 17 catalogued · 17 with image

Art Institute Chicago
8 published8 img
Rijksmuseum
6 published6 img
The Met
2 published2 img
Nga
1 published1 img

Per-Artwork Provenance Chains (top 3)

3 entries · 1 sources

Allegory of the Farewell of William III from Amalia van Solms following the transfer of Regency to the States General
1661 · Rijksmuseum · 1 prov
Url Pattern Extraction 2026-05-27·accession_number
De metgezellen van Odysseus maken de zak open waarin Aeolus de winden besloten had
1631 · Rijksmuseum · 1 prov
Url Pattern Extraction 2026-05-27·accession_number
Maria als Onze Lieve Vrouwe ter Hulpe en de verlossing van de gevangenen
1632 · Rijksmuseum · 1 prov
Url Pattern Extraction 2026-05-27·accession_number

Record

Images

Artsy

Art Institute of Chicago

Relationships

Collections4

Rijksmuseum The Metropolitan Museum of Art Art Institute of Chicago National Gallery of Art

Institutional

Representation & Collections

In collection

Rijksmuseum

In collection

The Metropolitan Museum of Art

In collection

Art Institute of Chicago

In collection

National Gallery of Art

Record

Exhibitions and timeline

No exhibitions or timeline entries yet