Allegory of Love: Scorn
1800 · Pen and black ink, with brush and watercolor and gouache, over graphite, on cream wove paper, laid down on ivory wove paper
42 × 42.7 cm (16 9/16 × 16 13/16 in.)
Art Institute of Chicago
WATTS INDEXThe canonical database of visual culture
Veronese (Paolo Caliari)
Republic of Venice, 1528–1588
WA-00044131
Mantua
PaintingFuturism
Representation
None documented
0
Institutional Exhibitions
4
Works in Collection
43
Assets Indexed
1
Authority-backed Facts
0
Publications Referenced
70%
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Field Verification (1 fields)
1 cross-verified · 0 single-source
- Is PublishedPath D Subcohort3 Directory 2026-05-23· 100%✓
Source Registry (1)
- AicTier 3 · Scraped/inferred50%
About
Why this artist matters now
Paolo Caliari, known as Veronese, painted monumental history compositions in oil that established him as a supreme colorist of the Venetian Renaissance. Working alongside Titian and Tintoretto, he created vast canvases of religious and mythological narratives, including The Wedding at Cana and The Feast in the House of Levi, characterized by luminous color harmonies and densely populated scenes. After an early engagement with Mannerism, Veronese developed a naturalist approach influenced by Titian, defining Venetian painting of the sixteenth century.
Source: Aic · Trust score: 50% · Updated 16d ago
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Artworks (4)
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4 published of 12 catalogued · 12 with image
- Art Institute Chicago4 publishedof 12 catalogued12 img
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2Movements1
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Art Institute of Chicago
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