Artworks · William Hogarth

George Taylor Triumphing over Death

1750 · Chalk on paper

support: 495 x 396 mm

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The March to Finchley

1750 · Etching and engraving on paper

image: 418 x 542 mm

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Heads of Six of Hogarth’s Servants

1750 · Oil paint on canvas

support: 630 x 755 mm frame: 883 x 1009 x 65 mm

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The Reward of Cruelty

1750 · Woodcut in black on ivory laid paper

Image/block: 45.5 × 38.5 cm (17 15/16 × 15 3/16 in.); Sheet: 52 × 42.4 cm (20 1/2 × 16 3/4 in.)

Art Institute of Chicago

Cruelty in Perfection

1750 · Woodcut with letterpress in black on ivory laid paper

Image/block: 45.2 × 38.2 cm (17 13/16 × 15 1/16 in.); Sheet: 51.6 × 41.5 cm (20 3/8 × 16 3/8 in.)

Art Institute of Chicago

Portrait of George Osborne, later John Ranby Jnr

1749 · oil paint

support: 630 x 565 mm frame: 800 x 738 x 65 mm

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Portrait of Hannah, Daughter of John Ranby Snr

1749 · oil paint

support: 635 x 565 mm frame: 802 x 732 x 67 mm

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O the Roast Beef of Old England (‘The Gate of Calais’)

1749 · Etching and engraving on paper

image: 432 x 569 mm

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Gulielmus Hogarth

1748 · etching and engraving

sheet: 62.8 × 46.7 cm (24 3/4 × 18 3/8 in.)

National Gallery of Art

O the Roast Beef of Old England (‘The Gate of Calais’)

1748 · Oil paint on canvas

support: 788 x 945 mm frame: 1072 x 1228 x 105 mm

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The Roast Beef of Old England

1748 · Engraving in black on tan wove paper

Plate: 38.5 × 45.5 cm (15 3/16 × 17 15/16 in.); Sheet: 47 × 62.9 cm (18 9/16 × 24 13/16 in.)

Art Institute of Chicago

The Stage-coach, or the Country Inn Yard

1747 · etching and engraving

sheet: 21.4 × 30.7 cm (8 7/16 × 12 1/16 in.)

National Gallery of Art

The Idle 'Prentice Executed at Tyburn

1747 · etching and engraving

sheet: 27.3 × 40.6 cm (10 3/4 × 16 in.)

National Gallery of Art

The Industrious 'Prentice Alderman of London,the Idle one brought before him & impea ch'd by his Accomplice

1747 · etching and engraving

sheet: 26.5 × 35 cm (10 7/16 × 13 3/4 in.)

National Gallery of Art

The Industrious 'Prentice Lord-Mayor of London

1747 · etching and engraving

sheet: 27.2 × 40.5 cm (10 11/16 × 15 15/16 in.)

National Gallery of Art

The Idle 'Prentice betray'd by his Whore, & taken in a Night Cellar with his Accomplice

1747 · etching and engraving

sheet: 26.4 × 34.7 cm (10 3/8 × 13 11/16 in.)

National Gallery of Art

The Industrious 'Prentice grown rich & Sheriff of London

1747 · etching and engraving

sheet: 26.2 × 34.7 cm (10 5/16 × 13 11/16 in.)

National Gallery of Art

The Idle 'Prentice return'd from Sea & in a Garret with a common Prostitute

1747 · etching and engraving

sheet: 26.5 × 34.8 cm (10 7/16 × 13 11/16 in.)

National Gallery of Art

The Industrious 'Prentice a Favorite, and entrusted by his Master

1747 · etching and engraving

sheet: 26.3 × 34.8 cm (10 3/8 × 13 11/16 in.)

National Gallery of Art

The Industrious 'Prentice out of his Time, and Married to his Master's Daughter

1747 · etching and engraving

sheet: 26.5 × 34.8 cm (10 7/16 × 13 11/16 in.)

National Gallery of Art

The Idle 'Prentice turn'd away, and sent to Sea

1747 · etching and engraving

National Gallery of Art

The Fellow 'Prentices at Their Looms

1747 · etching and engraving

sheet: 26.6 × 34.9 cm (10 1/2 × 13 3/4 in.)

National Gallery of Art

The Industrious 'Prentice performing the Dutyof a Christian

1747 · etching and engraving

sheet: 26.7 × 35 cm (10 1/2 × 13 3/4 in.)

National Gallery of Art

The Idle 'Prentice at Play in the Church Yard, during Divine Service

1747 · etching and engraving

sheet: 26.2 × 34.8 cm (10 5/16 × 13 11/16 in.)

National Gallery of Art

The Industrious 'Prentice Performing the Duty of a Christian: IIndustry and Idleness, plate 2

1747 · Etching and engraving; first state of two

sheet: 10 3/8 x 13 3/4 in. (26.4 x 34.9 cm)

The Metropolitan Museum of Art

Simon Lord Lovat

1746 · etching

sheet: 35.9 × 23 cm (14 1/8 × 9 1/16 in.) mount: 62.7 × 46.8 cm (24 11/16 × 18 7/16 in.)

National Gallery of Art

Simon Lord Lovat

1746 · etching

plate: 36.1 × 23.3 cm (14 3/16 × 9 3/16 in.) sheet: 38.5 × 25 cm (15 3/16 × 9 13/16 in.)

National Gallery of Art

Paul Before Felix

1746 · Various red chalks on cream laid paper

39.5 × 51.5 cm (15 9/16 × 20 5/16 in.)

Art Institute of Chicago

The Dance (The Happy Marriage ?VI: The Country Dance)

1745 · oil paint

support: 677 x 892 mm frame: 840 x 1050 x 70 mm

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Thomas Herring, Archbishop of Canterbury

1745 · oil paint

support: 1270 x 1015 mm

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The Staymaker (? The Happy Marriage V: The Fitting of the Ball Gown)

1745 · Oil paint on canvas

support: 699 x 908 mm

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The Painter and his Pug

1745 · Oil paint on canvas

support: 900 x 699 mm frame: 1080 x 875 x 78 mm

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Marriage à la Mode: The Death of the Countess

1745 · engraving

Cleveland Museum of Art

The Marriage Settlement, Plate 1

1745 · Etching and engraving

Image: 35 x 44.5 cm (13 3/4 x 17 1/2 in.); Plate: 38.2 x 46.8 cm (15 1/16 x 18 7/16 in.); Sheet: 46.4 x 57.5 cm (18 1/4 x 22 5/8 in.)

Cleveland Museum of Art

The Tête à Tête

1745 · etching and engraving

Platemark: 38 x 46.4 cm (14 15/16 x 18 1/4 in.)

Cleveland Museum of Art

Marriage à la Mode

1745 · engraving

Cleveland Museum of Art

The Battle of the Pictures

1744 · etching

sheet: 19.7 x 21.3 cm (7 3/4 x 8 3/8 in.)

National Gallery of Art

Characters and Caricaturas

1743 · etching

sheet: 22.9 × 20.3 cm (9 × 8 in.)

National Gallery of Art

Characters and Caricaturas

1743 · etching

plate: 26.1 × 20.5 cm (10 1/4 × 8 1/16 in.) sheet: 33.6 × 24.3 cm (13 1/4 × 9 9/16 in.)

National Gallery of Art

The Enraged Musician

1741 · engraving with etching on laid paper

plate: 36 × 41.7 cm (14 3/16 × 16 7/16 in.) sheet: 42.2 × 48.5 cm (16 5/8 × 19 1/8 in.)

National Gallery of Art

The Enraged Musician

1741 · etching and engraving

plate: 36 × 41.1 cm (14 3/16 × 16 3/16 in.) sheet: 39.2 × 44.9 cm (15 7/16 × 17 11/16 in.)

National Gallery of Art

The Enraged Musician

1741 · Etching and engraving on paper

image: 332 x 405 mm

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Benjamin Hoadly, Bishop of Winchester

1741 · Oil paint on canvas

support: 1273 x 1015 mm frame: 1910 x 1414 x 115 mm

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Mrs Salter

1741 · Oil paint on canvas

support: 762 x 635 mm frame: 1037 x 916 x 122 mm

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The Enraged Musician

1741 · Engraving in black on ivory laid paper

Image: 33.2 × 39.7 cm (13 1/8 × 15 11/16 in.); Plate: 36.3 × 41 cm (14 5/16 × 16 3/16 in.); Sheet: 42.5 × 55.5 cm (16 3/4 × 21 7/8 in.)

Art Institute of Chicago

Head of a Lady, Called Lady Pembroke

1740 · oil paint

unconfirmed: 628 x 530 mm

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Lavinia Fenton, Duchess of Bolton

1740 · Oil paint on canvas

support: 737 x 584 mm frame: 1085 x 925 x 140 mm

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James Quin, Actor

1739 · Oil paint on canvas

support: 760 x 622 mm frame: 965 x 843 x 95 mm

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