Artworks · William Hunt

The Father's Leave-Taking

1879 · etching

Sheet: 30.4 x 48 cm (11 15/16 x 18 7/8 in.); Platemark: 19.1 x 25 cm (7 1/2 x 9 13/16 in.)

Cleveland Museum of Art

The Shadow of Death

1878 · Mixed method engraving on ivory chine laid down on off-white plate paper

Chine: 102.3 × 79 cm (40 5/16 × 31 1/8 in.); Sheet, sight: 130 × 100 cm (51 3/16 × 39 3/8 in.)

Art Institute of Chicago

The Terrace, Berne

1875 · brush on paper, watercolor (paint), deck paint

width: 443 cm, height: 335 cm

Rijksmuseum

Bay of Naples–A Land of Smouldering Fire

1871 · Watercolor with touches of gouache (bodycolor) over graphite

19-1/2 x 29 5/8 in. (49.5 x 75.3 cm)

The Metropolitan Museum of Art

Mary Walker Waugh

1868 · oil on fabric

Framed: 115.5 x 95.5 x 6 cm (45 1/2 x 37 5/8 x 2 3/8 in.); Unframed: 86.2 x 66.1 cm (33 15/16 x 26 in.)

Cleveland Museum of Art

The Day in the Country

1865 · Etching on ivory chine paper, laid down on white wove card

Image: 14 × 21 cm (5 9/16 × 8 5/16 in.); Plate: 8.9 × 25.9 cm (3 9/16 × 10 1/4 in.); Sheet: 32 × 44.7 cm (12 5/8 × 17 5/8 in.)

Art Institute of Chicago

The Abundance of Egypt

1857 · Etching on cream wove chine laid down on off-white wove paper

Image: 13.8 × 10.5 cm (5 7/16 × 4 3/16 in.); Chine: 14.7 × 11.3 cm (5 13/16 × 4 1/2 in.); Plate: 15.5 × 12.2 cm (6 1/8 × 4 13/16 in.); Sheet: 19.1 × 15.3 cm (7 9/16 × 6 1/16 in.)

Art Institute of Chicago

Snowdon, after an April Hailstorm [or Snowdon through Clearing Clouds]

1852 · Watercolor

Sheet: 13 3/8 × 19 11/16 in. (34 × 50 cm)

The Metropolitan Museum of Art

Cwm Trifaen

1852 · watercolor with gouache and scratching out

Sheet: 25 x 35 cm (9 13/16 x 13 3/4 in.)

Cleveland Museum of Art

Study for "The Hireling Shepherd"

1851 · graphite

Sheet: 11.4 x 18.3 cm (4 1/2 x 7 3/16 in.)

Cleveland Museum of Art

My Beautiful Lady (top); Of My Lady in Death (bottom), frontispiece to The Germ, No. 1

1850 · Etching on chine paper, laid down on ivory wove paper (chine collé)

Plate: 20.3 × 12 cm (8 × 4 3/4 in.); Sheet: 43.6 × 29.8 cm (17 3/16 × 11 3/4 in.)

Art Institute of Chicago

The quacksalver

1831 · etching on paper

width: 80 cm, height: 102 cm

Rijksmuseum

An apple, grapes and a hazelnut on a mossy bank

1830 · Watercolor and graphite, heightened with white

Sheet: 3 11/16 × 5 1/8 in. (9.4 × 13 cm)

The Metropolitan Museum of Art

A Barn Interior

1830 · Watercolor, over graphite, with gum arabic, heightened with gouache and scratching out, on paper

31.2 × 45.3 cm (12 5/16 × 17 7/8 in.)

Art Institute of Chicago

The Woodcutter's Breakfast (The Faggot Gatherer's Meal)

1827 · Watercolor and gouache (bodycolor) over graphite

13 x 17 in. (33.0 x 43.2 cm)

The Metropolitan Museum of Art

Study of a Young Model

1825 · Watercolor over graphite with reductive techniques

Sheet: 14 1/8 × 9 7/8 in. (35.9 × 25.1 cm)

The Metropolitan Museum of Art

Cottages in an extensive landscape

1823 · Reed pen, ink and watercolor over traces of graphite

Sheet: 12 15/16 in. × 19 in. (32.8 × 48.3 cm)

The Metropolitan Museum of Art

Fishermen's cottages at Hastings

1815 · Watercolor

Sheet: 4 1/2 × 9 7/16 in. (11.5 × 24 cm)

The Metropolitan Museum of Art

Portret van de schilder James Holland

1800 · brush on hardboard, oil paint (paint), cardboard

width: 78 cm, height: 105 cm, height: 120 cm, width: 82 cm

Rijksmuseum