Artworks · William Mulready

Study of Hands

1861 · Ink on paper

support: 79 x 184 mm

Tate

The Toy-seller

1860 · oil paint

Head of an Old Man

1860 · Ink and gouache on paper

support: 227 x 183 mm

Tate

Study of Hands

1860 · Ink on paper

support: 113 x 80 mm

Tate

Study of Hands

1859 · Ink on paper

support: 81 x 187 mm

Tate

Study of Hands

1859 · Ink on paper

support: 129 x 119 mm

Tate

Head of a Bearded Man Gazing to His Left

1859 · pen and brown ink

Sheet: 22.6 x 18.4 cm (8 7/8 x 7 1/4 in.); Secondary Support: 28.1 x 24 cm (11 1/16 x 9 7/16 in.)

Cleveland Museum of Art

Female Nude, Seated, Three Quarter View from Front

1859 · black and red crayon

Sheet: 49.2 x 34.1 cm (19 3/8 x 13 7/16 in.)

Cleveland Museum of Art

Academy Study

1857 · Ink on paper on board

support: 495 x 216 mm

Tate

The Young Brother

1856 · oil paint

support: 775 x 629 mm

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Bathers Surprised

1852 · oil paint

Crossing the Ford

1852 · oil paint

Study of a Male Nude

1847 · pen and black ink and watercolor with white gouache over graphite on wove paper

sheet: 17.46 × 25.08 cm (6 7/8 × 9 7/8 in.)

National Gallery of Art

Academy Study

1846 · Crayon on paper

support: 495 x 356 mm

Tate

Academy Study

1842 · Pastel on paper

support: 508 x 356 mm

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The Ford (‘Crossing the Ford’)

1842 · Oil paint on mahogany

support: 606 x 502 mm

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William Mulready

1835 · oil paint

The Last In

1834 · Oil paint on mahogany

support: 622 x 762 mm

Tate

Anatomical Study of a Horse, Founded on `Eclipse', Nov. 26, 1832

1832 · graphite

Figure Studies

1832 · pen and brown ink on wove paper

overall: 18.6 x 31.2 cm (7 5/16 x 12 5/16 in.)

National Gallery of Art

Carghill and Touchwood

1831 · oil paint

An Old Gable

1830 · oil paint

The Interior of an English Cottage

1828

James Leckie and Little Mary

1828 · Ink on paper

support: 165 x 114 mm

Tate

Study for ‘Interior of an English Cottage’

1828 · Oil paint on wood

support: 98 x 70 mm

Tate

Self-Portrait of the Artist Reclining on a Gothic Couch Reading a Book

1827 · graphite

Ira Aldridge, Possibly in the Role of Othello

1826 · oil paint

Women and Children Listening to a Seated Man

1826 · Ink on paper

support: 54 x 52 mm

Tate

Playground Scene, Children Playing and Wrestling

1826 · Ink on paper

support: 139 x 112 mm

Tate

Woman with Ringlets, Standing

1824 · graphite

Fair Time (‘Returning from the Ale-House’)

1824 · oil paint

support: 787 x 660 mm

Tate

The Farrier's shop

1820 · oil paint

The Wolf and the Lamb

1819

John Varley

1814 · oil paint

A Gypsy Encampment

1810

Lock gate

1810

The Rattle

1808 · oil paint

support: 375 x 340 mm frame: 496 x 456 x 50 mm

Tate

An Alley with a Passage through a House

1807 · graphite

Head of Roman Emperor

1806 · Graphite on ivory laid paper, tipped on ivory wove paper

8.6 × 6.9 cm (3 7/16 × 2 3/4 in.)

Art Institute of Chicago

Girl

1805 · Black and white chalk with stumping, on gray wove paper, laid down on board

24.1 × 18.4 cm (9 1/2 × 7 1/4 in.)

Art Institute of Chicago

Portrait of George IV

1800 · Black crayon, heightened with red and white crayon, on brown wove paper

13.7 × 11.2 cm (5 7/16 × 4 7/16 in.)

Art Institute of Chicago

Anatomical Study of a Horse

laid paper

Sketch of Two Figures in an Interior: One Seated, One Standing

chalk

The Fight Interrupted

wash technique

Denial and Disappointment

ink

The Garden Gate

oil paint

The Artist's Father

 

Cupping the Bees

oil paint