
Pair of Protomes Depicting the Forepart of a Griffin
<p>The great holy sites of ancient Greece, such as the sanctuary of Zeus at Olympia and the Heraion of Samos, functioned as repositories for gifts brought by believers seeking divine favor. The most impressive of these offerings were large bronze cauldrons, which were set on a conical stand or tripod base and embellished with cast-bronze attachments like these two griffins. These beasts, facing outward, would have been fastened to the vessel by means of the rivets still present on their collars. This hollow-cast pair is remarkable for the superb quality of their craftsmanship, their condition, and their partially preserved inlaid eyes.</p> <p>A mythical creature revered for its protective powers, the griffin combined a feline body, an avian head, and tall, horse-like ears. It has been argued that the beaked Protoceratops that once roamed Central Asia were the iconographic inspiration for these ferocious beasts. Travelers may have seen the fantastic fossilized remains of the dinosaurs and then created stories to account for them. Meanwhile, local inhabitants may have spread tales about their ferocity as a way to discourage marauders from looting their wealth. These two griffins are highly agitated; their mouths are agape and their tongues curl up as they screech bloodcurdling warnings.</p>
Catalogue
- Year
- -625
- Dimensions
- 1: 20.3 × 7.6 × 7.6 cm (8 × 3 × 3 in.); 2: 21.6 × 8.3 × 7 cm (8 1/2 × 3 1/4 × 2 3/4 in.)
- Collection
- Art Institute of Chicago
- Artist
- Ancient Greek
Artist

Sculpture
Ancient Greek art spans a period between about 900 and 30 BCE and is divided into four periods: Geometric, Archaic, Classical, and Hellenistic. Throughout that period, artists worked with a wide variety of materials including bronze and stone for sculpture; terracotta for vases and figurines; various pigments for painting; and gold, silver, and bronze for coinage. In the Geometric period, not only were geometric patterns dominant but so too were abstract figures, especially horses , military, and funerary scenes. A lack of inscriptions can make the interpretation of this iconography difficult. Beginning in the 7th century BCE, the Archaic period ushered in an increasingly naturalistic style, especially in depictions of the human form. Influences from Egypt and the Near East can be seen in the appearance of motifs such as the palmette and lotus, along with composite creatures like griffins (bird/lion), sphinxes (human/winged lion), and sirens (bird/woman). Terracotta vases, especially those made in the second half of the sixth century BCE, depict aspects of daily life , funerary rites , warfare , and mythology . Experimentation with new techniques, such as black-figure and red-figure decoration, allowed for a wider range of figures and scenes to be depicted in greater detail. The Classical period, often defined by the Greek defeat of the Persians in 479 BCE, ushered in what is now known as the Golden Age of Greece. The city of Athens dominated the flourishing artistic scene, and the building of the Parthenon (the temple erected between 447 and 432 BCE on the Acropolis in Athens, Greece) paved the way for unprecedented achievements in architecture and sculpture. The final transition to the Hellenistic period, which lasted from about 323 through 30 BCE, occurred following the death of Alexander the Great, who famously spread Greek culture into the lands of his far-reaching conquest. Gods and heroes, who were previously depicted in two-dimensional scenes on vases or rel
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Record
Verified by WattsOS- Artist
- Ancient Greek
- Year
- -625
- Dimensions
- 1: 20.3 × 7.6 × 7.6 cm (8 × 3 × 3 in.); 2: 21.6 × 8.3 × 7 cm (8 1/2 × 3 1/4 × 2 3/4 in.)
- Watts ID
- WW--625-039490
Source
- Collection
- Art Institute of Chicago
- Source
- aic
- Reference
- View at source
- Status
- verified





