
The Dancers with the Lute, from The Caprices
<p>In the 17th century, the word <em>capriccio</em> generally indicated a musical composition that thwarted listeners’ expectations with sudden changes in tempo, rhythm, or structure that appeared to be made according to the performer’s whim, or caprice. Jacques Callot borrowed the term to describe a series of etchings with a wide variety of diverting subjects including peasants, architectural sites, military maneuvers, and musicians. Among other motifs, he depicted two pairs of dancers frolicking and playing musical instruments and a shepherd playing a flute.</p>
Catalogue
- Year
- 1617
- Dimensions
- 5.7 × 8 cm (2 1/4 × 3 3/16 in.)
- Collection
- Art Institute of Chicago
- Artist
- Jacques Callot
Artist
More
More by Jacques Callot

Unarmed Drill, plate one from The Military Exercises
1635 · Etching on paper

Frontispiece, from The Military Exercises
1635 · Etching on paper

The Resurrection of Lazarus, from The New Testament
1635 · Etching on paper

Firing the Canon, plate twelve from The Military Exercises
1635 · Etching on paper

The Tribute to Caesar, from The New Testament
1635 · Etching on paper

Taking the Firing Position with the Musket, plate eight from The Military Exercises
1635 · Etching on paper
Record
Verified by Watts Index- Artist
- Jacques Callot
- Year
- 1617
- Dimensions
- 5.7 × 8 cm (2 1/4 × 3 3/16 in.)
- Watts ID
- WW-1617-088183
Source
- Collection
- Art Institute of Chicago
- Source
- aic
- Reference
- View at source
- Status
- verified
